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The rise and fall of the Roman empire
Roman and republic empire
The rise and fall of the Roman empire
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Hello and welcome to the first episode of a history of the Roman World in 200 objects here at the Royal Ontario Museum. I your host today, Rahman Salehi, will take you on a journey 2000 years back in time, in which the Roman Empire was one of the greatest powers of the Ancient world. The Roman Empire was a very heterogeneous society with various ethnic groups such as the Latin’s, Etruscans, Greeks, Phoenicians, Italians, Carthaginians and so forth. However, they all had one thing in common. That is, religion played a very important role in the daily lives of individuals of Rome. Romans believed that gods controlled their lives and, hence, spent a great deal amount of time worshiping deities.
The object of analysis for today’s program is an Etruscan Votive ear which is displayed in the Eaton Gallery of Rome at the Royal Ontario Museum. The Etruscan Votive ear is a beige sculpture, roughly five to ten center meters in length, of a human’s right ear produced during the Republican Era of Rome between 200-100 BC (Refer to image 3 on page 9). According to the Royal Ontario Museum, the Votive Ear reflects “the lasting influence of Etruscan religion in Rome” (Refer to image 4 on page 8)
The Etruscans settled northwest of Latium and are regarded as one of “the most remarkable people of early Italy”. Although the origins of Etruscans are a mystery, archaeological sources such as artifacts reveal the material culture of the Etruscans civilizations. The Votive ear is associated to the Etruscans religious tradition known as Votive offerings. Votive offerings can be defined as the purpose of “offering body parts at a shrine as a means to seek help from a deity to alleviate an afflicted organ or region of the body”. Although we inte...
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...x the problem. In today’s society, because of the advancements in the medical field, technology and the rise of professional doctors, we do not need to resort to supernatural phenomena to cure medical hardships. Doctors have the ability to fix most of our troubles through procedures such as medicine or surgery. Hence, this demonstrates how the study of history, puts human experience in context and allows us to understand ourselves as people and how much we have evolved, and will continue to evolve for centuries to come.
This concludes this week’s programme of a history of the Roman World in 200 objects here at the Royal Ontario Museum. Tune in next week as we move from ceremonial and religious objects such as the Votive ear in Rome, to the funerary and burial objects analyze the concept of death and how one deal with it in the 1st century AD in the Roman Empire.
Kleiner, Fred S. A History of Roman Art. Boston, MA: Wadsworth, Cengage Learning, 2010. Print.
The Minoan archaeology is one which was surrounded by numerous controversies and this can be considered to be incomplete without the overall understanding of Sir Arthur Evans. The Minoan archaeology on its own has been present for several years however a true understanding of the culture and the culture was brought to life due to the efforts by Sir Arthur Evans. Heinrich Schliemann on the other hand was focused on the Mycenaean culture. Both these scholars were known to make a number of alterations to the artifacts, however for very different reasons and rationale. The main aim of this paper is to discuss their position in each culture and to discuss the possible rationale that these individuals had for making the alterations.
The Head of Augustus, that is located in the Metropolitan Museum of Art, is a combination of Roman and Egyptian art. The Roman technique used to sculpt Augustus’ head is highly valued, but it is the Egyptian faience practice that makes this work of art significant. To best understand why this sculpture was created under the influence of these two cultures, a brief review of history is discussed.
Etruscan art and culture plays a major role in the Roman society due to the power and command it once held over the Romans. The Etruscans were a strong network of city-states that ruled over Rome for more than a century during the Hellenistic period. These people, influenced by the culture of the Greeks, kept the same belief and value system present in that of Greek mythology. Greek ideals facilitated the style and the art that Etruscans produced and this is apparent in the visual language of structures, artwork, and early organization of the Roman state that the Etruscans established. During the Etruscan rule, acculturation between Romans and the Etruscan society occurred. This mixing of language, sharing of knowledge, religious ideas, art styles, and social organization are what influenced the early Roman society. This is about the Etruscan funerary techniques and how the Romans acquired, copied, and reapplied these methods of style to define their own societal meaning. Even though the Etruscans were overthrown soon after they occupied Rome, their influence is a major factor in how the Romans developed ideas and meaning within their own society
John Scheid is one of the world’s leading scholars in relation to the Roman World. His work, An Introduction to Roman Religion, provides an extensive analysis as well as portrait of the religion in Rome in the context of the late republic and early empire. In order to present his arguments and evidence effectively and efficiently in the publication, Scheid draws on the latest findings with reference to archaeology. In addition, the author uses history in explaining relevant meanings of rituals, auspices, oracles, and rites. The approach is also vital in the evaluation of the uses of temples and sacred ground. It is also essential to note that the book focuses on demonstration of the daily patterns of the religious life as well as observance within the context of the Roman City (Rome) and its environs.
