Analysis Of Plague Of Doves

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The narrative structure in Plague of Doves is complex to the same degree that it’s characters are blended and interrelated with each other, Pluto, the reservation and their ethnic origins. In other words, dividing point of view between a dichotomy such as Native-American or white is not feasible. However, certain components of the story seem to favor a Native-American tradition and others seem to favor white tradition. The earlier historically, the narrative adheres to a native interpretation told through the oral tradition and a Native-American point of view, the closer time borders near the present, white influence becomes prevalent throughout the reservation and the narrative. That is, throughout the process of time, the reservation’s …show more content…

That is, The Native reservation lacks the necessary isolation and uniformity to keep its identity, as a result, the later generations demonstrate a recurring white penchant for music, literature, and religion. Plague of Doves embodies the historical process of acculturation with the Natives induction to Christianity, that inaugurates with the eldest Native-American members, Shamengwa and Seraph Mooshum’s mother, and the
Peace brothers, Lafayette and Henri. The current native population makes up the majority of introduced practicing Christians. Religious influence is prevalent throughout the native population and is introduced through the oral recounting of the reservation’s history. Oral histories such as Antone Coutt’s recounting of Joseph Coutt’s journey that reveals “The most devout among the men were Henri and Lafayette Peace” (106), and Shamengwa’s recounting of his family’s story which reveals his mother and brother’s affinity for Christianity. Furthermore, economically the reservation has completely accepted capitalism, and stores such as …show more content…

As a result of the nonhomogeneous body and the careful balancing of both history and narrative arc, I disagree there is any privilege being given to a specific ethnicity. It is a careful balance that supports its character’s redemption from the tragedies of the past, which is always present in the disaster stamps frequently mentioned throughout the novel. The town’s themselves become a combined character of their own through the recurring omniscience of gossip, such as their speculation on Marn Wolde, “that she had done in Billy Peace” (184). However, the town assembles and disassembles according to the tragedy and set of events. Everything remains in flux as does the Native-American culture, who Robert C Hamilton examines in “Disaster Stamps”: The Significance of Philately in Louise Erdrich’s The Plague of Doves, that “even when they imitate traditional Native narrative, they are ultimately textual, in the manner of the traditional Western novel”

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