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Insight on the Life and Works of Julia Alvarez
Essay about julia alvarez
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In The Time of Butterflies by Julia Alvarez, the rule of Rafael Trujillo directly affected all four Mirabal sisters, Patricia, Dede, Minerva, and Maria Mirabal.
The rule of Rafael Trujillo directly affected Patricia Mirabal. Patricia grew up as the oldest of four girls, and she was naturally the nicest, simplest of the four girls. She married early and had kids before she turned 20. But as she grew older, her faith was restored. One day she went on a church retreat into the mountains, the same day the first invasion from Trujillo fell. The author described how it seemed as if the Earth was coming down upon the very roof of that retreat house. Explosion after explosion ripped the air. The house shook to its very foundation (Alvarez 161). During that attack, Patricia made eye contact with a young boy who couldn’t be older than her own son in the
She took the son in as her own, and as she was coming down from the mountain, she was a completely changed woman (Alvarez 162). That invasion never would’ve happened had it not been for the growing rebellion against Trujillo. Trujillo was a dictator and had heard about the growing rebellion in the mountains. He had such an evil heart, he couldn’t stand the rebellion and attempted to kill it, and everything that might be in its way whether it was innocent or guilty. After the retreat, Patricia gathered with the other woman who went on the retreat and they created the ACC, Accion Clero-Cultural (Alvarez 164). The mission of the ACC was only to Organize a powerful national underground. “We would spread the word of God among our brainwashed campesinos who had hunted down their own liberators” (Alvarez 164). If Trujillo had never sent bombs to the mountains, Patricia would never have joined the
Minerva Mirabal was the most heroic of the Mirabal sisters. Rafael Trujillo ruled the Dominican Republic for 30 years; he was oppressive, creepy, and a little insane. The Mirabal sisters were killed because they tried to rebel against him. Minerva is heroic. Because she was the first of her sisters to join the rebellion, she went to law school, and she slapped the dictator with a slap.
In the Time of the Butterflies is a historical fiction novel by Julia Alvarez based on events that occurred during the rule of Trujillo in the Dominican Republic. This book shows the hardships the Mirabal Sisters had to go through while being part of an underground effort to overthrow the dictatorship of Trujillo. It also shows that ultimately, it was their courage that brought upon their own death. Alvarez wants us to understand anyone and everyone has the potential to be courageous.
Within the novel, “In the Time of the Butterflies,” Mate, Minerva, Dede, and Patria had to create decisions to overcome obstacles that would transform each of their lives. Throughout the book, all of the sisters changed somehow. They all grew up, matured, and saw things how they never viewed before. While looking at these things at a different perception, they learned to make decisions that were sometimes brave and sometimes cowardly. Each of the Mirabal sisters had to choose whether or not to be fearful and give up, or be courageous and stand her ground, or make sacrifices to show her strength throughout the novel.
In the novel “How the Garcia Girls Lost their Accents”, Julie Alvarez gives the reader multiple accounts that narrate the difficulties of four sisters growing up in unfamiliar lands. The Garcia girls are Carla, Sandra, Yolanda and Sofia, and Alvarez speaks the most through Yolanda 's narrative. The sisters were born in the Dominican Republic and were exiled to the United States as children with their loving mother and traditional father. Papi Garcia grew up during an era where women were not supposed to be left alone which transformed him into a protective father and moving to a new life raised his fatherly instincts to a greater height. The novel starts in 1989, with the Garcia girls as American adults. The novel starts to flow backwards
Out from the kitchen and into the world, women are making a better name for themselves. Although humankind tends to be male dominated, men are not the only species that inhabit the world that they live on. In Julia Alvarez's novel In the Time of the Butterflies, the women of the Dominican Republic are expected to grow up to be housewives and lacking a formal education. Women may be cherished like national treasures, but they are not expected to fulfill their truest potentials as human beings.
Alvarez, Julia. In The Time of the Butterflies. New York, NY: Penguin, 1994. Print Hardback. 31 Oct 2013 - 8 Dec 2013.
Despite the various acclamations In the Time of the Butterflies has received, the novel actually received a bit of criticism in the literary realm due to controversial subject matter. One school in Port Washington even decided to ban Julia Alvarez’s novel. A student from this district commented on the school board’s decision stating “The Port Washington school district has a national reputation for diversity and open-mindedness; we should keep it that way. So we were surprised and distressed when we first heard about the school board 's decision to ban Julia Alvarez 's novel ' 'In the Time of the Butterflies ' ' because it included a
Rafael Leonidas Trujillo Molina came into the world on October 24, 1891. He was born in the small city of San Cristobal in the Dominican Republic. He was the son of Jose Trujillo Valdez and Altagracia Julia Molina. Trujillo’s parents were married on September 24, 1887 in San Cristobal. Trujillo’s father was a merchant and was dedicated to buy and sell items that he could make a profit from. His mother was a housewife and was considered very sweet and kind hearted by those who knew her . Not much is known about Trujillo’s childhood and family because he had records changed to not bring any shame brought onto his name. What is known is that he was...
