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Theme of insanity in literature
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Imagine living a completely normal life which suddenly deteriorates into depression, cynicism, and obsession. At the beginning of the story, “The Enormous Radio”, Irene Westcott's life is as simple as can be. She has average income, aspirations, and overall, a very typical life. Despite this, the arrival of a mysterious radio turns her life upside down and ultimately drives her into obsession and doubt about her friends, life and family. In the end, the intrusive radio negatively impacts her interpersonal relationships, encourages her to judge others and most significantly, completely destroys her emotionally. John Cheever’s “The Enormous Radio” acts as a cautionary tale in which Irene's dramatic collapse into doubt and depression warns the …show more content…
Although Irene appears to be satisfied with her life, prior to the arrival of the radio, the outside lives of others, prompt her to question her personal satisfaction. After eavesdropping on the radio, Irene starts to question things, “Life is too terrible, too sordid and awful. But we've never been like that, have we, darling? Have we? I mean we've always been good and decent and loving to one another, haven't we? And we have two children, two beautiful children. Our lives aren't sordid, are they, darling? Are they?" (189) This quote proves that the trouble in other people’s lives begins to impact Irene and ultimately influences her to question her love towards her husband and the overall quality of her children. Eventually, Irene would go on to ask the demoralizing question, "We're happy, aren't we, darling?” (189) These external difficulties she’s hearing about on the radio have driven her into a state where she actually needs to question her own happiness! Clearly the radio has persuaded Irene to question the satisfaction of her own life, and ultimately, it drives her into a rocky mental
He describes the parents’ conversations as “bantering” while also referring to “the difficulties of long marriages” (291). With Meredith being divorced in the story, the narrator views marriages as an agreement that is hard to keep with most people not lasting for long which Meredith fits into that stereotype (293). The narrator gives an account of his sister’s days with “ this part is routine, my sister was tired as hell, she slept the sleep of the besieged, of the overworked..” (294). Moody makes Meredith out to be an overworked single mom who, while still loves her family, dislikes the everyday routine but has no choice but to comply. She is now stuck in a rut and her situation relates to others in the same position as her. She goes through life traveling the same route and working at the same job for years
Despite being within the dark aspect, Irene still benefits from her first encounter with her grandmother and thus undergoes a small change. Due to meeting her grandmother, Irene realizes that sometimes it is wise to keep her own counsel.
...ailments concludes in the book Jeanette comes to terms with the belief of some people enjoying life a different way. While learning how to dance between turbulence and order from a very young age their lives took a drastic toll from their father’s affliction. Their nomadic life could have continued in its blissful and whimsical state so long as balance was maintained between the order and turbulence. However, with a mental ailment on the mother’s behalf which rendered her incapable of stability the father’s addiction was the weight holding the family in their downward spiral. Without this chosen means of escape by Rex a different life would have befallen the children of the Wall’s family and while it would never have been ideal or picturesque they would have been able to continue in a happy and whimsical manner.
As the story goes on the siblings remain prisoners of there own house only living in the wing of the house that was cut off because of the unexplained noises. They go on with there lives regretting things left in the taken over wing of the house like the narrator’s books and Irene’s stationary. This also changed the siblings daily routines of cleaning and cooking, to their surprise it was a more efficient way of living. They spent the rest of their time every day knitting and organizing old stamp collections until the day the noises come
Allison has had a bitter past full of moments which have scarred her personality. She uses these and writes about the world that few are willing to admit exists. Many find refuge behind their gregarious nature and take comfort in religion or other bodies. However, that does not change the facts of what the world is and how it got there. Allison exposes her audience to these facts, and in the process, she shares her own view.
...When Clare talks to the maid and cook, Irene feels this is “an exasperating childlike lack of perception” because you are not supposed to be friends or associate with servants. She wants to feel superior to the help she has hired, even though they claim the same racial identity. Irene, being only half white lives in a community where everyone identifies as black, however she desperately wants the white half of her to hold some sort of weight in her life. Although she identifies as black, Irene’s actions display nothing but her wanting to assimilate into white culture. She tries to fuse both races together in an attempt to attain some sort of racial identity, but fails to do so. Ironically, throughout the whole book, Irene tries her best to stay loyal to one race, but the actions she takes constantly clashes with the identity she claims in her black community.
