The House on Mango Street written by Sandra Cisneros is about the discovery of a young Latina girl’s identity. Esperanza, the main character, moves to a new house that is located on Mango Street. The neighborhood that she lives in is poor, considered dangerous to outsiders, and not a place she wants to stay at. The people around her make her feel as though she did not belong, but through these neighbors, Esperanza creates her identity as an aspiring character. In Esperanza’s neighborhood, different types of people reside near her, and they influence her to have ambitions in writing. To begin with, characters who shape Esperanza include Minerva. Minerva is introduced in one chapter of the second half of the book, but she still affects Esperanza. Minerva …show more content…
is going through a tough time due to the abuse she suffers from, but she continues to write poems.
“She lets me read her poems. I let her read mine,” (84). Allowing Minerva to read her poetry, Esperanza now has someone to comment on her writing. She likes to tell stories as she she states in the final chapter of the book. Having someone read her poems, she is given a perspective on the world of being a writer. Another person that impacts Esperanza is her aunt. Her aunt, Guadalupe, belongs in the water as a swimmer. It is her passion, but she gets a disease and is bedridden. “You just remember to keep writing, Esperanza. You must keep writing. It will keep you free, and I said yes, but at the time I didn’t know what she meant,” (61). Guadalupe knows what it is like to have a dream end, and she did not want Esperanza to go through the same experience. Esperanza eventually realizes what her aunt meant, meaning she thinks about it. She is pushed forward by Guadalupe to continue with her passion. Finally, Esperanza is guided by her mother’s support. Her mother is already a big part of her life because they live together, but her mother
also shows encouragement to the idea of Esperanza having education. “Esperanza, you go to school. Study hard,” (91). Her mother did not want Esperanza to end up like her, so she gives support to the idea of having a good future. Because her mother is a major influence in her life, her words and support mean something to Esperanza. That influences her to pursue her goal. Guadalupe, Minerva, and her mother shape a path into Esperanza’s journey to becoming a writer. Some may argue that her poverty is a more important aspect of Esperanza’s identity than her writing. They may assert that because her wealth status is heavily emphasized in the book, and it leads her to having a strong desire to leave Mango Street. However, she did not want her financial situation to become a part of her identity. “You live there? The way she said it made me feel like nothing,” (5). She is ashamed of being poor and living on Mango Street. In conclusion, Esperanza’s identity greatly on involved her writing which is carved by the people around her than poverty.
The House on Mango Street, a fictional book written by Sandra Cisneros is a book filled with many hidden messages. The book revolves around a young girl named Esperanza who feels out of place with the life she has. She sees that the things around her don’t really add up. The story is told from Esperanza’s perspective and the events she goes through to find herself. Through the strategy of fragmenting sentences, Cisneros establishes that the sense of not belonging, creates a person’s individuality that makes them who they are.
In an earlier chapter, Esperanza meets with a witch, whom she hopes will tell her future only to be told, “Come back again on a Thursday when the stars are stronger” (72). However, when speaking to The Three Sisters toward the end of the story, they tell her to make a wish and say “You will always be Esperanza. You will always be Mango Street” (113). Rather than seek out her fate, the Fates (three sisters from Greek Mythology) have come seeking Esperanza. It has been confirmed that her wish to leave will come true, but remind her to remember her experiences as they have shaped who she is. In the article, “Interview with Sandra Cisneros”, Cisneros will tell her students to “make a list of the things that make you different from anyone in this room...in your community...your family...your gender (1). Cisneros uses this very idea in her writings of Esperanza: Her individuality is key- Esperanza’s identity as a writer and her background give her a unique voice that will allow her to speak up for those who have no
Esperanza is a young girl who struggles with feelings of loneliness and feeling that she doesn’t fit in because she is poor. She always wanted to fit in with the other kids and feel like she was one of them. She loves to write because it helps her feel better about herself writing about her life and her community. Writing helps her with
Throughout the course of Mango Street, Esperanza’s relationship towards her house change. As time passes her feelings about the house itself change and the emotional impact of the house of her changes as well. Esperanza’s house on Mango Street symbolizes her Mexican culture. For so long she has wanted to leave it. She envisions a different type of life than what she is used to - moving from house to house. “this house is going to be different / my life is going to be different”. One can look at all the things she envisions - the "trappings of the good life" such as the running water, the garden etc. as symbols for the new life.
This is one of the most important chapters because this is where Esperanza shows that she is growing up from a girl to a woman. Esperanza says that someday she “wants to be all new and shiny.” She says that she wants to sit out bad and have a boy hanging all over her. I find this interesting because I’m sure that everyone goes through something like this where we want to be rebellious and defy our parents. These are just some of the signs that Esperanza does not want to accept what her parents say is law, and she wants to try out some things of her own. For example, in the beginning of the chapter, Esperanza does not say that Sire is a punk, her father does. With children, this is not a good way to be. This just makes Sire seem exciting and sparks Esperanza’s interest to be around him.
