Stop, Kiss, and Review in that Order Stop Kiss was a heart breaking play about the effects of human ignorance. Though this play left me with many questions, I realized that the answers that I was looking for, did not impact the play and its message. This play is about two lovely girls who fell in love with each other that almost cost one of them the ultimate price. I would like to say that I went into this play with low expectations, and came out pleasantly surprised. Janina Jaskowiak and Claudia Rojas did a phenomenal job as with the rest of the cast. Though you could tell that these girls where not professional actors, they change the word amateurs. In this review I will be talking about the design aspects of the play, the acting, the directing …show more content…
I chose them because I found their relationship to be the most fascinating. Though these two a great performers, I felt a lack of chemistry from them. When they interacted with other actors, they seemed more natural with them than each other. They were supposed to portray friends with benefits, but they only physically contacted each other on a need be basis. The scene where George came to visit Callie after her accident, it seemed like Vaibhav was just reciting lines and not feeling them. His movement seemed more like calculated steps than something he was doing more naturally. Though vocally he sounded great. His voice fit the character, and he could deliver very well on his sarcastic comments, and funny ad lib. The only time his voice betrayed him was when he was in a serious scene. He did not quite get the serious tone. His facial expressions in the more comical scene, like when he went to dinner with Callie and Sarah, he was able to deliver slightly exaggerated expressions, while it remained realistic. I applaud him for that, it is hard to be able to deliver that, especially when at some points the joke get old. The only time his facials did not match the scene, was in serious ones. He seems like an actor who is more comfortable with comedy than tragedy. Janina Jaskowiak was my favorite actress in the whole play. I feel like director casted her perfectly. She was able to play the safe, timid girl very well. That being said, she did have a few habits that distracted me from her performance. Janina has lovely long hair, and through the whole performance it kept falling in her face, and she constantly pushed it back. I am not sure if she chose to have it there to help portray Callie as a more timid girl, but I found this habit extremely annoying. All I wanted to do at times was to jump on stage and give her a bobby pin. Janina
In Act 1, “ Voices can be heard,” Winn shows how these girls express themselves through theatre and can act out different kinds of stories about their lives and the lives they aspire to have. She also proposes that the youth need to be heard in order to find their way in life. Winn explains “ this act will explore theories of play in order to understand its critical role in the lives of incarcerated and formerly incarcerated girls” (P.17). With this in mind, it is clear from the play that each one of these women's performances reflects their deepest desires for life out of jail. Also, it demonstrates how aware they are of why they ended up there, including the social issues and cultural influences that led them to their
Their acting chops were very impressive whether it was comedic, emotional, or just stunning overall. Yet, on the other hand, some minor characters weren’t as well heard as others. I feel as the play could be better if some of the minor characters had projected their voice more, allowing their character to be known. However, although some voices were much stronger than others, all actors were full of talent, capable of dealing with script’s requirements, and did a good job
... to those viewing the performance. The audience must focus their attention of the happenings and the words being portrayed on stage or screen or they will easily miss the double meaning Stoppard intended in each scene of the play. The human motivation is inseparably connected with the theme of life and death that runs through the play, for it is as the two are about to die that they observe that maybe they could have made a different decision, one that would let them remain alive and free they only missed their opportunity to make that choice. Stoppard wanted his play to express more meaning and different messages to his audience but he desired for them to search the play and pay close attention to the different meanings present so they could gain the most possible from the play and those who did not understand would walk away not understanding how much they missed.
In the 1990 article "I’d Rather Kiss than Smoke" in the National Review, Florence King tries to persuade her readers to look through a smoker’s eyes in a smokist world. King has been around people smoking even before she was born. Her mother started smoking when she was twelve and she started this habit when she was twenty-six. Since she started smoking, she has been analyzing how non-smokers discriminate against them. Florence King expects everyone to be okay with smoking because it is what she was brought up in and it was okay in her family.
There are many ideas, experiences, values and beliefs in the play Blackrock by Nick Enright. The play is based on a true story and is set in late November to early January in an Industrial city and its beachside suburb of Blackrock. It is about a girl called Tracy aged 15 who was raped and murdered at a teenage party and the effects of it on the locals and community. Three main ideas explored in the play that challenged and confirmed my own beliefs include “Disrespect toward women”, “Victim blaming” and “Double standards”.
