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The effect of the media on famous people
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Media impact on celebrities
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To implode means to collapse inward as if from external pressure. Most actors and actresses strive for success. They work hard to make it big in the acting industry, and to become a notable and well know actor or actress and receive Oscars. Many people forget how much effort goes into embodying the characters that they admire. and because of the pressure the stars inevitably implode. Actors know the pressure that comes with this job, even the child stars know the pressure that comes along with acting. Due to the demands, those who enter the acting industry at a young age have a rough life because of the pressure of fame.
Macaulay Culkin, one of the many child stars affected by their career. Culkin always admired the limelight, at a young age, he studied the performing arts and attended Balanchine 's School of the American Ballet. Before hitting stardom, he performed in some off Broadway shows. His career began in 1988, he debuted in the movie Rocket Gibraltar but he really gained his success from his roles in Uncle Buck and Home Alone. He became Hollywood 's favorite child actor and proceeded to star in movies, but at around the age of fifteen trouble came up. Rumors had gone around that his father had mismanaged his fortune. So a custody battle had ensued, his parents fought for control of him and his fortune and his mom won. What adolescent child wants their parents to battle in the courts because of their fame? Around 2004, Culkin began using drugs, and got arrested. Now 33 years old, Culkin performs with his Velvet Underground cover band, “Pizza Underground,” which features lyric changes that have to do with this Italian cuisine. Maybe Culkin just is only taking a break from acting or maybe he realized the ...
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...dhood they had been deprived of a normal life they spent their days in court, at clubs, or on set which left no time for a normal childhood. They could not go to school and be normal and have normal friends and their parents often times had not been present in their lives and even then they too focused on being in the limelight and did not take their time on being a parent. Macaulay Culkin’s fame made him worth 15 million, no wonder his parents fought over who would control him and manage his money, but this happened in 15, the time when most teens struggle with their own lives and do not need to go through custody battles. What child wants a drug addiction, what child wants to live on their own, what child wants to have a less than normal life. Most children do not want this life, but those who have a passion for acting go into the industry not expecting fame or
I chose to view and analyze the film The Boondock Saints. There were many different things I focused on while viewing the film. I decided to brake them down into the following categories: narrative, theatrical elements, cinematography, sound, and the overall experience. I will begin with stating my personal interpretations and understandings of the narrative.
IV. Film Plot: This film pretty much is all about the advances in American technology and how it affected the space race against the Soviets. It revolves around the Mercury 7 crew and test pilots competing with Soviets for the race to outer space.
Incohesive, long, and dialogue-heavy, Inherent Vice has all the potential to flounder. Yet under the steady (or rather, wild) hands of director Paul Thomas Anderson, the film becomes a psychedelic, incredibly enjoyable ride brimming with wit and melancholy. The film follows Larry ‘Doc’ Sportello (played in routinely magnificent fashion by the now ever-reliable Joaquin Phoenix), and his exploits to help his ex-girlfriend, Shasta Fey (Katherine Waterston, also exquisite) investigate a kidnapping of notorious real-estate billionaire Mickey Wolfmann. From there, the plot descends (or ascends, depending on your perspective of the film) into sumptuous lunacy; a mystery involving the coveted and secretive
Ken Kesey's award-winning novel, "One Flew over the Cuckoo's Nest", was adapted into a film in 1975 written and directed by New York City native Bo Goldman and Czech director Milos Forman. Towards the end of the novel and film, Chief Bromden escapes from the ward. This scene is conveyed differently in the novel and film; however, there are evident similarities between each form of media. This scene is important to the plot because it wraps up the entire storyline. In the film and novel, similarities within Chief Bromden’s escape from the ward include the way Chief escaped, how he couldn't hear anyone in the ward due to being deaf, and how McMurphy assisted Bromden with gaining his confidence to lift the panel and throw it through the window. McMurphy essentially changed Bromden to help him break out of the asylum and back into the real world.
Many people might say that stars are merely a product of the Hollywood system needing to make a profit; Hollywood manufactures a product and creates the demand for it. A star's image is processed through advertisements and promotions and has little to do with what the audience wants and needs from entertainment. There is a widespread mentality that any Average Joe can become a star with enough resources backing him up. Richard Dyer points out, however, that even movies full of stars fail, and stars can and do fall out of fashion (12). A star's economic worth is not invulnerable to audiences' opinions. The audience isn't so easily controlled.
“Do you have the slightest idea what a moral or ethical principle is?” Deontology, or the adherence of one’s actions to a certain moral or ethical principle of operation, stands as an intruiging philosophy by itself. The opening sentence of this essay clearly possesses relevance to deontology. However, the quote does not originate from any philosopher, but instead from Jack Torrance of Stanley Kubrick’s The Shining. The film, from a superficial point of view, stands as an atmospheric horror film. However, instead of providing audiences with just a technically proficient film, Kubrick weaves the grounds for a foreboding subtext throughout his film. This essay examines The Shining by examining Robert Tonkin’s distinction between religion and
Stints as a child model and commercial actress brought Lohan into the spotlight at the age of three. As she transitioned from childhood to adulthood, it was becoming much more difficult to make such an appearance in the media that she had as a child. “The mass-media sets the public agenda; they are the ones who, as a result of their social event selection and focusing system, assign the priority of the discussion topics on the agenda” (Pachef, 2010). Thus, everything she had done in her personal life the media had documented, making sure the public masses were aware of Lohan. From her drug abuse to her nightlife stories, the media had it. When she even knew she had enough, the media couldn’t let go because they had absorbed so much popularity and power from the public masses from all the stories behind Lohan. Instead of focusing on her recovery, she wanted to feed the media through her actions because it was her only choice to steal the spotlight. The media as well had distorted the image of Lohan on and off the screen, whether it was shooting a new film to having lunch with her parents, by making her look like this “Scarlet A” individual whom society dislikes. The mass media establishes the topics that are worth being acknowledged, and the public is interested in the topics that circulate in the mass media.
