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Judgement analysis and decision making essay
Judgement analysis and decision making essay
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Many people believe that The Judgement was the most autobiographical of Kafka's works. To provide a complete picture, one must analyse both. Franz Kafka was born into a Jewish family in 1883 in Prague, Bohemia. His father was Hermann Kafka, whose father was Jacob Kafka. Hermann Kafka worked in his father's butcher shop until he was able to fend for himself. A number of years later, he married the daughter of his employer, who owned a store. In short, he ‘married up’ to Julie Kafka. She was far more educated than her husband (especially considering that Herman had never received any schooling whatsoever). She later gave birth to Franz and 5 other children. Kafka was the oldest child of 2 brothers (Georg and Heinrich) and 3 sisters (Eli, Valli, and Ottla). The mother helped run his father's business, so she wasn’t at home often, like most others at the time. Just like in The Judgement, Franz Kafka’s relationship with his father is extremely dysfunctional. According to the European Graduate School, Hermann was seen as a “tyrannical figure in the household”. Kafka’s father Hermann, is represented as the antagonist in many of Kafka’s books, and tends to make life miserable for for the son figure (in the book and real life). Because Franz's father Hermann was raised in an impoverished environment, he valued hard work and dedication to his job. For Herman, it was very important to ensure his family had a good life. Franz’s mother Julie was similar; although she didn’t grow up in poverty, she also worked to support the family, leaving Franz with a governess. Due to the regular absences of his parents, Franz felt abandoned by them. Their high expectations only made him hate them more. Although an impartial observer would likely say that F...
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...tant. and the only important thing was what he decided was important. His mother was distant, his father was harsh, his relationships failed, his sexuality was an element of internal conflict. His job was meaningless and draining and his country was on the brink of an epic conflict. Suffice it to say that his life wasn't exactly a box of chocolates. When you combine this with depression,(which may or may not have been a result of all of the above) and some suicidal wishes, and you get a quite unhappy person. The Judgement illustrates a number of the perceived judgments on kafka by those around him, culminating in his father passing judgement on him, sentencing him to death. He does as his father asks, and jumps from the bridge. The vast and ranging parallels between Kafka’s works and Kafka's life illustrate the degree to which his life was reflected in his work.
Franz Kafka's The Metamorphosis is so strikingly absurd that it has engendered countless essays dissecting every possible rational and irrational aspect of the book. One such essay is entitled "Kafka's Obscurity" by Ralph Freedman in which he delves down into the pages of The Metamorphosis and ferrets out the esoteric aspects of Kafka's writing. Freedman postulates that Gregor Samsa progresses through several transformations: a transformation of spatial relations, a transformation of time, and a transformation of self consciousness, with his conscious mutation having an antithetical effect on the family opposite to that of Gregor. His conjectures are, for the most part, fairly accurate; Gregor devolves in both his spatial awareness and his consciousness. However, Freedman also asserts that after Gregor's father throws the wounding apple, Gregor loses his sense of time. While his hypothesis certainly appears erudite and insightful, there really is no evidence within the book itself to determine whether if Gregor has a deteriorating sense of time. If Freedman had only written about Gregor's spatial and conscious degradation, then his entire thesis would be accurate.
According to Arp and Johnson, “Literary fiction plunges us, through the author’s imaginative vision and artistic ability, more deeply into the real world, enabling us to understand life’s difficulties and to empathize with others.” In the story The Metamorphosis by Kafka he uses his genius imaginative vision and artistic ability, making us understand and feel empathy toward his main character, Gregor. Kafka uses a tremendous amount of symbolism and metaphors to get us to feel the mood in the story and in general life’s difficulties.
as a form of hired help since he had taken the job to pay for his
In Franz Kafka’s The Metamorphosis, the transformation of the character Gregor from a man to one of the most hated insects, a vermin, may seem exaggerated and ridiculous, becoming more so over the course of the story the action builds and the emotions and ideas of the characters in the story begin to change and become more prominent. Kafka’s intention, however, is to expose and explore the impoverishment of human psychology with respect to the ways in which changes in one’s circumstances and conditions reshape notions people have of the way they believe in justice and mercy which will be explore further in this analysis of Gregor Samsa.
To fully understand this story, it’s important to have some background information on Franz Kafka. He was born into a German speaking family in Prague on July 3rd, 1883. He was the oldest of six children. His father Harmann Kafka was a business man. His mother Julie Kafka was born into a wealthy family. Kafka considered the vast differences in his paternal and maternal relatives as a “split within himself” (Sokel 1). Kafka felt that “the powerful, self-righteous, and totally unselfconscious personality of his father had stamped him with an ineradicable conviction of his own inferiority and guilt” (Sokel 1). He felt the o...
The Metamorphosis is said to be one of Franz Kafka's best works of literature. It shows the difficulties of living in a modern society and the struggle for acceptance of others when in a time of need. In this novel Kafka directly reflects upon many of the negative aspects of his personal life, both mentally and physically. The relationship between Gregor and his father is in many ways similar to Franz and his father Herrman. The Metamorphosis also shows resemblance to some of Kafka's diary entries that depict him imagining his own extinction by dozens of elaborated methods. This paper will look into the text to show how this is a story about the author's personal life portrayed through his dream-like fantasies.
Pawel, Ernst. A Nightmare of Reason: A Life of Franz Kafka. 2nd ed. New York: Farrar, Straus, & Giroux, 1984.