The creation of a stressful psychological state of mind is prevalent in the story “The Yellow Wall-Paper” by Charlotte Perkins Gilman, as well as, Edgar Allen Poe’s “The Tell-Tale Heart”, Ophelia’s struggles in William Shakespeare’s “Hamlet”, and the self-inflicted sickness seen in William Blake’s “Mad Song”. All the characters, in these stories and poems, are subjected to external forces that plant the seed of irrationality into their minds; thus, creating an adverse intellectual reaction, that from an outsider’s point of view, could be misconstrued as being in an altered state due to the introduction of a drug, prescribed or otherwise, furthering the percep...
The suffering that occurs in Irene’s surroundings causes her to lose her faith in her religion as well as in humanity. People’s perspective may change when they are faced with new or difficult environments.
In Pat Mora’s “Sonrisas,” A woman tells the audience that she lives in between two worlds: her vapid office workplace and a kitchen/break-room with family members or colleagues of her same heritage. Mora includes many sensory details to enrich our understanding of the speaker’s experience in both “rooms.” The speaker is content living in the “hallway” between the two rooms because she can put on a metaphorical mask, as mentioned in Jungian psychology, which fits what is acceptable to the different social society that is in each room of her life. Adrienne Rich on the other hand, is not content with peeking her head into the doorframes of the roles she must play in order to be accepted. In her poem, “Diving into The Wreck,” she pursues, in my opinion, a form of individuation by diving into the wreck of her inner consciousness to find who she is among the wreckage of the world and its effects on her. Both Pat Mora and Adrienne Rich explore the dangers of being defined by others and the rewards of exploring different worlds.
Mrs. Mallard’s repressed married life is a secret that she keeps to herself. She is not open and honest with her sister Josephine who has shown nothing but concern. This is clearly evident in the great care that her sister and husband’s friend Richard show to break the news of her husband’s tragic death as gently as they can. They think that she is so much in love with him that hearing the news of his death would aggravate her poor heart condition and lead to death. Little do they know that she did not love him dearly at all and in fact took the news in a very positive way, opening her arms to welcome a new life without her husband. This can be seen in the fact that when she storms into her room and her focus shifts drastically from that of her husband’s death to nature that is symbolic of new life and possibilities awaiting her. Her senses came to life; they come alive to the beauty in the nature. Her eyes could reach the vastness of the sky; she could smell the delicious breath of rain in the air; and ears became attentive to a song f...
Ultimately, Hazel initially disliked sympathy from peers primarily because she wanted to be a normal child, but as the novel progressed, Hazel became aware of her surroundings and realized that the blissful events in her life happened because of her illness. Condolences seemed to be excessively used through Hazel Lancaster’s life, which was a fundamental aspect of The Fault In Ours Stars, from the Make-A-Wish Foundation to family friends and strangers. The obscurity of being placated with sensitivity and excessive solace can at first be seen as causing depression and sorrow, but later on can be perceived as a contingent in an ill person’s life.
Green’s The Fault in Our Stars is substantially influenced by the (twentieth century) existentialist philosophy of Jean-Paul Sartre and Martin Heidegger .Thus, characteristics such as facticity, transcendence, and freedom have been included in the narrative in order to portray Hazel’s evolution regarding the facticity of Cancer, her own existence and her perception of death, and, her anxiety regarding her parents well-being as she believes to be nuisance that will ultimately harm those around
Under the orders of her husband, the narrator is moved to a house far from society in the country, where she is locked into an upstairs room. This environment serves not as an inspiration for mental health, but as an element of repression. The locked door and barred windows serve to physically restrain her: “the windows are barred for little children, and there are rings and things in the walls.” The narrator is affected not only by the physical restraints but also by being exposed to the room’s yellow wallpaper which is dreadful and fosters only negative creativity. “It is dull enough to confuse the eye in following, pronounced enough to constantly irritate and provoke study, and when you follow the lame uncertain curves for a little distance they suddenly commit suicide – plunge off at outrageous angles, destroy themselves in unheard of contradictions.”
She continues in this sequel to talk about the abuse she faced and the dysfunction that surrounded her life as a child and as a teen, and the ‘empty space’ in which she lived in as a result. She talks about the multiple personalities she was exhibiting, the rebellious “Willie” and the kind “Carol”; as well as hearing noises and her sensory problems. In this book, the author puts more emphasis on the “consciousness” and “awareness” and how important that was for her therapeutic process. She could not just be on “auto-pilot” and act normal; the road to recovery was filled with self-awareness and the need to process all the pieces of the puzzle—often with the guidance and assistance of her therapist. She had a need to analyze the abstract concept of emotions as well as feelings and thoughts. Connecting with others who go through what she did was also integral to her