Though child abuse is one of the main reasons why children want to be emancipated, there are other reasons for children to want adult responsibilities. One of those reasons is children actors are required to work extremely long hours. Directors and producers are limited by child labor laws. The children actors want to work their high salaries jobs. In order to continue their work load and keep their high income, it is to their benefit to become emancipated.
In the Oscar award winning movie Crash, directed by Paul Haggis, a network of characters portray the lifestyles of different races in Los Angeles. In the movie, characters “crash” into one another, similar to pinballs, to spur new emotions and explain their actions. A main character Anthony, an African American male, steadily tries to prove why he does not and will not fall into the black male thug stereotype. He was slightly close minded and repeatedly had a negative outlook towards his environment. Anthony created contradictions between what he said and what his actual intentions were. His actions were guided by his environment and further analysis of them will prove his motivation.
The pursuit of happiness is a film where Will Smith shines is a tale of rags-to-riches filled with love, family, and pursuance the American dream. Will takes the role of Christopher Gardner who was a salesman struggling to satisfy the needs of his wife Thandie Newton and their son Jaden Christopher Syre Smith. With the persistent financial problems, his wife gives up the struggle abandoning him and their son. Things get worse as Gardner and his son are evicted from their residence leaving them with no option but try surviving on the streets of San Francisco. They are compelled to move from one place to another in the bid to get a shelter wherever they are lucky to get one. On one night, they spend their night in a subway
So many young people go into the entertainment business. Most of them do not know that without a support system to keep them grounded and stable their mental development can be compromised. The society that we place so high in our culture and deem worthy of such high praise, eat our children alive. They grow too fast, have to defend themselves constantly, and are watched around the clock. As a society, we must take a look at what we are doing to the people in the entertainment industry.
In the movie ‘The Soloist,’ Nathaniel experienced mostly positive symptoms. Ronald Comer, ‘Fundamentals of Abnormal Psychology, defines positive symptoms as “pathological excesses,” or bizarre additions, to a person’s behavior, thoughts, and emotions, and negative symptoms as a deficit of thoughts, emotions, and behaviors. Nathaniel Ayers displayed signs of an abundance of excessive thoughts, emotions, and behavior. One example was when he initially met Steve Lopez; Nathaniel was extremely verbose and illustrated symptoms of disorganized and rapid speech patterns. He later expressed deep emotions towards Steve, by revealing to him that he loved him. Nathaniel held the delusion that Steve Lopez was god and this belief dominated his life. There was a scene in the movie where Steve Lopez had received a donated cello for Nathaniel; he told Nathaniel that he would only be allowed to play it if he went to the LAMP community center. Against his own desire, Nathaniel complied and went to the community center in hopes of playing it again. Auditory hallucinations are said to be common in people with
Society is a result of our interactions, and society guides our interactions. This all stems from social construction. Social construction conveys values, ideas and traditions. These values, ideals and traditions are created and become traditions that are then passed on. These traditions then come to be perceived as natural rather than cultural, which is often how media will display it and society unknowingly accepts.
There is a central notion that there seems to be a mysterious curse surrounding child stars. These young celebrities are often described as having ‘too much too young’ or being ‘scarred for life’ by success (WLVDialogue, 2009). According to Dr. Jane O’Connor (2009), an expert in child stars at the University of Wolverhampton’s School of Education, child stars lack the routine that most children usually benefit from. They often struggle to have a childhood due to the high demands of the show business lifestyle. This strengthens the idea that childhood is a private space for the development of a person’s identity and personality. Childhood is a special time that comes only once and if you miss it, there can be problematic repercussions manifested in the adult identity. Children put together from what they see and hear eve...
Movie stars. They are celebrated. They are perfect. They are larger than life. The ideas that we have formed in our minds centered on the stars that we idolize make these people seem inhuman. We know everything about them and we know nothing about them; it is this conflicting concept that leaves audiences thirsty for a drink of insight into the lifestyles of the icons that dominate movie theater screens across the nation. This fascination and desire for connection with celebrities whom we have never met stems from a concept elaborated on by Richard Dyer. He speculates about stardom in terms of appearances; those that are representations of reality, and those that are manufactured constructs. Stardom is a result of these appearances—we actually know nothing about them beyond what we see and hear from the information presented to us. The media’s construction of stars encourages us to question these appearances in terms of “really”—what is that actor really like (Dyer, 2)? This enduring query is what keeps audiences coming back for more, in an attempt to decipher which construction of a star is “real”. Is it the character he played in his most recent film? Is it the version of him that graced the latest tabloid cover? Is it a hidden self that we do not know about? Each of these varied and fluctuating presentations of stars that we are forced to analyze create different meanings and effects that frame audience’s opinions about a star and ignite cultural conversations.