The wooden lintels, writing, and the unique calendar reveal clues about life in a society that thrived for over 1000 years. Many massive building are visible today, those built to pay tribute to kings and to please the deities. The M...
The primary function of monumental portraits in Ancient Rome was to honor political figures of power through repeating social and political themes. The Romans expressed these themes through a form of “realism”. Relics of this era were found depicting the elderly conservative nobility that lived through civil disruptions and war, elaborately individualized through detail of the face expression. Through the features of grimacing heaviness, wrinkles, and effects of old age, the Romans were able to express the reality of their political situation felt by the people whose faces were sculptured into stone. Furthermore, Nodelman discusses the use of sculpture portraits to depict the ideology behind Roman conservative aristocracy. Artists would portray the virtues of gravitas, dignities, and fides, through the use to physical expression and symbolic meaning, rather than through words. A statue of Augustus, for instance, displays the militaristic, powerful, godly perception of the conservative ideology through the use of symbolic detail. The decorative, rich, military outfit on Augustus, represents the power of the military and Augustus’s role as imperator in it. The freely held masculine arm and pointing gesture towards the horizon are Rome’s expanding dreams, clashing with the overall powerful and sturdy stance of the body. The bare feet bring about the impression
That these ideals are embedded in their respective cultures is perhaps best evidenced by the small statuette Venus of Willendorf, by common archaeological consent the oldest kno...
Bibliography:.. Bibliography 1) Bloch, Raymond. The Etruscans, New York, Fredrick A. Praeger, Inc. Publishers, 1958. 2) Bonfante,. Larissa. Etruscan Life and Afterlife, Detroit, Wayne State University Press, 1986. 3) Grant, Michael.
... Austin: University of Texas Press, 1997. Hopkins, Keith. A. A. Death and Renewal: Sociological Studies in Roman History. Cambridge: Cambridge University Press, 1983 Johnston, Harold Whetstone. The Private Life of the Romans.
http://www.bbc.co.uk/history/ancient/romans/roman_women_01.shtml>, Accessed December 23, 2011. Ellis, E. and Esler, World History Connections to Today. Prentice Hall, New Jersey, 1999. GREECE & ROME. Archaeology [online] [serial] [online].
Throughout the history of Rome, from the monarchy to the late empire, religion had played a great role in it's society and was involved in almost every aspect of the life of the Roman citizen. It was common for each house to have it's own patron god/gods and ,on special occasions, the head of the house would make a sacrifice to the personal gods of the family. Also, great festivals were usually held in honor of certain gods and would include spectacles like chariot races and Gladiatorial fights.
Heichelheim, Fritz, Cedric A. Yeo, and Allen M. Ward. A History Of The Roman People. New Jersey: Prentice-Hall Inc., 1984.
"We Romans", said Cicero, "owe our supremacy overall other peoples to our piety and religious observances and to our wisdom in believing that the spirit of the gods rules and directs everything." Roman rites and observances took two main forms. One was the domestic reverence of the spirit or genius of the family. The other was the public attitude to the gods and goddesses by whom the destiny and welfare of the Roman people as a whole were supposed to be guided and controlled. During the Classical period, religious observance accompanied all important private and public events and transactions and, no successful outcome went without a vow of thanks or public dedication. Temples, priests and sacred rites were provided by the State. Nothing in the nature of religious services as we know them, in which the body of worshipers as a whole were able to participate, seems to have been celebrated in the temples. Any set forms of prayers, hymns or chants were performed solely by the official priests whose secrets they remained. The ordinary Roman man or woman had little personal part to play in such rites (Handbook To Life In Ancient Greece). While they were being undertaken and fulfilled it was the duty of the ordinary citizen not to interfere or make any disturbance and to refrain from any business affairs. When religiously minded Roman dropped in to a temple in order to worship the god or goddess whose house it was , they had some practical object in view : some personal favor or advantage. They came and perhaps burn incenses. When praying they stood with upturned palms. Sometimes they got as close to the image of the god as they could in order to whisper their pleas; the feet of some of the images were worn by the kisses of generations of worshipers. In addition to paying a fee for admission, the grateful petitioner for divine aid also brought sacrifices and thankful offerings to the temples. Enormous numbers of livestock and cattle went to augment the wealth of the temples, and to swell the incomes of the priests and attendants, many of whom became extremely wealthy. Temple worship was no essential part of Roman life. If it had been, it is difficult to understand why there were not more than about a hundred within the city confines, which is no large number in a city of some million inhabitants.
Boëthius, A., Ling, R., & Rasmussen, T. (1978). Etruscan and early Roman architecture. New Haven: Yale University Press.