Analysis Of Titus Kaphar's Painting 'The Cost Of Removal'

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Historically artist have been rebellious with their work, testing the boundaries of what the viewer can feel and think. Titus Kaphar is one of those rebels. As an artist, Kaphar visually test the boundaries of how history has proven challenges to some and become beneficial to others. In his piece being discussed “The Cost of Removal”, Kaphar challenges the view to feel and think in depth about our leader and the injustices that came with them. Barack Obama once said “Change will not come if we wait for some other person, or if we wait for some other time. We are the ones we’ve been waiting for. We are the change we seek”. Change only occurs when find our voice that's why the purpose of this essay is then to prove that learning from the past …show more content…

Chang, “The past has been there all along, reminding us: This time--maybe, hopefully, against all odds, we will get it right.”. Titus Kaphar does just that; drawing parallels between our country’s past mistakes and modern day issues. His painting “The Cost of Removal” demonstrates how we can not change the past, only the future. The painting features symbols representing power and how its been abused throughout history. The most eye-catching aspect of the piece was the shredded document nailed to Jackson's face just above his mouth. Each symbol is packed with significance and purpose. The rusted nails that held the document, according to Kaphar, represent “an African ritual of hammering nails into objects of adoration or spiritual significance.” (crystalbridges.org). Each nail represents a person, someone who believed in the actions being taken. The document that the nails held was the Indian Removal Act of 1830, the act that forced Native Americans and their tribes out of their land and into federal territory. This horrid removal is known as The Trail of Tears. Finally, the portrait the document is nailed to. In Titus Kaphar’s painting he sampled a piece from Ralph Earl’s portrait of Andrew Jackson, “Andrew Jackson on Sam Patch”, to depict the modern day struggles of marginalized people. The piece “calls out” our leaders and holds them responsible for their actions a lot like the younger generation is doing. Kaphar’s art sparks much debate about our past and how it is bound to repeat itself if nothing

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