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Recommended: Women and literature
Journal Entry #2
“Oh, my girls , however long you may live , I never can wish you a greater happiness than this !”(449)
These are the concluding words to Little Women, and concludes the message presented by the novel . Marmen tries to teach the girls that a woman can go through life as they choose , but that no matter what a woman should always make sacrifices for their family , one 's family should
be a sacred and valuable thing , and by making sacrifices for one 's family , happiness will come out of it .
Since the start of the novel you can see how Jo doesn 't want to get married because that would involve leaving her sisters who she so deeply cares for her sisters and for them she is willing to never have kids or make
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A great example of this is demonstrated in the first chapter “Margaret, the eldest of the four, was sixteen, and very pretty, being plump and fair, with large eyes, plenty of soft brown hair, a sweet mouth, and white hands, of which she was rather vain. Fifteen-year-old Jo was very tall, thin, and brown, and reminded one of a colt, for she never seemed to know what to do with her long limbs, which were very much in her way. [. . .] Elizabeth, or Beth, as everyone called her, was a rosy, smooth-haired, bright-eyed girl of thirteen, with a shy manner, a timid voice, and a peaceful expression which was seldom disturbed. [. . .] Amy, though the youngest, was a most important person, in her own opinion at least. “
.More often than not, the narrator concentrates on our protagonist, Jo March. For instance, when Jo gets up on Christmas morning, the storyteller portrays her activities and emotions:Then she remembered her mother 's promise and, slipping her hand under her pillow, drew out a little crimson-covered book. She knew it very well, for it was that beautiful old story of the best life ever lived, and Jo felt that it was a true guidebook for any pilgrim going on a long journey. (chapter 2)
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In what capacity would we be able to tell? All things considered, it 's straightforward: we start with youngsters and adolescents who have dreams for the future, and after that we watch them developed into grown-ups who need to adjust their arrangements to their circumstances. In that sense, Little Women helps us to remember other extraordinary nineteenth-century books in which kids develop into grown-ups, as Jane Eyre and Incredible
1.Who is the narrator of the story? How is he or she connected to the story ( main character, observer, minor character)?
Children’s literature of the Nineteenth Century is notoriously known for its projection of expected Victorian gender roles upon its young readers. Male and female characters were often given specific duties, reactions, and characteristics that reflected society’s particular attitudes and moral beliefs onto the upcoming citizens of the empire. These embedded concepts helped to encourage nationality and guide children towards their specific gender roles which would ensure the kingdom’s future success. Even in class situations where the demanding gender roles were unreasonable to fulfill, the pressure to conform to the Victorian beliefs was still prevalent.
According to the Internet Movie Database's exhaustive records, Louisa May Alcott's novel "Little Women" has seen itself recreated in four TV series, four made for TV movies and five feature length movies since 1918. The most recent version appeared in 1994 and features Winona Ryder, Claire Danes, Kirsten Dunst, Samantha Mathis, Eric Stoltz, Susan Sarandon, and Gabriel Byrne. As a long time fan of the novel, who has happily carted her large leather bound gold-gilded unabridged edition whenever she has moved, I find that I was disappointed in this newest movie version. As a movie lover, however, I found the movie to be an enjoyable experience.
The dialogue a narrator uses with characters in a short story reflects on how the story is being understood by the reader. A character’s dialogue is assumed to be controlled by the author, and then the reader comprehends the dialogue through different points of view in which is told by a narrator. Which point of view the author uses can change how the reader may understand the story. Understanding a story is not just based off the ability to comprehend the plot, setting, characters, and theme. But importantly, understanding what point of view the narrator is in and whether the narrator has dialogue with characters within the story is important. The short story “Lusus Naturae”, written by Margaret Atwood, it’s a short story told by a first person narrator who is a main character in the story but has very minimum dialogue with the other characters. Another short story, “Sonny’s Blues”, written by James Baldwin, is
Adolescence and its impact on a character is a common theme throughout literature. Adolescence describes the period after childhood and before adulthood in one’s life. Childhood can impact one’s future course in life, whilst adulthood will receive the lasting effects of adolescence. In Charlotte Bronte’s Jane Eyre it is possible to see Jane’s adolescence as shaped by her childhood and impacting her adulthood. Jane’s difficult childhood leaves her with warped ideas of love and power. Jane’s adolescence is the first time she receives any love and learns how to love. Lastly, Jane’s adulthood decisions are influenced by her ideas on love and power that have been shaped by her childhood and adolescence.