Franz Kafka, b. Prague, Bohemia (then belonging to Austria), July 3, 1883, d. June 3, 1924, has come to be one of the most influential writers of this century. Virtually unknown during his lifetime, the works of Kafka have since been recognized as symbolizing modern man's anxiety-ridden and grotesque alienation in an unintelligible, hostile, or indifferent world. Kafka came from a middle-class Jewish family and grew up in the shadow of his domineering shopkeeper father, who impressed Kafka as an awesome patriarch. The feeling of impotence, even in his rebellion, was a syndrome that became a pervasive theme in his fiction. Kafka did well in the prestigious German high school in Prague and went on to receive a law degree in 1906. This allowed him to secure a livelihood that gave him time for writing, which he regarded as the essence--both blessing and curse--of his life. He soon found a position in the semipublic Workers' Accident Insurance institution, where he remained a loyal and successful employee until--beginning in 1917-- tuberculosis forced him to take repeated sick leaves and finally, in 1922, to retire. Kafka spent half his time after 1917 in sanatoriums and health resorts, his tuberculosis of the lungs finally spreading to the larynx.
Kafka used to write letters to his family, and his hatred towards his abusive father is shown in his letter Brief an den Vater (Letter to His Father). In the beginning of the letter, Kafka wrote to his father “You asked me recently why I retain that I am afraid of you, As usual, I was unable to think of any answer to your question, partly for the very reason that I am afraid of you, and partly because an explanation of the grounds for this fear would mean going into far more details than I could even approximately keep in mind while talking. And if I now try to give you an answer in writing, it will still be very incomplete,” (Kafka). Hoping that the letter would mend the gap between Kafka’s and his father’s relationship, he gave it to his mother to give to his father, but she just gave it back to her son. The gap between he and his father made Kafka feel even more isolated in the world he lived
Hunger is a term that is often defined as the physical feeling for the need to eat. However, the Hunger Artist in Kafka's A Hunger Artist places a different, more complex meaning to this word, making the Hunger Artist's name rather ironic. The hunger of the Hunger Artist is not for food. As described at the end of the essay, the Hunger Artist states that he was in fact never hungry, he just never found anything that he liked. So then, what does this man's hunger truly mean? What drives the Hunger Artist to fast for so long, if he is truly not hungry? The Hunger Artist salivates not for the food which he is teased with, nor does he even sneak food when he alone. The Hunger Artist has a hunger for fame, reputation, and honor. This hunger seems to create in the mind of the Artist, a powerfully controlling dream schema. These dreams drive the Artist to unavoidable failure and alienation, which ultimately uncovers the sad truth about the artist. The truth is that the Artist was never an artist; he was a fraudulent outcast who fought to the last moment for fame, which ultimately became a thing of the past.
The Law in Kafka's novel The Trial houses a fundamental but fleeting metaphysical metaphor. It is virtually unassailable, hidden, and always just beyond the grasp of human understanding. The Law seeks to impose an unknowable order and assimilate any individual notion of existence. It defines two distinct modes of existence through accusation: those who stand accused by the Law and those who are empowered by the Law to pass judgement upon those accused. From the very moment of his arrest, Joseph K. resists this legal hierarchy stating, "I don't know this Law ... it probably exists nowhere but in your head... it is only a trial if I recognize it as such" (6, 40). Freedom is at the center of this conflict. In attempting to rigidly define human existence, the Law compels humankind to be passive, to accept the incomprehensible legal machinery of the Court without question. "The only pointless thing is to try taking independent action" (175). There is a tacit assumption that freedom, whether one is accused or not, is provisional at best. Kafka uses the priest's allegory of the doorkeeper and the common man to powerfully illustrate this point. In many ways, the novel itself can be seen as an elaboration, commentary, or critique on the allegorical power of the Law.
In Franz Kafka’s The Trial, Josef K. is guilty; his crime is that he does not accept his own humanity. This crime is not obvious throughout the novel, but rather becomes gradually and implicitly apparent to the reader. Again and again, despite his own doubts and various shortcomings, K. denies his guilt, which is, in essence, to deny his very humanity. It is for this crime that the Law seeks him, for if he would only accept the guilt inherent in being human (and, by so doing, his humanity itself), both he and the Law could move on.
To what extent did Kafka use comedy/irony to develop his tragic, cynical view of society and family?Gregor Samsa, a young traveling salesman who lives with and financially supports his parents and younger sister, Grete, wakes up one morning to find "himself changed in his bed into a monstrous vermin" or insect. At first, to my surprise, he is preoccupied with practical, everyday concerns: How to get out of bed and walk with his numerous legs? Can he still make it to the office on time? Most persons would be devastated to find themselves in such a position as Gregor, but he did not seem to care much about himself, but only about his obligations, instead of panicking, he starts cursing his job : "If I did not hold back for my parents’ sake, I would have quit long ago, I would have marched up to the boss and spoken my piece from the bottom of my heart", " Well, I have not given up hope completely; once I’ve gotten the money together to pay off my parents’ debt to him, I’m going to make the big break. But for the time being, I better get up, since my train leaves at five." This is a sort of dry humour; a person in a tragic situation does not seem to notice the predicament he is in.He tries to get out of bed, but his new form does not enable him to do the things he used to do so easily.
No person that leads a normal life is likely to write a metaphorical yet literal story about a man transforming into a bug. That being said, no person that leads a normal life is likely to alter a genre as much as Franz Kafka did. With the unusual combination of declining physical health and a resurgence of spiritual ideas, Franz Kafka, actively yearning for life, allowed his mind to travel to the places that his body could not take him. In his recurring themes of guilt, pain, obscurity, and lucidity, are direct connections to his childhood and daily life. His family dynamic, infatuation with culture and theater, and his personal illnesses all shaped his imagination into the poignant yet energetic thing that made him so well-known. With all of his influences combined, Franz Kafka developed a writing style so distinct that he founded a semi-genre all his own: kafkaism.
Neumann, Gerhard. "The Judgement, Letter to His Father, and the Bourgeois Family." Trans. Stanley Corngold. Reading Kafka. Ed. Mark Anderson. New York: Schocken, 1989. 215-28.