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The importance of oral tradition in native culture
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The priest and sorcerer of suchitlan
In Colima, oral tradition and legends are part of everything and everyone. From the humble peasant to the highest intellectual, everyone in our towns and neighborhoods treasure stories and happenings that have been saved through time from voice to voice, which have endured and survived in memory, thanks to grandparents and grandmothers, memories alive history, our history, where the most fantastic characters coexist with the most daily realities of our communities, forging with it the most beautiful collective imaginaries, those that revive in our minds and hearts every time they are told by someone who, from mouth to ear, it makes depository of this history to the new generations.
That is the case of
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The priest entered the house and was surprised by everything he saw there, altars, plants, objects and clay idols, animal heads and many other things that the sorcerer used for his rites and 'works'. Removing him from his first impression, the 'sorcerer' approached him offering him an equipal and said:
-You will say what I can help you with, father ...
The priest sat down and very annoyed he began to say to that sorcerer man:
-I come to demand that you stop doing your evil tricks! Stop cheating and draw people out with your lies! You only cheat people! Because you and I know that does not exist! You know well that witchcraft is a lie! Beliefs for ignorant people! So I demand that you stop influencing and deceiving the population! .
The sorcerer, who until that moment had remained calm and listening attentively to what the priest was saying, answered:
- So you do not believe that what I do is true? Do not you believe in the power that the ancient gods have conferred on me?
"That's right," said the priest.
They are just a jumps of lies and I come to demand that you stop doing
What would you do for entertainment in a time before television? The Ancient Greeks solved this dilemma with Bards. Humans have always enjoyed great stories and storytellers; the ancient Greeks were no different. However, oral tradition can encompass and convey much more than stories. It can reveal an identity, motivation or persuade an audience. For the Ancient Greeks, stories take on the additional role as the sharing and spreading of information. So, while it is enjoyable to hear tales of adventure, oral tradition has practical uses too.
Witchcraft had always fascinated many people and been a very controversial topic in North America during (seventeenth) 17th century. Many People believe that witchcraft implies the ability to injure or using supernatural power to harm others. People believed that a witch represents dark side of female present and were more likely to embrace witchcraft than men. There are still real witches among us in the Utah whom believe that witchcraft is the oldest religion dealing with the occult. However the popular conception of a witch has not changed at least since the seventeenth century; they still caused panic, fear and variety of other emotions in people…………………….
Stories are a means of passing on information, acting as a medium to transport cultural heritage and customs forward into the future. In his essay titled "You'll Never Believe What Happened," King says that, "The truth about stories is that that's all we are” (King Essay 2). Contained within this statement is a powerful truth: without stories, a society transcending the limitations of time could not exist. Cultures might appear, but they would inevitably die away without a means of preservation. Subsequent generations would be tasked with creating language, customs, and moral laws, all from scratch. In a way, stories form the core of society's existence.
Ceremony is very much a story about stories, with Tayo’s story interspersed with Silko’s poetic re-telling of Pueblo myths, and the side by side of the two, emphasizes many of the novel’s themes. It reveals the connection between all things, the healing power of storytelling, and the circular nature in history. You cannot help but to root for Tayo throughout the story, from a little boy struggling to prove is worth to his dismissive and prejudiced Auntie, through constant obedience and love, to the traumatized army veteran of mixed ancestry who returns to the reservation of the Laguna Pueblo Indians, in the New Mexico desert. Scarred and physically sick by his experience as a prisoner of the Japanese, his only redemption is to immerse himself in the Indian traditions of his past ancestors. His journey of redemption is the driving plot that depends on Tayo’s interaction with the land, the soil, wind, weather, and the scared topography of the northern New Mexico desert, which is charged with a peculiar, bittersweet magic. Silko’s novel is a beautiful reflection on the ways in which we are interconnected as humans and all of nature.
This is an explorative essay on the theme in Patricia Grace’s novel Potiki that ‘telling and retelling stories is an important and valuable part of being human’.
Regretfully, though readers can see how Mama has had a difficult time in being a single mother and raising two daughters, Dee, the oldest daughter, refuses to acknowledge this. For she instead hold the misconception that heritage is simply material or rather artificial and does not lie in ones heart. However, from Mama’s narrations, readers are aware that this cultural tradition does lie within ones heart, especially those of Mama’s and Maggie’s, and that it is the pure foundation over any external definition.
