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“A beardless, boyish face, very fair ... nose peeling, little blue eyes, smiles and frowns chasing each other over ... like sunshine and shadow on a wind–swept plain” (Conrad, “Chapter 2,” Paragraph 34). The representation of the harlequin is shown as a young boy with bipolar emotions, “his face was like the autumn sky, overcast one moment and bright the next” (Conrad, “Chapter 2,” Paragraph 34). Furthermore, according to the harlequin description of Kurtz, Kurtz characterization is shown to be this person who is very righteous, therefore he only speaks while others listen, “You don’t talk with that man—you listen to him,’ he exclaimed” (Conrad, “Chapter 2,” Paragraph 35). Additionally, the harlequin seems to be very trustworthy person owning
1. The most crucial point in Chapter 1 is the call Tom receives from his lover. After Nick, Jordan, Tom, and Daisy spent a well mannered night together, the phone rings and Tom rushes to it. When Daisy follows behind it’s revealed it’s a mistress from New York. This is a crucial point as it reveals the falseness in Tom and Daisy’s relationship. Although it initially looked as if all was fine, a larger theme of disingenuousness is behind their relationship.
Chapter one introduces Hafid, a wealthy and successful salesman and his assistant Erasmus, a trusted worker and friend. Hafid lives in a beautiful palace with every type of luxury imaginable. He understand that he would die soon and askes Erasmus to estimate the value of his properties and to distribute them among others. Erasmus is now asked to give half his fortune to the poor as he did annually and sell his belongings in for gold. Hafid only intends to keep enough money to last him for the remaining of his life and the rest disturbed to the people who need it and to his emporiums. In doing this, Hafid promised Erasmus to share a secret that he had only told his wife. In Chapter 2, Erasmus does what he is told and when returning back was
4. Describe and explain why you would/would not like to have lived in the time or place of the story.
The New York Times article, Editorial Observer; Jay Gatsby, Dreamer, Criminal, Jazz Age Rogue, Is a Man for Our Times, highlights the actions of characters such as Jay Gatsby, Atticus Finch, and Holden Caulfield to the 21st Century. The article discusses how all three characters were listed by Book magazine to be names the Top 100 fictional characters since 1900. The character, Gatsby, was selected because of his trait to be the “cynical idealist, who embodies America in all of its messy glory.” The article continues on by stating how Gatsby would relate to a current American in today’s day in age. Many believe that Gatsby would be able to survive, and thrive, in today’s age knowing what readers know of his life in the 1920s. The author begins by
Chapter 1: Chapter one introduces the reader to the narrator Nick Halloway and most of the other other characters of the story. Including his cousin daisy, her husband tom and their friend jordan - the golfer. Nick comes from a wealthy family; however, doesn’t believe in inheriting their wealth. Instead he wishes to earn his own wealth by selling bonds in the stock market. Chapter one also talks about the separation of the rich. Where the east egg represents the inherently rich whereas west egg represents the newly rich. The people in the east also seem to lack social connections and aristocratic pedigree. Whereas the people in west egg possess all those qualities usually lacked by people in the east.With nick living
The antagonist in the story is Abner Snobes. Abner Snobes is a very angry and inconsiderate man who has hate and detestation for almost anybody who is not “blood-kin”, and he portrays that hatred and contempt throughout the story (qtd. In Volpe 163).
