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Essay on sigmund freuds personality
Essay on sigmund freuds personality
Personality development theory of freud
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“The period from 1700 to 1840 produced some highly sophisticated psychological theorizing that became central to German intellectual and cultural life, well in advance of similar developments in the English-speaking world” (Bell i). Some of the psychologists that have helped German literature, advanced are Sigmund Freud, Karen Horney, and Carl Rodgers. Originally, Sigmund Freud studied personality and developed a theory of neurosis and later, Karen Horney built upon his theory, changing some ideas, making her own theory of neurosis. Using Horney’s newer concepts of neurosis, and additional psychological notions from other psychologists, one can apply these to the German literary work, “The Sufferings of Young Werther.”
In the German literature, “The Sufferings of Young Werther,” there are two characters that represent two of the main eras that were happening in the late 1700s and early 1800s. These two characters are Albert and Werther. Werther represents the Storm and Urge era, while Albert represents the Enlightenment era. “The roots of German Romanticism can be traced back to an experimental literary movement entitled the “Sturm und Drang‟ or “Storm and Stress‟ which placed value in the subjective emotions of individuals and repudiated the dominant ideals of Enlightenment; a
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“Unconscious strategies the mind uses to protect itself from anxiety by denying or distorting reality in some way” (Feist and Rosenberg 489). There are three main types of defense mechanisms: projection, sublimation, and reaction formation. Projection is when people deny particular ideas, feelings, or impulses and project them onto others (489). Next is sublimation which is when one would express a socially unacceptable impulse in a socially acceptable way (489). Lastly, reaction formation occurs when unpleasant idea, feeling or impulse is turned into its opposite feeling
“One On The Nature of Humans: Sigmund Frued.” Contemporay Psychoanaltic Studies 12. (2010): 73-88. Academic Search Complete. Web 30 April 2014.
Anyone who reads The Sorrows of Young Werther by Johann Wolfgang von Goethe instantly feels the emotional intensity portrayed by Werther, the protagonist. His speculations about life are indeed unique, especially in modern times when life often goes by quickly without notice. Perhaps that is one of the reasons why his immense emotion strikes a chord with readers as coming from someone crazy or dangerous. Werther’s mental state seems incredibly alive at some times while seemingly lifeless at others. This lifeless state of mind is similar to another sorrowful character in Kurt Vonnegut’s Slaughterhouse Five. In his story of Billy Pilgrim, a similar wonder engulfs the reader, causing us to question the cause of both his mindset and of our own. These books bring a couple of interesting questions to mind… How much emotion is too much? How little is too little? These characters struggle with powerful emotion in many ways, and are therefore judged as mad. The two protagonists engage in totally different journeys, but each of them leads the reader to discover the limits of human emotion. These limits are reached by Werther and Billy, therefore leading to both characters’ demise.
Shepperd, Simon. "Basic Human Psychology 1: Neurosis, Projection and Freudian Projection." The Heretical Press Directory. 20 Apr. 2009
Introduction Franz Kappus, a 19-year old student, wanted to solicit a career advice and a literary critique for the poems he had written (“Rainer Maria Rilke: Letters to a Young Poet” 1). Kappus solicited the advice and critique of Rainer Maria Rilke, a pioneer Austrian poet (“Rainer Maria Rilke: Letters to a Young Poet” 1). Rilke wrote ten letters in order to provide assistance to the needs of Kappus. These letters were in Rilke’s work, entitled, “Letters to a Young Poet. ” There are numerous advantages and complication in the humanistic approaches to the study of psychology.
Contemporary Psychology, 36, 575-577. Freud, S. (1961). The Species of the World. The Complete Works of Sigmund Freud. London: The Hogarths.
Sigmund Freud was first to take notice toward personality. “Like all of us, Sigmund Freud was a product of his times” (Myers 454). Freud took notice to a sequence of repetition within his patients. Freud had a large impact on psychology, history, and literary studies, however his most essential commitment was to focus on the unconscious mind. “In Freud’s view, human personality-including its emotions and striving- arises from a conflict between impulse and restraint-between our aggressive, pleasure- seeking biological urges and our internalized social controls over these urges” (Myers 455). His patients were experiencing a series of free association, which is also known as a state of unconsciousness. Freud explored unconscious with consciousness experience. The thought that individuals presented other reasons other than those they professed in earlier stages in time. “Freud’s
--------------------------------------------------------------------- [1] J.H.Newman ‘Difficulties of Anglicans’ Vol. 2, London 1891 pp. 246-7 [2] Sigmund Freud. Trans Strachey ‘An outline of Psychoanalysis’. Hogarth Press: 1949 pps.
Freud, S. (1957b). Some character types met with in psychoanalytic work. In J. Strachey (Ed. & Trans.), The standard edition of the complete psychological works of Sigmund Freud (Vol. 14, pp. 309–333). London: Hogarth Press. (Original work published 1916)
Arthur Schnitzler was a contemporary of Freud. He was six years younger than Freud and many people believed that Schnitzler's work was a reflection of Freud’s theories. Though Schnitzler wrote many texts and most of them contained Freud’s ideas; this essay will analyze Lieutenant Gustl from Five Great German Short Stories through Freud’s perspective.
The aim of this essay is to clarify the basic principles of Freud’s theories and to raise the main issues.
Horney was born in Germany in 1885. Her family was unsettling due to her father being absent most of the time because of work related circumstances. Horney was strongly independent and believed individuals were hypocritical of their religious beliefs. Similar to Freud, Horney studied medicine at the University of Freiburg. At the time, many opportunities were beginning to open for women in society. Horney initiated her theories with the explanation of basic anxiety. Unlike Freud, Horney came from a family who was less united. Her theory is relevant to her personal experiences and how she was able to cope with her issues. According to Langenderfer (1999), Horney’s thoughts on neurosis and psychoanalysis involve people coping with having complete control over the interpersonal problems. Horney describes neurosis as the feelings derived by culture. Freud, however, explains that neurosis is determined
Growing out of the eighteenth century literary movement called Sturm und Drang (translated as storm and stress) the German Romantic opera (and German Romanticism in general) came into being as a revolt against Classical restraint. “The Sturm und Drang movement 's emphasis on feeling, and on mystery, and the supernatural, influenced profoundly, a number of young, early 19th century German composers, of whom the most important, from the standpoint of opera, was Carl Maria von Weber”. Drawing its inspiration from “John Jacques Rousseau 's belief that human feelings serve us better and more reliably than reason; Sturm und Drang authors advocated free expression and language, dress, behavior, and love” (L39).
Von Goethe, Johann W. “The Sorrows of Young Werther.” Romanticism. Ed. John B. Halsted. New . . York: Walker Publishing Company, 1969.
Through literature and art, romantics expressed the idea of Germany as “an organic folk community wrapped in a cloak of tradition”. They strived to create a homogenous identity for all Germans.... ... middle of paper ... ...180-213.
...xiety-producing impulses to others - usually to the target of those impulses. We need not feel anxious if the offending wish is not ours, but someone else's. In rationalization, we engage in what would normally be an anxiety-producing behavior, but feel no anxiety. This is because the unconscious ego fills our conscious ego with reasons for our behavior that keep us from understanding our real (anxiety-producing) motive. In reaction formation, the unconscious ego prevents anxiety over our impulses by filling the conscious ego with the opposite feeling or impulse. Denial is perhaps the most primitive and maladaptive of the defense mechanisms. We engage in the forbidden behavior, but feel no anxiety because memories of that behavior are prevented from entering consciousness. We cannot recall having done anything unacceptable, so we quite honestly deny our behavior.