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Figurative language easy about poems
Figurative language easy about poems
Metaphor by plath poetry explanations
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The poem ‘uncoiling’ by Pat Mora is a poem designed to attract the attention and explain to the audience about a certain happening around that place or locality. The poem is an explanation of the blowing tornado in that region and how effective or strong the tornado is at that particular moment. The author has utilized the use of figurative language which is part of the writing towards communicating the intended meaning to the target group. The figurative language applied in the poem entail different aspect or drive as discussed in the paper. Metaphor figurative language in the poem: The poet uses the metaphor figurative language to indicate the strength of the tornado even though it is not the reality. For example, “on my window, tosses her
Joan Didion’s description of various experiences with the Santa Ana winds conveys her message through various rhetorical strategies. Early in the essay the feeling of worry and anxiety is introduced by the use of words such as “uneasy” , “unnatural stillness” , and “tension”. Because the emotion is described early on the audience can grasp this feeling those who live and Santa Ana are experiencing. This feeling causes people to act abnormal, even when they have no awareness it is coming. Additionally the suspenseful emotion continues through the use of imagery, to convey the unusual effect the winds have on the atmosphere. Didion describes the sky, having a “yellow cast” and screaming peacocks in “the olive trees… by the eerie absence of surf”.
The poem “Cozy Apologia” by Rita Dove, explores the idea of love, and modern routine, while alluding to the disastrous hurricane Floyd of 1999. This poem was written for her husband, Fred, as mentioned after the title of the poem. In the first stanza of this poem, Rita Dove uses imagery to display her immense love for her husband. Dove writes, “This lamp, the wind-still rain, the glossy blue/ My pen exudes” (Dove 2-3). The imagery in these two lines represent items and things that remind Dove of her husband. She says everything makes her think of him, and in these two lines we can see that even just a lamp, or the ink from her pen bring her thoughts of her husband. Her true love for Fred is shown through this. The second stanza, Rita Dove starts to explain how a hurricane brought back memories of her teenage relationships.
The poem “Moco Limping” by David Nova Monreal is about a man who has very high hopes for his dog. He wants him to be heroic and a leader but is disappointed when he doesn’t live up to those standards. He thinks his dog is clumsy and stupid. The poem “Oranges” by Gary Soto is about a boy who was walking with the girl he had a crush on down to a drugstore. He spends a nickel and an orange to buy her chocolates. These poems, “Moco Limping” and “Oranges” have different tones that the authors expressed using different word choice in the beginning of the poems, but become similar at the end.
In Tim Seibles' poem, The Case, he reviews the problematic situations of how white people are naturally born with an unfair privilege. Throughout the poem, he goes into detail about how colored people become uncomfortable when they realize that their skin color is different. Not only does it affect them in an everyday aspect, but also in emotional ways as well. He starts off with stating how white people are beautiful and continues on with how people enjoy their presence. Then he transitions into how people of color actually feel when they encounter a white person. After, he ends with the accusation of the white people in today's world that are still racist and hateful towards people of color.
The poem “ Who understands me but me” by Jimmy Santiago Baca. Is about being locked away in jail because in the poem it repeatedly saying how they take or more specifically “ They stop each hope so I have no passage out hell. Then the poem has a change in outlook it goes from feeling down to looking at the brighter side. It says “I can live
Kim Addonizio’s “First Poem for You” portrays a speaker who contemplates the state of their romantic relationship though reflections of their partner’s tattoos. Addressing their partner, the speaker ambivalence towards the merits of the relationship, the speaker unhappily remains with their partner. Through the usage of contrasting visual and kinesthetic imagery, the speaker revels the reasons of their inability to embrace the relationship and showcases the extent of their paralysis. Exploring this theme, the poem discusses how inner conflicts can be powerful paralyzers.
In the world of teenagers everything seems to come and pass by so quickly. For instance the beginning of senior year. In Spite of being happy and excited were also generally nervous and anxious to see what our future holds. As senior year comes to an end, It then becomes as temporary as the summer sun but also the boundary of our life before we enter adulthood. Even then our future is still undefined.
The most preeminent quality of Sonia Sanchez “Ballad” remains the tone of the poem, which paints a didactic image. Sanchez is trying to tell this young people that we know nix about love as well as she is told old for it. In an unclear setting, the poem depicts a nameless young women and Sanchez engaged in a conversation about love. This poem dramatizes the classic conflict between old and young. Every old person believes they know more then any young person, all based on the fact that they have been here longer then all of us. The narrative voice establishes a tone of a intellectual understanding of love unraveling to the young women, what she comprehends to love is in fact not.
