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Essay on Abstract Expressionism
Essays on abstract expressionism
Essays on abstract expressionism
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Painting: Marmalade Sky The painting I observed was created by an artist named Elizabeth LaPenna. She named this abstract work of art Marmalade Sky. The medium of this artwork is acrylic on canvas of 48"x48"x1.5”. I observed this painting in Clarksville, Tennessee as well at the city’s museum. The artist used different colors of pastel creating an abstract work of art. The colors used were pink, yellow, white, blue, and a few other colors. I was pleased to look at this painting because it was bright and beautiful. The design elements of the painting are different compared to most paintings because it is an abstract expressionism. Since there is not distinct lines in the painting, I believe this painting can be described as having chaotic …show more content…
As I observed the painting, parts of the painting looked more rough and thick from the acrylics compared to other parts of the painting. However, I can see where somebody else could describe the painting as being smooth because of the white acrylic the artist used throughout the painting. Even though the colors used were bright, it still left more of a rough texture. However, the light provided the colors to be brighter and show more of a smooth texture. In this work of art, there was no positive or negative space. There was no specific shapes that stood out, it was just abstract. This painting was completely flat or two-dimensional. It showed no vanishing points because there was not a specific picture of an object. I realized there was not a pattern as well. However, there was many ovals or circle-like brush strokes in the painting, but nothing was painted in …show more content…
Pink, red, yellow, blue, and white and a few black brush strokes were used. I enjoy looking at pastel colors because the different hues of the lighter colors I believe are pretty. The rare brush strokes of white and black gave variety to the painting. The color black especially, because majority of the painting was used in pastel acrylics. All of these colors combined can be called analogous because they are all on the color wheel. The colors bleed into one another or into the background creating rich pastel colors. The edges of the different colors dissolved. The lightening of the painting’s colors truly showed its value. The different hues of color the artist used to show pastel made the painting’s value “light.” This is all the design elements that the artist used to create this painting. This painting was created differently than most paintings that we see, but it is
The brush strokes are similar to Leonardo’s sfumato technique, but reminiscent of Rapheal’s color usage. The strokes are soft along the edges giving them a hazy appearan...
The colors used in the painting are dark and some parts bright illustrating a focal point being the skull in the center as well as the quill, both surrounded by darker colors in comparison.
They might not be very prominent, but they exist the painting and serve as the base for creation. For starters, the window pane contains lines that highlight its simple design. Simplicity remains as the core of this work. Moreover, sill is roughly represented by a thick brown line underneath the window as a boundary in a quietly brilliant fashion. The work has a wonderful color allocation to express the mood. The color is limited within the muted palette color range. Grey—the intermediate color of black and white, is the dominate color for both exterior view and the interior part, as a matter of fact, the observer notices that nearly all colors are mixed instead of natural this work. The cloudy sky corresponds to the grey color of the wall, yet the brightness is not influenced. However, this consistency has successfully created a cold, grave and silent environment for a crowded place such as New York. The whole environment of this painting seems to be surrounded by the negative and depressive
This painting consists of regular lines as well as implied lines. Some of the regular lines that have been included are flowing, curved lines, such as the Earth that the woman is sitting on top of. Additionally, the background is made of small scenes that have been outlined by a dotted line, which places emphasis on the scenes. Besides regular and visible lines, there are a few implied lines in this painting. For instance, the woman's eyes are looking forward, so there is an implied line to the audience. Additionally, another implied line would be the woman's right arm, which is pointed towards her headpiece, while her left arm is pointed towards the earth. Nonetheless, this painting is not intense; although it does have splashes of color, this painting does not have a bright saturation. Instead, this painting is slightly dull, which makes this painting appear vintage. Additionally, since this background is a dark color, it makes the rest of painting, especially the headpiece, stand out. Besides colors and lines, even though this is a painting and there is no physical texture, there is invented texture. Upon viewing this painting, underneath the earth where the woman is sitting on, there are roots as well as grass, which give texture and feeling to the painting. In the end, this painting consists of several elements of composition, which Heffernan has done a wonderful job
The painting is organized simply. The background of the painting is painted in an Impressionist style. The blurring of edges, however, starkly contrasts with the sharp and hard contours of the figure in the foreground. The female figure is very sharp and clear compared to the background. The background paint is thick compared to the thin lines used to paint the figures in the foreground. The thick paint adds to the reduction of detail for the background. The colors used to paint the foreground figures are vibrant, as opposed to the whitened colors of the Impressionist background. The painting is mostly comprised of cool colors but there is a range of dark and light colors. The light colors are predominantly in the background and the darker colors are in the foreground. The vivid color of the robe contrasts with the muted colors of the background, resulting in an emphasis of the robe color. This emphasis leads the viewer's gaze to the focal part of the painting: the figures in the foreground. The female and baby in the foreground take up most of the canvas. The background was not painted as the artist saw it, but rather the impression t...
