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Recommended: Effects of hip hop
Vulgar, obscene, violent, honest, or genius, are only a few of the opposing terms associated with rap music in today’s American society. Whether it is the lyrics, the videos or the storytelling behind it, rap music seems to always have controversy surrounding it.
Black Noise: Rap Music and Black Culture in Contemporary America by Tricia Rose analyzes the lyrics, themes, storytelling, and cultures in rap music and delves into the cultural issues and debates that frame it. Tricia Rose is a hip-hop theorist who teaches African American Studies and History at New York University. Born and raised in New York City, she spent most of her childhood in Harlem and the Bronx. It was here where she was introduced to and fascinated by rap music. She went
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The first chapter deals with rap’s position in a marginalized society and rap as a cultural production. She argues, “Rap music is a black cultural expression that prioritizes black voices form the margins of urban America” (3). Rap music allows the marginalized black voices to speak and for others to hear. It is a form of storytelling. They can bring up social and cultural issues and shout-out their homes and areas that need attention, creating a space where rap music is a cultural forum where issues can be highlighted and discussed. She claims, “Rappers’ emphasis on posses and neighborhoods has brought the ghetto back into the public consciousness” (11). She also argues that the power and visualization of music videos opens up a dialogue across the nation whereas some black rap music is limited to local …show more content…
She analyzes the use and meaning of sampling. Rap music uses sampling not to steal and mask a previously used beat or sound or lyric but instead to pay homage to its origins and the traditions that came before the artist using the sample. She states, “Rap music has dramatically changed the intended use of sampling technology, it has remained critically linked to black poetic traditions and the oral forms that underwrite them” (93). This kind of relationship between rap and technology is another way to acknowledge black history and attempts to educate the popular public of the origins of the samples and the traditions of black rap
In the article “ From Fly to Bitches and Hoes” by Joan Morgan, she often speaks about the positive and negative ideas associated with hip-hop music. Black men display their manhood with full on violence, crime, hidden guilt, and secret escapes through drugs and alcohol. Joan Morgan’s article views the root causes of the advantage of misogyny in rap music lyrics. In the beginning of the incitement her desires shift to focus on from rap culture condemnation to a deeper analysis of the root causes. She shows the hidden causes of unpleasant sexism in rap music and argues that we need to look deeper into understanding misogyny. I agree with Joan Morgan with the stance that black men show their emotions in a different way that is seen a different perspective.
In Adam Bradley’s “Rap poetry 101” he shows us how rap is more than just songs being sung, it is poetry; it is something that has an empowering ability to make the familiar unfamiliar.In this chapter Bradley creates a new viewpoint too rap. Bradley shows us how rap and poetry has become a very similar piece of art that should be further appreciated. In the chapter poetry 101 Bradley describes how rap is a form of public art, and how rappers have become our greatest public poets. The importance of rap as poetry is shown throughout Bradley's book as well as the evidence behind the reasons rap is poetry.
Rap started as a social movement during the mid-1970’s, once the 80’s arrived it started expanding dramatically, and became popular among white suburban youth. During the late 1980s and early 1990s rap became overtly political with its messages, which expanded its popularity further. Unfortunately, political rap lost its popularity in the mid-1990s; regardless of this artists and their voices have been marginalized because of corporate control. Although there does not seem to be a direct connection between rap music and its whitening, the author claims that it is not coincidental. Despite the political messages within the genre, rap has been viewed through a racist
Hip-Hop’s criticism of George W. Bush is a good example of hip-hop’s reflection of Black public opinion. The Republican candidate who already had a low approval rating of 57% amongst African-Americans received an even lower approval rating after his lackluster efforts to support Louisiana after Hurricane Katrina in 2005 (Jones, 2003; Cillizza & Sullivan 2013).
This article is titled “Rap music is harmful to African American communities” and is written by E. Faye Williams. Williams is a chairwoman of the National Congress of Black Women (NCBW). The national congress of black women is a non-profit organization dedicated to the educational, political, economic, and cultural development of African American women and their families. Williams’s article “Rap music is harmful to African American communities” makes her qualified and a credible source to be writing on this question: If rap music and other media is harming the African American community? In her article, she states her side of the argument of how rap music and media are indeed harming the African American community, using the context, and reasoning,
“The Hip Hop Wars What We Talk About - And Why It Matters” by Tricia Rose explores what hip hop has done to society in recent years and what people think it has caused. Though it has become one of the most commercially successful genres in mainstream music Tricia Rose explains that the topics in hip hop music have narrowed. Commercial hip hop mainly consist of black gangstas, thugs, pimps, and hoes. In the book she looks into the different points of views of people who think whether hip hop invokes violence or if it reflects life in a black ghetto and if it slows down advancement for African Americans in US. The author goes back and forth with the opinion of the mass on hip hop, she says people view hip hop as a music like heavy metal which people associate with violence but she refutes most of these points by showing the positives of hip hop.