In Drea Knufken’s essay entitled “Help, We’re Drowning!: Please Pay Attention to Our Disaster,” the horrific Colorado flood is experienced and the reactions of worldly citizens are examined (510-512). The author’s tone for this formal essay seems to be quite reflective, shifting to a tone of frustration and even disappointment. Knufken has a reflective tone especially during the first few paragraphs of the essay. According to Drea Knufken, a freelance writer, ghostwriter and editor, “when many of my out-of-town friends, family and colleagues reacted to the flood with a torrent of indifference, I realized something. As a society, we’ve acquired an immunity to crisis. We scan through headlines without understanding how stories impact people,
I would like to investigate the many struggles of women, whether it be race that differentiates them or an event that any woman could experience that brings them together. Beauty is not easily defined, and women everywhere struggle with not only pleasing the people around them, but themselves. Wanting to describes themselves and feel beautiful is one of the many struggles women experience throughout their lives. “Las Rubias” by Diana García from Fire and Ink represents a common example of what women of color experience while comparing themselves to the “beauty” of white women. The poem is divided into eight numbered sections, each containing their own experience or thought. This is effective because by the end of the poem, the reader has almost
Lucille Clifton's poem "Move" deals specifically with an incident that occurred in Philadelphia on May 13, 1985. On that date, Mayor Wilson Goode, Philadelphia's first African American mayor, authorized the use of lethal force against fellow African Americans living at 6221 Osage Avenue. In her introduction to the poem, Clifton says that there had been complaints from neighbors, who were also African American, concerning the "Afrocentric back-to-nature" group that called itself "Move" and had its headquarters at this address (35). The members of this group wore their hair in dreadlocks and they all used their surname of "Africa." Clifton's poem suggests that it was these differences that cost the lives of eleven people, including children, and the loss of sixty-one homes, as authorities bombed the neighborhood rather than tolerate such diversity. In this poem, Clifton emphasizes the word "move," giving it a layered meaning that encompasses it not only as the name of the organization of the people who were bombed, but also as the imperative command to take action and "move" away from harm. Ultimately, however, the word becomes a command that is directed toward the African American major who caused the tragedy. Clifton points an accusing finger, saying that it is he that should "move" and not the people to whom he directed such violence.
This darkly satiric poem is about cultural imperialism. Dawe uses an extended metaphor: the mother is America and the child represents a younger, developing nation, which is slowly being imbued with American value systems. The figure of a mother becomes synonymous with the United States. Even this most basic of human relationships has been perverted by the consumer culture. The poem begins with the seemingly positive statement of fact 'She loves him ...’. The punctuation however creates a feeling of unease, that all is not as it seems, that there is a subtext that qualifies this apparently natural emotional attachment. From the outset it is established that the child has no real choice, that he must accept the 'beneficence of that motherhood', that the nature of relationships will always be one where the more powerful figure exerts control over the less developed, weaker being. The verb 'beamed' suggests powerful sunlight, the emotional power of the dominant person: the mother. The stanza concludes with a rhetorical question, as if undeniably the child must accept the mother's gift of love. Dawe then moves on to examine the nature of that form of maternal love. The second stanza deals with the way that the mother comforts the child, 'Shoosh ... shoosh ... whenever a vague passing spasm of loss troubles him'. The alliterative description of her 'fat friendly features' suggests comfort and warmth. In this world pain is repressed, real emotion pacified, in order to maintain the illusion that the world is perfect. One must not question the wisdom of the omnipotent mother figure. The phrase 'She loves him...' is repeated. This action of loving is seen as protecting, insulating the child. In much the same way our consumer cultur...
The other members of my group saw this poem as a metaphor for some type of physical abuse. I saw it as a poem just describing a thunderstorm. Now, after incorporating in ideas from all in the group I describe the poem as a way of using a storms powerful force to describe physical abuse. Confused? Well, I'll walk you through this idea so at the end you won't be.
The poem “Always Something More Beautiful” by Stephen Dunn is certainly about running a race, but the speaker is also arguing that pursuing something beautiful can help guide us through life. Through the title, we can see that we should constantly look for more beautiful things in life. The poem begins with the speaker describing his experience before a race. He uses words like “best” and “love.” The tone is extremely enthusiastic. In the first line, he talks about coming to the starting place. This can be a metaphor for beginning our lifelong journey. The speaker also implies that we need to approach it with a positive attitude. In the next few lines, the speaker indicates being tested in excellence
First, Kristen and Robert Lopez’s use of metaphors and other figurative language accentuates the rising strength and recklessness of Elsa’s character, and thus demonstrates the mixed result in letting go of all doubts. At first, Elsa uses figurative language to emphasize her inner conflict of coping with her insecurities. Elsa initially introduces “a kingdom of isolation” where “it looks like [she is] the queen” (1.3-4), emphasizing how she built the walls which separated her from her family throughout her life in order to manage her fears. Furthermore, she mentions how “the wind is howling like the swirling storm inside” (2.1), likening her soul to a storm that cries in pain from her inner turmoil. However, as the poem moves on, she gains the confidence and strength to break free from the restrictions and fears placed on ...