Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
The role of nature in modern literature
How literature shapes culture
How does literature reflect culture
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: The role of nature in modern literature
Lesley Choyce is a Nova Scotian author and publisher of Pottersfield Press, who offers insight on life that focuses on the natural landscape around his home. This insight derived from his unidentified personal crisis. Choyce examines his life in the Seven Ravens, as an act of therapeutic nature writing that interweaves a philosophical and perceptive memoir. He writes about his journey over a two-year span of self-understanding by exploring everything around him. For example, Choyce uses ravens as a benchmark to guide him along his journey. Thus, he decides to hike north from his house until he has passed seven ravens, and then he returns home. In his chapter, “I Decide to Become a Shaman”, he writes about wanting to be a shaman or an alchemist, …show more content…
but his true goal is to comprehend his place in the world. However, his notion of Shaman is almost entirely based on a book he read called So You Want to Be a Shaman, which he believes this book could turn people into Shamans. Without having the proper people to teach Choyce by praxis of Shamanism, I do not believe that this book could produce an authentic Shaman. To top it all off, the author relies heavily on borrowing literature, and leaving out the experiential aspect essential to become as they say Shaman. Growing up around medicine people, I have never heard them say they were medicine people. It is considered to be arrogant to label yourself a medicine person or an Elder, that is a title that is earned and given to you when you are ready for that responsibility. Additionally, his premise is that he claims to be a Shaman and to have a “Shamanistic side.” As an Indigenous woman, I am quite offended that another white make would try to claim this title and not have the consciousness to know that he is culture appropriating. Although he attempts to state that he has some consciousness of his claims, “I’m hardly ethnic anything. I’m one of those sorry white people brought up on a bland kind of Protestantism that, once rejected, gives me plenty of leeway to adopt a belief system or religion from another culture but I feel long-since cut off from any kind of roots.” In the old days of Turtle Island, Indigenous peoples of various nations cross-cultural married or for other reasons, into other nations, in which they would adopt the customs, values, language & culture of that nation. However, unlike Choyce, they did so in a respectful manner by getting consensus approval of the community or nation. These ancient practices require much more than the knowledge of books, it requires an understanding of the universe, and our path in this universe. Choyce is on his journey into discovering who he is in this universe, but he does wonder into the unknown and claim to know. On a brighter note, Choyce is quite observant and thoughtful.
He describes his garden, animals he and his daughters save, surfing, hiking, books he reads, and places he visits along his journey. In chapter, The Wings of Morning, an interesting theory on the Blue Jay method that was used to help guide the writing direction and inspiration. He mentions that he adopted this technique from the Chinese, specifically being inspired by Chi Yiu. This technique reminds me of how my ancestors first learned their songs from the birds. During his journey he found recovery in the natural world, which is beautiful but also dangerous. For example, Choyce recalls a tragedy in his past when he tried to save a woman from drowning but failed which has greatly impacted his life. His writing illustrates the connections with both the physical world and the literary …show more content…
one. During Choyce’s journey in the ending of year one in the month of August, he wondered to Halifax walking about in the city observing the lifeless buildings, concrete and statues.
He recalls the last time he encountered the infamous Edward Cornwallis statue covered in red paint symbolizing his attempt to commit genocide to Lnu’g (Mi’gmaw) by placing a bounty on Lnu’g women, men and children scalps. As a matter of fact, that piece of legislation, according to the 1756 proclamation offers a bounty for each Mi'gmaq scalp. It's never been removed, and the province has never apologized. The Mi’gmaw asked almost 20 years ago for this law to be taken out of the books, even the Coast has noticed how this issue was shoved under the rug, “According to CBC’s 15-year-old story, First Nations chiefs asked the premier to remove the province’s 250-year-old scalping law from the books back in 1999." What has been removed is the Cornwallis statue on February 1,
2018. Following year one, during the month of July, he discovers a wooden crate near the high tide marker, that has life living in side of it. As he thinks deeply about this wondering if they know about the larger world around them or not, he concludes with influential people like Buddhist and Hawking’s notion of the universal workings. He states, “Unlike Big Bang Theorists, the Buddhists believe that there is no beginning and no end to things. Another crazy idea that can probably fit snugly beside Hawking’s notion that time did not exist before the big fish create was dropped on shore.” Similarly, within Indigenous communities the circle of life exists that is embedded and interconnected with one another, and that life never ends. On August 1, Choyce travels by ferry to Tancook Island, in the Chester Basin of Nova Scotia. There he discovers the beauties of the island’s landscape, he then goes on to briefly acknowledge the Mi’gmaq history of Tancook Island, he states that, “The word Tancook either means “the big island” or “facing the open sea,” both derive from Mi’kmaq people who had the run of this place until the English started mucking things up in the eighteenth century.” According to Mi’kmaw Place Names Digital Atlas, the Mi’kmaw word is “Uktankook” or “Wta’nkuk” . Overall, I thought this book was thought-provoking, however, in some key areas there seem to lack research, whereas, other areas were well researched. Depending on the audience reading this book it can be either, a calm and quiet read, one that encourages reflection and observation, or it can be a painful and discouraging read, also encouraging reflection and observation. Although I do believe his intentions are good, he does not always back up certain claims very well. However, I did enjoy the approach he uses through out the book on connecting his life to the surrounding universe of the natural world. His journey leads to seven ravens, as he believes this symbolizes that he is at his finally destination of this chapter in his life, home.
