Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Poems about love and loss
Poetry essays about death and loss
Talking to grief poem analysis
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Poems about love and loss
The poem “This is what I’ll remember” by Gabeba Baderoon is a poem written from protest to post-apartheid era. It is a poem reflecting the poet’s contemplation of the memory of her relationship with her mother up until the point in time of her mother’s death. In this essay I will first discuss how Gabeba Baderoon explores the idea of memory throughout the poem, I will secondly discuss how she also reflects on the way in which we make sense of significant events in our lives, lastly I will discuss the significance of the poets relationship with her mother in relation to the exploration of memory and significant events in our lives.
The poem begins with an unclear title “This is what I’ll remember”, unclear in the sense that the term “this” as used in the title is not made clear to the reader as to what it is referred to. The exploration thus begins in the first line of the first stanza of the poem in which the imagery of “mist” (Baderoon, in Carolin 2014:l.1) “in the park” (Baderoon, in Carolin 2014:l.1) is used to introduce the uncertainty or rather not so clear but present memory that “brings slow clarity” (Baderoon, in Carolin 2014:l.2) of the memory the poet is trying to remember. As the poets memory is constructed, she begins to remember the things that have never changed and continues to cherish and celebrate like a memorialisation of a “statue” (Baderoon, in Carolin 2014:l.5) as a symbol of a memory forever commemorated and the poet reflects on those memories of the events of her life that were given “the open spaces…” to change over time. Memory is also explored by the poet through season change when “the trees show the last of their colour” (Baderoon, in Carolin 2014:ll.7-8) she sees herself get older and her life and tho...
... middle of paper ...
...on time” (Baderoon, in Carolin 2014:ll.41-42). This last line of the poem suggests that the mother eventually passed away.
In conclusion “ This is what I’ll remember “ by Gabeba Baderoon explores the idea of memory and as well as reflects on the way in which we make sense of the way in which we make sense of significant events in our lives. The poet makes use of various poetic devices throughout the poem such as imagery and symbolism to reflect on the above mentioned. The moral lesson of this poem is that at the end of the day as much as we may feel that memories fade away there will always be someone or something to remind you of the past. Time is not always on our side so as human beings we should learn how to appreciate every moment we have because as much as we may think we have time, it remains one factor in our journey of life that is not promised to anyone.
Memory is both a blessing and a curse; it serves as a reminder of everything, and its meaning is based upon interpretation. In Julia Alvarez’s In the Time of the Butterflies Dedé lives through the memory of her family and her past. She tells the stories of her and her sisters lives leading up to their deaths, and reflects upon those memories throughout her daily life. Dedé lives on for her sisters, without her sisters, but all along carrying them with her throughout her life, never moving on. Dedé lives with the shame, sadness, and regret of all that has happened to her sisters, her marriage, and her family. Dedé’s memories serve as a blessing in her eyes, but are a burden
Hence, the poem's tone contains elements of remorse as well as impassivity. The traveler's detached description of the mother, "...a doe, a recent killing; / she had stiffened already, almost cold" (6-7), and the wistful detail with which he depicts her unborn offspring, "...her fawn lay there waiting...
Denise Levertov is the poet who wrote “The Blue Rim Memory” and “A Tree Telling of Orpheus,” in which she portrays a theme of morals and religious beliefs though post modernism, anachronism, and liberalism. Levertov was born in llford, United Kingdom and later moved to Massachusetts where she taught in universities such Brandeis University, MIT and Tufts University. Levertov wrote “The Blue Rim Memory” and “In the Land of Shinar” which brought her the fame and enabled her to begin her pilgrimage journey towards the deep spiritual, personal, and political understanding .
Through this short story we are taken through one of Vic Lang’s memories narrated by his wife struggling to figure out why a memory of Strawberry Alison is effecting their marriage and why she won’t give up on their relationship. Winton’s perspective of the theme memory is that even as you get older your past will follow you good, bad or ugly, you can’t always forget. E.g. “He didn’t just rattle these memories off.” (page 55) and ( I always assumed Vic’s infatuation with Strawberry Alison was all in the past, a mortifying memory.” (page 57). Memories are relevant to today’s society because it is our past, things or previous events that have happened to you in which we remembered them as good, bad, sad, angry etc. memories that you can’t forget. Winton has communicated this to his audience by sharing with us how a memory from your past if it is good or bad can still have an effect on you even as you get older. From the description of Vic’s memory being the major theme is that it just goes to show that that your past can haunt or follow you but it’s spur choice whether you chose to let it affect you in the
The opening of the poem commences when he uses the repetitive question “Do I want to remember? (Line 1).” That is used at the beginning of each stanza, emphasizing that the memories still hurt and the poet expresses that he is disturbed about these remembrances that shadow him and cannot be forgotten. He then, provides detailed description of how he cannot forget what happened. In general, the poem is organized question and answer. First, he begins to ask himself if he wants to remember when the ghetto was a peaceful place before they were invaded making reference to the Germans when the holocaust was in its early arising. The author mentions that children were cold and mothers were looking for food which makes the reader
For the most part of the poem she states how she believes that it is Gods calling, [Then ta’en away unto eternity] but in other parts of the poem she eludes to the fact that she feels more like her granddaughter was stolen from her [or sigh thy days so soon were terminate]. One of the main beliefs in these times was that when someone died it was their time; God needed them and had a better plan. Both poets found peace in the idea that God had the children now and it was part of the plan, but are also deeply saddened and used poetry as a coping mechanism.