...autiful creatures and deserve everything life has to offer. When gathered together, nothing can destroy the strength of a woman. Guidance from parents, at a very young age, can help mold the minds of the young children in today’s society. This world has become overpopulated with greed and hate. The only way to get past the hatred and violence is to love thy neighbor, and protect our young from the unnecessary violence that can be eliminated with love for one another.
...show us that the choices for women in marriage were both limited and limiting in their scope and consequences. As can be seen, it came down to a choice between honoring the private will of the self, versus, honoring the traditions and requirements of society as a whole. Women were subject to the conditions set down by the man of the house and because of the social inequality of women as a gender class; few fought the rope that tied them down to house, hearth, and husband, despite these dysfunctions. They simply resigned themselves to not having a choice.
Watson, N. (2009) ‘Louisa May Alcott, Little Women (1868-9) Introduction’, in Montgomery H and Watson N (eds), Children’s Literature Classic Texts and Contemporary Trends, Basingstoke, Palgrave Macmillan in association with Open University, pp.13-17
Finally, the movie says that women, first of all, should rely on themselves and not submit to any kind of domination. They should simply support themselves by their own efforts instead of letting someone else arrange and control their lives. The movie also demonstrates how a girl possessing the virtues of honesty, patience, prudence, industry, and obedience can be rewarded with a husband and the attendant better life and higher social position.
"The role of the narrator influences the type of relationship we have not only with him or her but also with the story" (Landy 75). This quote was taken from our Literary Studies book in which we have read several stories concerning different styles of narration. Narration is one of the most important components of a story. The characters, plot, setting, and theme are also significant, however the narrator sets the mood and also the pace of the story. Two good examples of narration is the short tale The Zebra Storyteller by Spencer Holst and The Yellow Wallpaper by Charlotte Perkins Gilman. These are stories in which the narrators retain certain styles of narration. An outside book that we have not read is the fairy tale Cinderella. In these three works, the narrators have specific functions or duties to carry throughout the story.
The adults in the story expect the children to grow into the gender role that their sex has assigned to them. This is seen in several places throughout the story, such as when the narrator hears her mother talking to her father, “I heard my mother saying, ‘Wait till Laird gets a little bigger, then you’ll have a real help’…. ‘And then I can use her more in the house’” (Munro 495), when her grandmother comes to visit and tells her all the things girls aren’t supposed to do, and when she is roughhousing with her little brother and the farm hand, Henry Bailey, tells her, “that there Laird’s gonna show you, one of these days” (Munro 497). While the narrator disagrees with the adults, and tries not to conform to their expectations, at the end of the story both she and her brother end up acting exactly as a child of their age and gender would be expected to act: the preteen girl crying with no apparent logical reason, and the young boy excited to have been included with the men, and talking about the thrilling tale of slaying a horse.
This is the first line in the novel, which clearly shows the connection between money and marriage. It
She is stating that she knows she is far from perfect, but she wants to be remembered for her accomplishments and good. She wants her husband to move on. but to keep her children happy and taken care of, if a tragedy is to come because of one of her
The story Little Women takes place at a time when women were taking on uncustomary roles like physical laborer, family protector and provider, and military volunteer while their husbands served during the Civil War. Keeping within the boundaries of the time, Louisa May Alcott uses herself and her own three sisters to create this classical novel from personal experiences. Each sister is different. They each set goals and dreams for their selves whether it goes along with their contemporary society or not. With the assistance of their mother, friends and experiences, Meg, Jo, Beth, and Amy struggle between their personal expectations and society’s expectations as they plan for their future and choose their destinies.
The narrator is the person telling the story and can range from one to several, within a single story. How the author develops the narration will direct how their work is perceived by the reader. The narrator can present the story reliably or dishonestly, from a compelling view to an ironic view. The author can lose or gain pertinent information simply by changing the narration. Narration is a guide for the reader “…it requires the invention of a narrator,” Diane Middlebook said, “who serves as a contemporary guide to the materials of the book…” (Middlebrook). The narrator of a story is fundamental to the reader’s understanding and, any changes to the narration can change the stories understanding entirely.