There are many writers that write poems and books with the same styles. This essay will compare the styles of Greasy Lake by T. Coraghessan Boyle and the fictional Pet Fly by Walter Mosley.
Annie Dillard portrays her thoughts differently in her passage, incorporating a poetic sense that is carried through out the entire passage. Dillard describes the birds she is viewing as “transparent” and that they seem to be “whirling like smoke”. Already one could identify that Dillard’s passage has more of poetic feel over a scientific feel. This poetic feeling carries through the entire passage, displaying Dillard’s total awe of these birds. She also incorporates word choices such as “unravel” and that he birds seem to be “lengthening in curves” like a “loosened skein”. Dillard’s word choice implies that he is incorporating a theme of sewing. As she describes these birds she seems to be in awe and by using a comparison of sewing she is reaching deeper inside herself to create her emotions at the time.
Although this section is the easiest to read, it sets up the action and requires the most "reading between the lines" to follow along with the quick and meaningful happenings. Millay begins her poem by describing, in first person, the limitations of her world as a child. She links herself to these nature images and wonders about what the world is like beyond the islands and mountains. The initial language and writing style hint at a child-like theme used in this section. This device invites the reader to sit back and enjoy the poem without the pressure to understand complex words and structure.
...conclusion that Louis Riel is indeed a legacy who should be regarded as one who is innocent. He has left us questioning whether or whether not his movements were plausible, but then again, he has nevertheless managed to carry honor and pride, while contributing many things towards Canada through his objectives. He preserved the Métis home territory and rights through many obstacles, which gradually led to the formation of Manitoba. He went through plenty of danger, while he knew they were coming. Louis Riel’s noble actions are too worthy to be burdened with charges of high treason and felony. “No matter what happens now,” he stated, “the rights of the Métis are assured by the Manitoba Act; that is what I wanted. My mission is finished.” Louis Riel, a hero, a saint, a prophet, is not the only one that is facing injustice and discrimination today in the 19th century.
Duong Thu Huong’s novel, ‘Paradise of the Blind’ creates a reflective, often bittersweet atmosphere through the narrator Hang’s expressive descriptions of the landscapes she remembers through her life. Huong’s protagonist emphasises the emotional effects these landscapes have on her, acknowledging, “many landscapes have left their mark on me.”
Since its first appearance in the 1886 collection A White Heron and Other Stories, the short story A White Heron has become the most favorite and often anthologized of Sarah Orne Jewett. Like most of this regionalist writer's works, A White Heron was inspired by the people and landscapes in rural New England, where, as a little girl, she often accompanied her doctor father on his visiting patients. The story is about a nine-year-old girl who falls in love with a bird hunter but does not tell him the white heron's place because her love of nature is much greater. In this story, the author presents a conflict between femininity and masculinity by juxtaposing Sylvia, who has a peaceful life in country, to a hunter from town, which implies her discontent with the modernization?s threat to the nature.
Richard Wilbur's recent poem 'Mayflies' reminds us that the American Romantic tradition that Robert Frost most famously brought into the 20th century has made it safely into the 21st. Like many of Frost's short lyric poems, 'Mayflies' describes one person's encounter with an ordinary but easily overlooked piece of nature'in this case, a cloud of mayflies spotted in a 'sombre forest'(l.1) rising over 'unseen pools'(l.2),'made surprisingly attractive and meaningful by the speaker's special scrutiny of it. The ultimate attraction of Wilbur's mayflies would appear to be the meaning he finds in them. This seems to be an unremittingly positive poem, even as it glimpses the dark subjects of human isolation and mortality, perhaps especially as it glimpses these subjects. In this way the poem may recall that most persistent criticism of Wilbur's work, that it is too optimistic, too safe. The poet-critic Randall Jarrell, though an early admirer of Wilbur, once wrote that 'he obsessively sees, and shows, the bright underside of every dark thing'?something Frost was never accused of (Jarrell 332). Yet, when we examine the poem closely, and in particular the series of comparisons by which Wilbur elevates his mayflies into the realm of beauty and truth, the poem concedes something less ?bright? or felicitous about what it finally calls its 'joyful . . . task' of poetic perception and representation (l.23).