Nikki Giovanni and Linda Hogan both wrote poems in the 1970s about their grandmothers that seem totally different to the unaware reader. In actuality, they are very similar. These two poems, Legacies and Heritage, express the poet’s value of knowledge passed down from grandmother to granddaughter, from generation to generation. Even though the poems are composed and read very differently, the underlying message conveyed is the same, and each are valid first-hand accounts of legacies and heritages.
Witchcraft is said to be the most widespread cultural phenomenon in existence today and throughout history. Even those who shun the ideas of witchcraft cannot discount the similarities in stories from all corners of the globe. Witchcraft and its ideas have spread across racial, religious, and language barriers from Asia to Africa to America. Primitive people from different areas in the world have shockingly similar accounts of witchcraft occurrences. In most cases the strange parallels cannot be explained and one is only left to assume that the tales hold some truth. Anthropologists say that many common elements about witchcraft are shared by different cultures in the world. Among these common elements are the physical characteristics and the activities of supposed witches. I will go on to highlight some of the witch characteristic parallels found in printed accounts from different parts of the world and their comparisons to some famous fairytales.
Storytelling has a special importance in culture throughout the African continent; Anansi the spider in Ghana, is one great example of an African fable that teaches children important lessons including respect for elders, the importance of wisdom, and the importance of culture. These stories have been retained and perpetuated by oral tradition, despite the western emphasis on written records; African tribes have preserved history and culture well thorough oral historians. The translator, D.T. Niane, explains the validity of oral history well by stating that written text can contain inaccuracies as well (xv). The importance of the oral aspect of djelis method relays the information in a personal manner, as Djeli Mamoudou Kouyate states, “writing lacks the warmth of the human voice,” therefore by creating a written text of an oral story it “does violence” to it (xvi). I was raised in an African community, here in DC and was lucky enough to attend Djeli performances by family friend, Djimo Kouyate, and later his son Amadou. Although I do not speak Manding, Djeli Djimo Koyate, performed the music in such a way that I was able to relate and...
• AW’s work is deeply rooted in oral tradition; in the passing on of stories from generation to generation in the language of the people. To AW the language had a great importance. She uses the “Slave language”, which by others is seen as “not correct language”, but this is because of the effect she wants the reader to understand.
What do you think when someone calls someone a witch? What comes to mind? Do you think of the movie, ‘Hocus Pocus’ or do you think of the black pointed hats and the long black, slit ended dresses? What about witchcraft? Does the term “Devil worshiper” ever cross your mind? Do you think of potions and spells? For many, many generations, we have underestimated what the true meaning of a witch and what witchcraft really is. What is the history that hides behind it? Witches and witchcraft have been in our history since the ancient times. There is a little bit more than the ghost stories told on Halloween, the movies shown on TV and dressing up on Halloween.
Witchcraft is the use of these forces for negative ends, to extort evil, and magic asks for positive ends. Witchcraft has been found to exist in all corners of the globe at some point. It is no coincidence that during the Enlightenment, witch hunts in Europe and North America became common. The aim was to rid society of these people regarded as unreasonable and dangerous. By contrast self-proclaimed witches still have a function in some societies today, mainly in the developing world. Magic however is often a word used to describe certai...
In the pre print revolution era, oral traditions allowed various cultures to be alive and engaged throughout the generations by telling individuals orally, historical stories, beliefs practices and values (Bagchi 2012). The practice of oral telling flourished dramatically when print literature came into
I shook my head slowly, a look of shock and wonderment on my face. “Amen,” I replied. “Amen.”
In chapter nine, both Troup and Green discuss the importance and significance of oral history. Oral history is used in many ways by historians and by everyday common people. We all have stories to tell, stories we have lived from the inside out. We give our experiences an order. We organize the memories of our lives into narratives (stories). Oral history listens to these stories. Oral history is the systematic collection of living people’s testimony about their own experiences. Historians have finally recognized that the everyday memories of everyday people, not just the rich and famous, have historical importance. If we do not collect and preserve those memories, those stories, then one day they will disappear forever. This is why we historians feel it is important to try to preserve surviving oral accounts to understand the past. We do not want to the voices of the past to disappear or to go unheard forever. We want to undercover the voices of the past and how they lived and how their society was like. However, we historians have to be cautious of biased and unreliable sources.