If one came close to the figure’s stomach where there’s the seafoam green, one can see the strong mark makings of the paint brushes and knife strokes, making the paint come out of the canvas. Similarly, Brown also uses big paint strokes of different colors to direct viewer’s eyes around the artwork. For instance, on the left side of the figure, there is a big vertical downward motion of a brush stroke in maroon, that connects to a green streak that goes up and encompasses the figure’s head and then downward to the body of the figure, which outlines and pushes the figure to stand out. And to make our eyes go back to the figure, Brown paints a blue triangle on the chest, making it a focal point due to it’s dark color that stands out of the light colors. And if someone stood facing the side of the painting, one can see the thick globs of paint that would make the viewer take a double glance to see if it was either a painting or a sculpture, which reinforces the idea that the painting is coming alive and making one feel
The paint is spread thinly along the surface showing no raised areas for texture. The objects within the painting have similar line weights. There are different directional lines as well
The two focal figures are illustrated with complementary colors, the woman 's dress being orange, and the man’s pants being blue. Benton uses these colors to bring life into the painting. The background is made up mostly of earthy colors like, greens, browns, and greys and a light blue for the sky. Benton seems to add white to every color he uses, which gives the painting an opaque look. The deepest hues found in this painting are the blue one the man’s pants and the orange on the woman’s dress, everything else around them looks washed out and Benton does this to emphasize his focal points
This piece is acrylic, oilstick, and spray paint on wood panel that is 186.1 centimeters in height and 125.1 centimeters in width. This piece features a human-like figure in the center that is mostly half red and half black. This figure has a gray head with one yellow eye and one light gray eye and above its head is a black halo. The background consists of patches of various colors such as light blue, black, dark red, light green, beige, turquoise, pink, and yellow. On the bottle left corner there is a figure drawn that looks like a fish and has a strip of mustard yellow painted through it. Also towards the bottom right of the artwork, there is some drawn on letters that almost look like words but are messily painted over with a desert sand color. This piece is my favorite because I find it aesthetically pleasing. There is a lot going on in this piece that makes looking at it genuinely interesting. The colors that Basquiat choses for the background go very well together and overall compliment the figure in the center. I like how incredibly expressive this piece is and it makes me want to buy a canvas and start painting that I desire. I also like how the human-like figure is drawn. One could see what looks like an outlined ribcage on the figure, which makes me believe that the head is actually a skull. Upon further research I learned that Basquiat was
We can see a clear representation of the impressionist that tended to completely avoid historical or allegorical subjects. In this painting, Monet’s painted very rapidly and used bold brushwork in order to capture the light and the color; include relatively small, thin, yet visible brush strokes. An insistence on what Monet called “a spontaneous work rather than a calculated one” – this in particular accounts for the sketchy and seemingly unfinished quality of the Impressionist paintings. In the texture, he played with the shadow and light and created variation in tone, he employs patches of depth and surface. The light in the painting come from back to the windmill, it is a light shines softly behind the houses and the windmill. He was shown each brushstroke in the painting. Balance is achieved through an asymmetrical placement of the houses and the most important the
Though most works of art have some underlying, deeper meaning attached to them, our first impression of their significance comes through our initial visual interpretation. When we first view a painting or a statue or other piece of art, we notice first the visual details – its size, its medium, its color, and its condition, for example – before we begin to ponder its greater significance. Indeed, these visual clues are just as important as any other interpretation or meaning of a work, for they allow us to understand just what that deeper meaning is. The expression on a statue’s face tells us the emotion and message that the artist is trying to convey. Its color, too, can provide clues: darker or lighter colors can play a role in how we judge a piece of art. The type of lines used in a piece can send different messages. A sculpture, for example, may have been carved with hard, rough lines or it may have been carved with smoother, more flowing lines that portray a kind of gentleness.
The colours used in the artwork are earthy tones with various browns, greens, yellows, blues and some violet. These colours create a sense of harmony on the...
The most prominent color in this painting is blue; it is used in the walls, the doors the articles of clothing hanging on the wall hook and some of the items resting on the nightstand. The other prominent color is green, used on parts of floorboards, the window, a part of one of the doorframes, parts of the hanging paintings and the empty vase on the nightstand. Brown is the only ...
It was made with oil and a canvas. This painting is believed to display fridas feelings at the time of the divorce. It looks like one is traditionally dressed and the other is not. It is a representation of loss and it just gives off a very lonesome feeling. This painting uses the element of art called texture to create an attraction to the piece. Contrast is a principle of design and that is exactly what is used here. Her two figures become the center of attention. These stand out because of the dark cloudy background which is mostly contrasted with the white figures. There is also balance and symmetry in Kahlo’s painting too. She chooses to put the two figures side by side to create symmetry by repeating the figures. She uses these elements help convey a mood. She uses them to create a mood by instead of just one element working by itself she uses them all so that they all could work together. I think the purpose of this piece was to show the sorrow and despair she felt when her husband diego had an affair and they had to file a divorce. I truly think the artist was trying to say that she was know truly alone and that she did not have anyone. This painting feels as if two worlds have crashed. The one who was loved by Diego and the one who was not. I choose this artist because I knew that she could make magnificent things like this actually
Cubism takes the opposite route for the same effect. Solid lines are drawn, but the painting itself is usually more abstract (as with Picasso). At times it can be difficult to discern what some paintings are supposed to represent. Bright, vivid colors infuse the pieces with more passion. The contrast between those not well defined objects and the punch of emotion gives cubism its personality and vitality.