Upon returning to the Dominican Republic after many years, Yolanda decides to take a trip across the island––something her family views as ridiculous. “‘This is not the states’ . . . ‘A woman just doesn’t travel alone in this country.” (9) This quote highlights the sexism inherent in Dominican society. Yolanda’s family is asserting that women are not individuals capable of taking care of themselves. On another hand, Yolanda’s close friendship with Mundín causes tensions as their mothers confront them about crossing gender lines. “My mother disapproved. The outfit would only encourage my playing with Mundín and the boy cousins. It was high time I got over my tomboy phase and started acting like a young lady señorita. ‘But it is for girls,’ . . . ‘boys don’t wear skirts.’” (228) This is an example of how Dominican societal norms and gender roles have impacted the sisters. Yolanda and Mundín were the only boy-girl playmates out of all the García children, yet this was frowned upon by both of their parents as to not impede the seemingly inevitable growth of Yolanda’s femininity, and conversely, Mundín’s masculinity. Moreover, this shows how societally-prescribed gender roles were instilled in Yolanda at a young age. However, this is not the only way in which women’s freedoms are
Pre-Revolution, women were expected to work “in the home and in the fields with their men and wielding little political, economic, or social clout” (Minster). During the Mexican Revolution, women typically chose to either fight in the conflicts to advance their rights or to take a submissive role and accept status quo. Azuela portrays her as an innocent, sweet girl, who would lower her eyes when addressing the men. The author also portrays Camila as the cultural norm provided by Gloria Anzaldua. In Borderlands La Frontera, Gloria Anzaldua states, “The [Mexican] culture and Church insist that women are subservient to males” (39). Camila, like many other women within the conflict, took the role as a support figure with her refusal to join the battles. These women typically were submissive to their male counterparts and provided medical attention to soldiers, carried equipment for them, cooked meals, and gathered supplies for the missions (Fernandez 56). Azuela portrays Camila as an easily manipulated character who is forced to become Demetrio’s woman and to bed with him. She eventually accepts her fate and plays her role as Demetrio’s woman. Eventually Cervantes convinces Camila to join him in going back to the rebel forces
Castillo first shows the reader her distrust of patriarchy and its vertical structures through La Loca Santa’s death. The first structure under scrutiny here is the Catholic Church. After La Loca awakens she throws herself into the air and lands on the top of the Church, saying that those below her carry the same scent that she had smelled while in hell. With Loca high above the others she can be seen as a “substation” for a new Chicana Christ figure (Delgadillo 895). She tells those gathered below that she has been sent back to pray for them so that they would be able to see their Creator in heaven. Father Jerome pleads with her to come down so that the congregation could pray for her. She then reminds him that it is she that was sent to pray for them. With La Loca in the position of a Christ figure of the system, the structure of the system, in this case religion,...
over political power and main goal was to restore order in the Santa Anna area
Helena Maria Veramontes writes her short story “The Moths” from the first person point of view, placing her fourteen year old protagonist female character as a guide through the process of spiritual re-birth. The girl begins the story with a description of the debt she owes her Abuelita—the only adult who has treated her with kindness and respect. She describes her Apa (Father) and Ama (Mother), along with two sisters as if they live in the same household, yet are born from two different worlds. Her father is abusive, her mother chooses to stay in the background and her sisters evoke a kind of femininity that she does not possess. The girl is angry at her masculine differences and strikes out at her sisters physically. Apa tries to make his daughter conform to his strict religious beliefs, which she refuses to do and her defiance evokes abuse. The girl’s Abuelita is dying and she immerses herself in caring for her, partly to repay a debt and partly out of the deep love she has for her. As her grandmother lay dying, she begins the process of letting go. The moth helps to portray a sense of spirituality, re-birth and becomes, finally, an incarnation of the grandmother. The theme of the story is spiritual growth is born from human suffering.
“Jaimito think its suicide. He told me that he will leave me if I get mixed up in those things”. Here is where Dede confesses the truth about her participation with the Mariposas. Although later on she claims to be leaving Jaimito. Dede knew that she needed to join her sisters this was the only way she was going to show her loyalty to the “Mariposas”. Minerva, Patria, and Maria Teresa husbands were all involved with the “Mariposas” movement. Could this be the reason why they were so committed and involved with the “Mariposas” movement? The support that all their husbands gave them through the journey guided them to influent the change, and to them it was very important. We all ask ourselves could this be another reason why Dede felt so strong about getting people to hear he story, to find the interest in it. Dede made her family home into a museum, this way people can see how they lived when it all began. There is also a monument that tourist or native Dominican that would like to know the story of the Mirabal Sisters. Why is this so important? Its known that a lot of Dominican or people all around the world do not know the story of the Mirabal sisters and what they died for; the truth behind the lies and the unrealistic story telling. Dede’s accomplishment was to let everyone now what happened to her sisters to her father and how Trujillo dictated
Diaz writes “In those long days-before delincuencia and bank failures, before Diaspora- the Cabrals were numbered among the High of the Land “(211). The Cabral’s held a high place in society, but it was not until Abelard Cabral upset Trujillo that he was sentenced to the curse of Trujillo’s reign. The power of Trujillo is so strong that it ruined not only Abelard Cabral’s life, but also his wife and three daughters’ lives as well. His two daughters died abruptly and Beli suffered later in life with her love. Trujillo’s power is able to affect Beli because she knows nothing about her history.