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Themes and structure of king oedipus
Insight in oedipus the king
On misunderstanding the oedipus rex”
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On the last occasion when I had the misfortune of analyzing E. R. Dodds “On Misunderstanding the Oedipus Rex”, I came to the conclusion that Dodds had a lot of free time. But his question of “does the Oedipus Rex attempt to justify the ways of God to man” does indeed drive readers to question the famous piece of literature. Yet the theses he came to do not strike me as conclusive. In fact, I disagree with most of his statements. I thoroughly believe that what he labeled as “misunderstandings” are not misunderstandings at all, au contraire, they present the proper technique of how the book should be read. Dodds’ first opinion is that Oedipus doesn’t deserve the punishment of the gods; Dodds concludes that Sophocles has intended for readers
Yet his argument can be refuted by the evidence he uses… again. Dodds even states the idea of free will vs. determinism is a Hellenistic concept and would not have even occurred to the audience during Sophocles ' time. It is clear that, as all of Oedipus ' actions, including those over the course of the play, were determined before his birth, and he cannot avoid them although it is his will to do so, those actions cannot be construed as free will.
In his rebuttal of the first student-made opinion, Dodds asserts that Oedipus does not get what he deserves. He states that most readers do not see Oedipus as a good character; the way Sophocles intended for the audience to see him as. But, Dodds, ironically, seems to have misunderstood Sophocles. We can conclude that by analyzing what Dodds meant to use as evidence: the reaction of the Chorus and the actions of King Oedipus. Dodds notes that the Chorus took their king as a wise, darling-of- the-city type of guy; so he didn 't deserve the punishment he received. Yet his godly wisdom is questioned and he is repeatedly
“…they will never see the crime I have committed or had done upon me!” These are the words Oedipus shouted as he blinds himself upon learning the truth of his past. It is ironic how a person blessed with perfect physical vision could in reality be blind to to matters of life and conscience. During his prime as King of Thebes, Oedipus is renowned for his lucidity and his ability to rule with a clear concept of justice and equality. The people loved him for his skill and wit, as he saved Thebes from the curse of the Sphinx. As a result, Oedipus became overly confident, and refuses to see that he may be the cause of the malady that is plaguing his kingdom. Although physically Oedipus has full use of his eyes, Sophocles uses sight to demonstrate how Oedipus is blind to the truth about his past what it might me for both him and his kingdom. Upon learning the truth, Oedipus gouges out his eyes, so he won’t have to look upon his children, or the misfortune that is his life. Once physically unable to see, Oedipus has clear vision as to his fate, and what must be done for his kingdom and his family
Both sides of the argument can be greatly supported. The Greeks believed in the idea that personality of the individual greatly affected his or her life (Nagle 120). Their personality was what decides their own free will. A wise man will make good decisions in his life; an ignorant and stubborn man won 't be so fortunate. The character traits of a person have a certain positive or negative affect on the choices that he or she makes. For Oedipus, one of these attributes was the desire for knowledge and truth about his own existence. This driving force in the play led to the truth of his origin. This ties in with his own aspect of free will. His free will is based on his drive for knowledge.
MacDonald, J. W., and John Clifford Waring Saxton. "Oedipus Rex." Four Stages. New York: St. Martin's, 1967. N. pag. Print.
Dodds, E. R. "On Misunderstanding the Oedipus Rex." Twentieth Century Interpretations of Oedipus Rex: A Collection of Critical Essays.
Aristoteles’s “Theory of Tragedy” suggests that the tragic flaw in Sophocles’ play Oedipus is the King’s “self-destructive actions taken in blindness,” but a worse flaw if his arrogance. There are a few opposing views that stray from Oedipus being fully arrogant. First is that he took actions to save himself further pain. Second by putting himself in charge was the right thing to do as the leader of his people. Third Oedipus never tried to outwit the gods but used the prophecy as a warning to leave Corinth. All three opposing arguments shows a different side of Oedipus other than that of arrogance.
Dodds, E.R. "On Misunderstanding the Oedipus Rex." Greece & Rome, Second Series 13.1 (1996): 37-49. Jstor. Muntz Lib., Tyler, TX. 21 Mar. 2009.
A common debate that still rages today is whether we as a species have free will or if some divine source, some call it fate, controls our destiny. The same debate applies to Oedipus the King and Oedipus at Colonus. Does Oedipus control his actions, or are they predetermined by the gods? It’s that question that makes Oedipus a classic, and many different people think many different things.
Dodds, E. R., (1966). On misunderstanding Oedipus. In Kennedy, X. J., & Gioia, D., Literature an introduction to fiction, poetry, drama and writing (6th ed.). (pp. 900-901). Boston: Pearson
Free will is abound in Oedipus the King; any character who makes a decision of their own accord is a testament to that. Even Oedipus, whose life was fated from the start, made many decisions, ranging from how to fulfill his destiny to how to punish himself after finding out he had indeed murdered his father and married his mother, and most of which were shaped largely by his personality.
Dodds, E.R. "On Misunderstanding the Oedipus Rex." Twentieth Century Interpretations of Oedipus Rex: A Collection of Critical Essays. Ed. Michael J. O'Brien. Englewood Cliffs, NJ: Prentice, 2005. Print.
The main choice of free will that was made in Oedipus the King was for Oedipus to decide to find his own identity. The prophecy given to Oedipus states that he will kill his own father, and marry and have children with his mother. Horrified by the thought of this, Oedipus leaves his city so he can stay away from his parents to avoid the prophecy coming true. Oedipus does everything he can to try and find out the truth and his own identity; this shows his determination as a character but also shows that he is still able to make his own choice of free will. When Oedipus travels to Thebes, he is presented with another choice of free will, to become king or to continue to move on. Without him knowing, his choice to stay puts him in the hands of fate and brings him that much closer to fulfilling the prophecy. Jocasta Tries to convince Oedipus that prophecies are not accurate but ironically uses another prophecy from the play to defend her claim “Then thou mayest ease thy conscience on that score/ Listen and I'll convince thee that no man /Hath scot or lot in the prophetic art/ Here is the proof in a brief. An oracle /Once came to Laius (I will not say / 'Twas from the Delphic god himself, b...
O’Brien, Micheal. “Introduction.” 20th Centruy Interpretations of Oedipus Rex. Ed. Micheal O'Brien. Englewood Cliffs, N. J.: Prentice-Hall, 1968. 8-10. Print.
Benardete, Seth. ?Sophocles? Oedipus Tyrannus.? In Sophocles: A Collection of Critical Essays, edited by Thomas Woodard. Englewood Cliffs, NJ: Prentice-Hall, Inc., 1966.
In the play, Oedipus Tyrannus, Sophocles, illustrates how fate and free will could determine one 's destiny. Sophocles is a well-known tragedian who wrote more than one-hundred Greek dramas for Greek festivals. While his plays entertained countless people in Greek carnivals in his plays also made his intended audience to become acquainted with Athens’ government, social forms as well as its’ religion. In this play the main character, Oedipus, is represented as a man of sudden action, honest, and great insight. Oedipus unintentionally had fulfilled his own fate, stating that he will kill his father and marry his mother. While both fate and free will had resulted in Oedipus’ fate, the choices Oedipus made in his own
Dodds, E. R. "On Misunderstanding the Oedipus Rex." Twentieth Century Interpretations of Oedipus Rex: A Collection of Critical Essays. Ed. Michael J. O'Brien.