As I have thought and prayed a bit more about what you have experienced this weekend it strikes me that as you entered it with the expectation that it was a beginning, Ruben entered it with a number of lines drawn in the sand that He knew he couldn’t cross, and was entering the weekend seeking to discover where you stood in relationship to those lines before he took the risk of allowing his heart to get too attached. If he had, he may have found himself in a position later on having to decide between what his heart wanted and erasing the line he had drawn and stood behind for so long. As hard as this may be to understand, in many ways the decision has very little to do with the real you, and more to do with the wishdream he has been holding onto. I know it doesn’t ease the pain, and it may not even help with the confusion you are feeling, but I think it is true. He has an idea of what perfect looks like and he is committed to holding on to it. He has held it for 32 years. Maybe he
The dialogue of the Harlequin provides the reader with insight to the inner being of this “Robin Hood” (2); this man must die because he threatens everything — the totalitarian machine, the rigid structure of society, the time standard, the abusive restraint, the end of
The word visually stunning could be used to describe the 2013 Baz Luhrman directed adaptation of F. Scott Fitzgerald’s timeless novel The Great Gatsby. Speaking of the director, I enjoyed his portrayal of the lavish lifestyle and carefree party like attitude in such a beautiful visual experience. The way in which the party scenes were filmed in the movie made perfect sense compared to the source material and were something I have never seen done by any other directors in a live action film. Another positive for me about this film was the soundtrack. When I first started watching the film I expected to hear old time music prevalent in the 20s. I however was pleasantly surprised when I learned the soundtrack was compiled by Jay-Z and featured many tracks I enjoyed featuring him either alone or accompanied by another musical guest. While Jay-Z is not exactly an accurate representation of the music of the 20s, the soundtrack adds a modern flavour over the previously mentioned beautiful backgrounds and architecture. The story however is where the movie at times falls flat. When stripped down to basics it is nothing more than a generic love story with a few twists added in for extra kick. The characters in the same vain can be very bland and not make you care much for them due to their backstories not being deeply explored. The only character that I found to be interesting was Jay Gatsby because of the mystical aura that surrounds his character at the beginning of the movie that leads you to want to uncover more of this ever mysterious man. All in all the visuals clearly outpace
Now he was a sturdy, straw haired man of thirty with a rather hard mouth and a supercilious manner. Two shining, arrogant eyes had established dominance over his face and gave him the appearance of always leaning aggressively forward. Not even the effeminate swank of his riding clothes could hide the enormous power of that body—he seemed to fill those glistening boots until he strained the top lacing and you could see a great pack of muscle shifting when his shoulder moved under his thin coat. It was a body capable of enormous leverage—a cruel body. His speaking voice, a gruff husky tenor, added to the impression of fractiousness he conveyed. There was a touch of paternal contempt in it, even toward people he liked—and there were men at New Haven who had hated his guts.
“Gatsby turned out alright in the end.” Yes, because someone who ends up murdered in their own swimming pool, shot by a lackluster man, taking the blame for a crime he never committed for someone who quickly turned her back on him, is defined as “alright.” I never understood why Gatsby was the one to die. I thought he was the hero of the novel. Fitzgerald was a romantic; he was the American Dreamer. The novel was the epitome of the American Dream. The hero never fails; the underdog always wins. Isn’t that what we have always been taught? How could such a great man die? And why was Gatsby the only one pointed out as “alright?” I mean after all, most of the characters’ lives remained unchanged. Daisy and Tom resumed their marriage. Nick returned to the Midwest. Jordan continued her career. Gatsby was one of the only people who portrayed the repercussions of the events. How could someone that readers are supposed to root for die tragically, and on a false claim, nonetheless? Why did Fitzgerald murder Gatsby? But, after some research I realized Fitzgerald NEEDED Gatsby to die.
“So we beat on, boats against the current, borne back ceaselessly into the past,” (Pg. 180) the last line of the novel The Great Gatsby, by F. Scott Fitzgerald, meaning there is a hopeless with respect to personal progress and ultimately our destiny does not push us forward but alas backward into the past. Hence we are tethered to our past forever. In the novel The Great Gatsby, F. Scott Fitzgerald swept his readers away with his imaginative and somewhat of an autobiographical portrayal of the 1920’s terms, “old money” and “good money.” In this imaginative and autobiographical portrayal of the 1920’s, Fitzgerald also tells of a man named Gatsby and his desperate search for a lost dream. Ultimately, however F. Scott Fitzgerald writes The Great Gatsby with much complex characters, symbolic references, and themes to enhance and enrich his electric, 1920’s novel.
Although on a superficial level it appears that Hermann merely takes advantage of Liza in order to get close to the Countess, Pushkin subtly undermines this interpretation by revealing in his hero a persistent ambivalence between pursuit of the old woman’s secret and possession of the young ward. By declaring the initial appearance of Liza as the moment that seals Hermann’s fate, Pushkin establishes the desire for romantic and sexual possession of Liza as the true catalyst for Hermann’s madness. The idea that Liza, or rather what she represents, is Hermann’s true goal implies that the outward obsession and frustration surrounding the cards is merely displacement of deeper, interpersonal frustration or discomfort.
The narrator’s mind is freed as he breaks away from his fantasy by being at the bazaar physically- the bazaar, which he had pictured as being magical and had ‘cast an Eastern enchantment upon him’, was mundane in reality, with two men flirting with a young woman. The narrator feels cheated, burning with ‘anguish and anger’, and as his delusion is shattered he realises his previous vanity, coming to the epiphany that his infatuation had reaped nothing. The narrator’s unrealistic expectations caused the narrator to become shallow and obsessed, making him lose interest in life since the girl was exotic and different from what he had experienced in his ordinary, bland environment. The narrator breaks away from his twisted Eastern fantasy, which builds up to his realisation of his own shallowness and self-deception, and finally sees himself as who he really is- foolish and vain, which ties in with the bildungsroman-sque theme of the
It is not until the third part that we begin to learn of the terrible person that Mr. Kurtz has become and the horrible and evil things he has done during his time away from civilization in the Co...