According to Sherrie A. Inness, “The Captive was hauled by critics as the first play on the American stage to deal openly with what one reviewer called a “repulsive abnormality.” Ten years prior, God of Vengeance was scorned for offending rabbis, Jewish men and women’s religion and abusing the significance of the Torah. Critics and reviews failed to deliver their remarks on the intimate lesbian love, but in The Captive, the lesbian undertones are concealed and carried out in a strategic fashion, yet these moments were censored and triggered. Due to these moments where the acts of lesbianism were not apparent, it was deemed with obscurity, causing the play to fall short overall. Similar to God of Vengeance, The Captive was confronted with “obscenity charges in the United States, and after a run of less than five months, the play was raided and closed down by police” (Inness 304). With this framework in mind, my case study is not diminished by the greater public opinion, rather Edouard Bourdet’s strategic approach to lesbianism and the way in which is portrayed in society juxtaposed the emergence of lesbianism in the United States in the early part of the twentieth
All relationships go through both good and bad times. Some last through the ages, while others quickly fall into nothing. In Terrence McNally’s “Lips Together, Teeth Apart,” the heart of this haunting play is a dramatically incisive portrait of two married couples—the Truman’s and the Haddocks. Uncomfortable with themselves and each other, they are forced to spend a Fourth of July weekend at the Fire Island house that the brother of one of the women left his sister when he died of AIDS. Though the house is beautiful, it is as empty as their lives and marriages have become, a symbol of their failed hopes, their rage, their fears, and of the capricious nature of death. The theme of love and death in relationships is quickly developed, as well as an overwhelming fear of homophobia. The two couples McNally brings to life are both going through rough patches in their marriages. While Chloe and John are fighting through John’s esophagus cancer, Sally and Sam are expecting and fearful that this time it will be another miscarriage. Showing how society has struck fear into the couples about AIDS. While everyone except John is worried about catching “AIDS,” the play begins to unveil troubled marriages as well as superficial values and prejudices.
Besides the fact that I didn't like this play, the actors did do a pretty good job with their acting and memorization of their lines. Couple times Marisol hesitated with her lines but it wasn't too bad. I like the accents they were using. It wasn't to hard to understand what they were saying, but once again there were those times when their accents did effect a little on their pronunciations and my understanding on what they were saying. Overall, I don't think they were too believable with their characters. They didn't reach me.
In 1959, two young African American boys, James Hanover (9) and David “Fuzzy” Simpson (7) were charged with molestation of a young white girl. The case is known as “The Kissing Case”, a case that has been much forgotten and to some even unheard. While there were many issues within the case, the main factor that changed the young boys’ lives forever was the simple fact that they were innocent. Some of the problems in this case are issues that are judicial system still seem unfit to get right in many cases.
Communication is a vital component of everyday relationships in all of mankind. In plays, there are many usual staging and dialogue techniques that directors use to achieve the attention of the audience. However, in the play, “Post-its (Notes on a Marriage)”, the authors Paul Dooley and Winnie Holzman use both staging and conversation in order to convey the struggles of modern relationships. The play is unconventional in how it attempts to have the audience react in a unique way. The authors use staging and conversation to portray to the audience that there are complex problems with communication in modern relationships.
For a college production, the acting was outstanding. I really felt the emotions. The lead Wendla, who was played by KyLeigh Zimmerer, was amazing. I have also seen bits and pieces of the Broadway version which starred Lea Michelle, and obviously if I were to compare the acting, the Broadway version would be victorious. However, for a college production, these actors have limited past experience, but their acting was professional. Also, when they sang the song "Those You've Known," I felt chills and had goose bumps because that was such an emotional song. You could feel all the emotions and guilt Melchior, played by Ryan Ramirez, was feeling because both his best friend, Moritz, played by Justin Noblitt, and the girl he impregnated, Wendla, died and he believed he was to blame. Moritz committed suicide while Wendla died from a botch abortion her mom for...
One of the most celebrated plays in history, “Romeo and Juliet”, was written by William Shakespeare in the late 16th century. It is a story about two lovers that have to meet in secret because of an ongoing family feud. Tragically, because of their forbidden love Romeo and Juliet take their lives so they can be together. In 1997, a movie was adapted from the play “Romeo and Juliet”, directed by Baz Lurhmann. However, as alike as the movie and the play are, they are also relatively different.
The classic play Romeo and Juliet by the famous playwright William Shakespeare is one of the most beautiful love stories of all time and has captured and inspired readers everywhere. Regardless of the fact that it was written in the 1500’s, it is still being performed and extolled today. There is a multitude of reasons for such continuance of the play. First of all, its everlasting themes of love and hate enable people to deeply relate to the story. Secondly, its memorable characters deeply imprint on the minds of readers. And lastly, above all, is its magnificent language which many writers today regard in awe. These three elements make the acclaimed play, Romeo and Juliet, one of the most timeless stories of our lives.
Shakespeare’s Romeo and Juliet is a play commonly viewed and known as a true love story; however, after analyzing several hints portrayed by the protagonists, it is evident that Shakespeare did not intend to make Romeo and Juliet seem like a true love story but a criticism of how superficial society’s view on love is.
To conclude, therefore, conflict is not absent from the play totally. It is As You Like It's knowledge and recognition of the dangers of love "Men have died from time to time, and worms have eaten them, but not for love" and is still capable of being love struck: the affection being like "Bay of Portugal", and how it plays off that against the comedic exuberance of its interludes, verbal sparring and digressionary expositions, that provides the drama of the play. "Sweet", indeed, "are the uses of adversity".