The story is about a friendly hunter who comes to a budding girl named Sylvia for help to find a bird for his collection. He offers her ten dollars. At first, she agrees because of the impression the hunter makes on her. Later, she has a revelation through her love for the forest and neglects to tell him where the bird is. Sylvia represents the purity of innocence and has a bond with the natural world. Many of Sylvia’s thoughts are associated with the ability to be free. This exemplifies the women’s rights activism that was happening in the 19th century. Sarah Orne Jewett develops her theme of the change from innocence to experience in her short story “The White Heron” through the use of imagery, characterization, and symbolism.
Mrs. McIntyre is a divorced and widowed woman who has learned to depend only on her own strength during the day to day operating of her farm. She has created a comfortable world to exist in, and she fears change in that world. Mrs. McIntyre's lack of spiritual dimension stems from this constancy of her surroundings. She has never been challenged by her circumstances and was thus never forced to examine her spiritual beliefs and their depth. We can see her fear of change when she speaks of the peacocks. She if afraid to let them all d...
In the short story “Skipper”, Aldan Nowlan introduces the protagonist, Skipper. Skipper’s mother Ethel yearns for a better life for her and her son outside of their mining community. In the short story “As Birds Bring Forth the Sun”, Alistair MacLeod introduces a young dog named cù mòr glas. Cù mòr glas is saved by a family man who lives by the sea. Aldan Nowlan’s “Skipper” and Alistair Macleod’s “As Birds Bring Forth the Sun” appear to have little in common, but both stories show the same series of events that lead to Skipper and cù mòr glas inflicting unintentional pain on their loved ones.
Her poetry is greatly informed by her childhood in hockey town Swift Current, Saskatchewan, with that environmental aesthetic often forming the backdrop to her stories of poverty, alcoholism, and the natural world. As a prairie girl myself, it’s easy for me to picture the agricultural landscapes and rustic animals described in poems such as “Inventing the Hawk”. Her authorial voice is wistful yet confessional, a voice that looks back fondly, but not blind to the issues of the past. Sex is also a recurring theme of her work, and the intimacies of her relationship with her husband Patrick Lane are a common topic of her work. One of her poems, “Watching My Lover”, tells of Lane bathing his dying mother, the mother’s scent lingering "so everyone who lies with him / will know he’s still / his mother’s son". Animals from cats to horses feature heavily in her work, tying in once again to her love of nature.
In the beginning of each chapter, Krakauer includes one or two exerts from various authors of nature such as Thoreau, Tolstoy, or London. Once in a while he even includes postcards that Chris had sent to some of the people he met along his journey, which show what he was feeling throughout the trip. Some of t...
Her knowledge of rural life is shown, by describing details of animals such as, “eel-thin belly”, “life as loose as frogs”, “slag heaps stand like sentries shot dead”, and “I'm going home with the light hand on the reins”. Next in her poem, “How It is”, she puts on a blue jacket that belonged to her recently deceased friend, whom played a major role in her life. By putting on the jacket, she tries to relive the past by, “.unwind(ing) it, paste it together in a different collage.”. In this poem, Maxine Kumin, uses plants to describe her feelings, as in “scatter like milkweed” and “pods of the soul”. These similes show what she sees and feels. “The Longing to be Saved”, is a dream, where her barn catches fire.
Afflicted by his father’s familial neglect due to his dual marriages, Chris opted to “express his rage obliquely, in silence and sullen withdrawal” (Krakauer 123). Ostensibly, Chris’ decision to turn to a life of adventurous isolationism was stimulated by the periodic absence of his father as he divided his love, loyalty, and charity between two households. Thus, being never regarded as a priority and being exposed to a perplexing hierarchy of siblings, half-siblings, parents, and parental lovers, Chris’ taciturn retreat to the remote Alaskan wilderness substituted the confusion, tension, and neglect of home with simplicity, independence, and pacifism. Coincidingly, after Montag’s exodus from the authorities and a brief reminisce of his past life and lover, Mildred, Montag “[doesn’t] miss her” and “[doesn’t] feel much of anything” regarding his wife (Bradbury 148). Always unsatisfied after his enlightenment, Montag has countlessly tried to fill his deepening void with philosophy, poems, and literature. Looking to the past, Montag can accredit that his cleft of deprivation can be credited to his inert, robotic wife who failed to support him through his metamorphosis. Additively, Bradbury, through the portrayal of Mildred, exemplifies how mass mechanization and globalization can enslave the creativity of a human mind and stultify the primitive human functions of conversing,
Harwood’s poem Barn Owl, expertly conveys the poem with emotion and tells the story of a young girl losing her childish innocence by rebelling against her father and killing a barn owl. Using a variety of literary techniques, the poem has the ability to provide the audience a visual image of the scene. Expressed in great detail, the themes of innocence, death and rebelling against authority within the poem offer the audience another intriguing poem written by Gwen