Esperanza begins her journal by stating where she has been and where she has temporarily ended at. When she finally moved with her family, Esperanza immediately realizes that her place in the world was not going to be in the “small and red”
Women are seen as failure and can’t strive without men in the Mexican-American community. In this novel you can see a cultural approach which examines a particular aspect of a culture and a gender studies approach which examines how literature either perpetuates or challenges gender stereotypes. Over and over, Esperanza battled with how people perceived her and how she wished to be perceived. In the beginning of the book, Esperanza speaks of all the times her family has moved from one place to another. “Before that we lived on Loomis on the third floor, and before that we lived on Keeler.
The author of The House on Mango Street and the producer of The Color Purple are able to integrate numerous important thematic ideas. Many of these ideas still apply to our current world, teaching various important lessons to many adolescents and adults. The House on Mango Street is a collection of vignettes written by Sandra Cisneros, a Mexican-American writer. The novel depicts many aspects of Sandra Cisneros’ life including racism, and sexism that she and the main character face. The novel revolves around Esperanza Cordero, a young Latina girl, who is growing up in Chicago as she faces the various struggles of living in America. The various vignettes reveal many experiences Esperanza has with reality and her navie responses to such harsh
Esperanza’s explains about Sally situation by saying “ Her father says to be this beautiful is trouble” (Cisneros 81). Cisneros uses tone to show that Sally was too beautiful that her father thought she was going to run away. Esperanza’s precedes to tell us how Sally is being held captive by her father. “She can not go out. Sally I mean” (Cisneros 81). Cisneros picks out specific choice of words when she says “ Sally I mean” to show how Sally is being trapped in her father’s house. Esperanza notices that Sally has changed and she wonders why as, she share her questions with the reader when she says. “You pull your skirt straight, you rub the blue paint off your eyelids. You do not laugh, Sally. You look at your feet and walk fast to the house you can not come out from” (Cisneros 82). In this quote, Cisneros utility of imagery helps provide an image in the reader’s head about the way Sally is seen through Esperanza’s eyes and how Esperanza could free her like prince charming saved rapunzel from her
Many are confined in a marriage in which they are unhappy with, and are reductant to make a change. Some are committed to make a change for themselves. Esperanza ponders each one of these women's lives. Through each role model Esperanza gains crucial life lessons on how to overcome different life hardships. Through some women like her great-grandmother and Ruthie, Esperanza learns she must take control her fate, to avoid marrying young, and not let a male figure dictate her future. Other women like Alicia, Esperanza learns to keep pursuing goals in life and to take control of her destiny no matter what obstruction may lay ahead. From Esperanza’s role models, the moral lesson that can be taken away is to be proactive about your life and to shape your own future. Everyone is a role model to somebody in their life. Strive to leave a positive message behind for the ones shadowing in your
Who does not want a home? A shelter to sleep and a roof to dine under. Of course no one wanted to stay home forever, but once in awhile and even when far away, they will long to return to that sacred place, the place where they grew up and the place they have left behind, home. The desire for a home (or house to be precise, though there was not much of a different for this case) was realistically reflected through a fiction work of Sandra Cisneros, a Mexican American write, a story called The House on Mango Street, where we shall discuss about its setting, plot and character.
Each part contains short stories within them. These all consist of a heartwarming girl, Esperanza,who matures into a woman and how she faces these gender roles through love and violence. Cisneros alters the name Esperanza with Chayo, Rachel, Lupe, Ines, and Clemenica, to explain differences between them along with to give the story more lewd effectiveness. Sandra Cisnero's main focus throughout the novel was identity. Cisneros starts off in the first section (“My Lucy Friend Who Smells Like Corn), narrating as a young child and further matures into the final section (There was a Man, There was a Woman)....
Although Esperanza is constantly reaffirming that she wants to move away from Mango Street, we know by the end novel that she will one day return to help those who will not have the opportunities Esperanza has had in her life. Indeed, in the closing pages Esperanza admits that she cannot escape Mango Street. She can never again call it home, but it has influenced her dreams, formed her personality, and she has learned valuable life lessons from its inhabitants. That is why, explains Esperanza, she tells stories about the house on Mango Street, revealing the beauty amidst dirty streets and unveiling her true inner self, the peace of knowing that her “home is where her heart is.”
At first, Esperanza is young, insecure, and immature. Her immaturity is apparent when she talks about her mom holding her, saying it is, “sweet to put your nose into when she is holding you and you feel safe” (Cisneros 6-7). This shows Esperanza’s insecurity because her mom is still a big comfort source to her. She feels a false sense of comfort because her mom is there and will protect her. In addition, Esperanza’s immaturity is shown through her dislike for outsiders of the neighborhood when she says, “They are stupid people who are lost and got here by mistake” (Cisneros 28). This indicates how defensive and protective Esperanza is towards her barrio by calling outsiders stupid for reacting the way they do, even though she dislikes Mango Street....
Esperanza is a very strong woman in herself. Her goals are not to forget her "reason for being" and "to grow despite the concrete" so as to achieve a freedom that's not separate from togetherness.