Rose, Tricia. Black Noise: Rap Music and Black Culture in Contemporary America . Middletown: Wesleyan University Press, 1994.
A race issue that occurs within the rap and hip-hop musical genre is the racial stereotypes associated with the musical form. According to Brandt, and Viki rap music and hip- hop music are known for fomenting crime violence, and the continuing formation of negative perceptions revolving around the African-American race (p.362). Many individuals believe that rap and hip-hop music and the culture that forms it is the particular reason for the degradation of the African-American community and the stereotypes that surround that specific ethnic group. An example is a two thousand and seven song produced by artist Nas entitled the N-word. The particular title of the song sparked major debates within not only the African-American community thus the Caucasian communities as well. Debates included topics such as the significance and worth of freedom of speech compared with the need to take a stand against messages that denigrate African-Americans. This specific label turned into an outrage and came to the point where conservative white individuals stood in front of the record label expressing their feelings. These individuals made a point that it is because artists like Nas that there is an increase in gang and street violence within communities. Rap and hip-hop music only depicts a simple-minded image of black men as sex crazed, criminals, or “gangsters”. As said above, community concerns have arisen over time over the use of the N-word, or the fact that many rappers vocalize about white superiority and privilege. Of course rap music did not develop these specific stereotypes, however these stereotypes are being used; and quite successfully in rap and hip-hop which spreads them and keeps the idea that people of color are lazy, all crimin...
Rose, Tricia. The Hip Hop Wars: What We Talk about When We Talk about Hip Hop - and Why
Swedenburg, Ted. "Homies in The ‘Hood: Rap’s Commodification of Insubordination." Rpt. in That’s the Joint!: The Hip-Hop Studies Reader. Ed. Murray Forman and Mark Anthony Neal. New York, NY: Routledge, 2004. 579-591. Print.
Rap is about giving voice to a black community otherwise underrepresented, if not silent, in the mass media. It has always been and remains … directly connected to the streets from which it came. (144)
The most popular new music to emerge from the ‘80’s was rap music. It first developed in the mid ‘70’s in New York City, and soon in other urban areas, primarily amongst African-American teen-agers. It became very popular with the urban public that it soon began to spread throughout the United States and much of the world. It replaced rock music as the creative force in music of the ‘80’s and ‘90’s. However, as popular as it was then and it is now, the lyrics of many rap songs have caused controversy. Many believe and have charged that these lyrics promote racism and violence and show contempt for women.
Hip hop has multiple branches of style and is a culture of these. This essay will examine Hip Hop from the point of view of the following three popular music scholars, Johnson, Jeffries and Smitherman. It will delve deeper into their understanding of what hip hop is and its relation to the different people that identify with its message and contents. It will also identify the history of Hip hop and its transition into popular music. In particular this essay will focus on what hip hop represents in the black community and how it can be used as a social movement against inequalities faced by them. This will then open up the discussion for the how this has influenced society, and the impact it has had in terms of race issues which hip hop itself often represents through music.
Hip hop has permeated popular culture in an unprecedented fashion. Because of its crossover appeal, it is a great unifier of diverse populations. Although created by black youth on the streets, hip hop's influence has become well received by a number of different races in this country. A large number of the rap and hip hop audience is non-black. It has gone from the fringes, to the suburbs, and into the corporate boardrooms. Because it has become the fastest growing music genre in the U.S., companies and corporate giants have used its appeal to capitalize on it. Although critics of rap music and hip hop seem to be fixated on the messages of sex, violence, and harsh language, this genre offers a new paradigm of what can be (Lewis, 1998.) The potential of this art form to mend ethnic relations is substantial. Hip hop has challenged the system in ways that have unified individuals across a rich ethnic spectrum. This art form was once considered a fad has kept going strong for more than three decades. Generations consisting of Blacks, Whites, Latinos, and Asians have grown up immersed in hip-hop. Hip hop represents a realignment of America?s cultural aesthetics. Rap songs deliver a message, again and again, to keep it real. It has influenced young people of all races to search for excitement, artistic fulfillment, and a sense of identity by exploring the black underclass (Foreman, 2002). Though it is music, many people do not realize that it is much more than that. Hip hop is a form of art and culture, style, and language, and extension of commerce, and for many, a natural means of living. The purpose of this paper is to examine hip hop and its effect on American culture. Different aspects of hip hop will also be examined to shed some light that helps readers to what hip hop actually is. In order to see hip hop as a cultural influence we need to take a look at its history.
Dixon, Travis L., TaKeshia Brooks. “Rap Music and Rap Audiences: Controversial Themes, Psychological Effects and Political Resistance.” Perspectives. 7 April 2009. .