In the poem, Harjo portrays the importance of recalling the past to help shape one’s identity. She uses the repetition of the word “Remember” to remind that while the past may be history, it still is a defining factor in people’s lives (l. 1). This literary technique
The article “How Our Brains Make Memories” explains how traumatic events and the memories they hold can become forgotten over time. Karim Nader recalls the day that two planes slammed into the twin towers in New York City and like almost every person in the United States he had vivid and emotional memories of that day. However he knew better than to trust his recollections of that day because he was an expert on memory. He attended college at the University of Toronto and in 1996 joined the New York University lab of Joseph LeDoux, a neuroscientist who studies how emotions influence memory. Fast forward to 2003, Nader is now a neuroscientist at McGill University in Montreal, where he says “his memory of
Eva Hoffman’s memoir, Lost in Translation, is a timeline of events from her life in Cracow, Poland – Paradise – to her immigration to Vancouver, Canada – Exile – and into her college and literary life – The New World. Eva breaks up her journey into these three sections and gives her personal observations of her assimilation into a new world. The story is based on memory – Eva Hoffman gives us her first-hand perspective through flashbacks with introspective analysis of her life “lost in translation”. It is her memory that permeates through her writing and furthermore through her experiences. As the reader we are presented many examples of Eva’s memory as they appear through her interactions. All of these interactions evoke memory, ultimately through the quest of finding reality equal to that of her life in Poland. The comparison of Eva’s exile can never live up to her Paradise and therefore her memories of her past can never be replaced but instead only can be supplemented.
While at rock bottom of one’s life, each protagonist maintains sense of security by remembering his past. In Scott Momaday’s The Way to Rainy Mountain, Momaday reclaims his past by remembering the time he spends with his grandmother. Through his grandmother’s death Momaday recollects her: “standing at the wood stove on a winter morning and turning meat in a great iron skillet; sitting at the south window, bent above her beadwork, and afterwards when her vision failed . . . when the weight of the age came upon her; praying. I remember her most often at prayer” (2507). He strongly desires to be at her grave and yearns for belonging through visiting her spiritually. Momaday looks at her grave with despair instead of embracing all the life that she gave him. By Momaday reminiscing about his grandma, he loses hope and bec...
The poem becomes personal on line 10 when she uses the first person and says “I lost my mother’s watch”. She is letting the reader know what she has lost in reality. Then she gets sidetracked to mention other things she has lost; she then mentions other things she has lost of much more importance such as houses, continents, realms, and cities, but then again mentions it was not so hard to lose those things. But in the end, mention the loss that really matters. She remembers the qualities of the lover she lost.
As I have been reading memoirs about memory for this class, each essay made me recall or even examine my past memory closely. However, the more minutely I tried to recall what happened in the past, the more confused I got because I could not see the clear image and believe I get lost in my own memory, which I thought, I have preserved perfectly in my brain. The loss of the details in each memory has made me a little bit sentimental, feeling like losing something important in my life. But, upon reading those essays, I came to realize that remembering correct the past is not as important as growing up within memory. However, the feelings that were acquired from the past experience tend to linger distinctly. The essay that is related to my experience
It has been stated that the application of memory functions in fictional works which act as a reflective device of human experience. (Lavenne, et al. 2005: 1). I intend to discuss the role of memory and recollection in Kazuo Ishiguro’s dystopian science-fiction novel Never Let Me Go (2005).
How can you be satisfied without remembering the significant memories in life? Memory is the way we function through our day-to-day lives. Without memory we wouldn’t be here today, it is something that you develop to learn overtime. Memory is fascinating and can function and improve in many ways. It is astonishing how we can remember a certain taste, smell, sounds, and objects over a long and short period of time. The memory is very complex and consists of many components. In this essay I will be informing you on how the human memory is critical in our everyday lives.
Thus, story and memory remove humans from the horrible brevity of mortal life by bringing existence into a realm outside of time. Humans die, but through story their fellow humans can make them immortal. Even amidst life’s tragedies, stories allow us to transform what seems an unbearable reality into something deeply beautiful. And yet their power is not merely retrospective since stories impose moral responsibility on our every action. Forgetting, therefore, is among the worst evils; not only because of the “moral perversity” it permits, but also because of the meaning it denies.