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Gender roles in much ado about nothing cram
How is the character of beatrice presented in much ado about nothing essay
Gender roles in much ado about nothing cram
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Much Ado About Nothing and Emotional Suppression Much Ado About Nothing is the story of two couples, one who 's love for each other is discovered by trickery and one that is almost destroyed by it. A young maiden named Hero is won by Claudio, lord of Florence while her cousin, Beatrice, and Benedick, lord of Padua with whom Beatrice engages in a constant battle of wit, are tricked into falling in love. Beatrice is written as clever, witty, and sassy when she speaks to Benedick. While the film 's interpretation of Beatrice is true to this description, she exhibits a softness that is not explicitly stated in the text, suggesting feelings for Benedick. Benedick seems to be the only person that is able to bring out either extreme of her personality.
Benedick was hesitant to leave her that morning, but ultimately made the decision to do so anyway, presumably because he did not want Beatrice to know that he cared about her. Beatrice similarly did not want Benedick to know she knew he was leaving, because she would either have had to express her feelings for him or hide them. Instead, she chose not to address it in front of him at all. While she keeps her composure in front of other characters, her longing for companionship and affection shows when they are not looking. Her sharp tongue is her method of coping with her feelings for Benedick. At the end of their first altercation, she states that he "always ends with a jade 's trick" (1.1.118). There is pain in her eyes when she speaks this line. She is also seen gazing longingly at Hero and Claudio when they agree to marry, and her voice often trembles as she speaks ill of Benedick. Beatrice and Benedick are both afraid that submitting to each other will hurt their pride, but when they learn (or think) that the other has submitted first, they give in, almost as if they feel they have won already. While in the short-term this may have a blissful effect on the lovers, the long-term implications of their prideful tendencies may have debilitating consequences on their
Beatrice and Benedick eventually sacrificed their values and their independent self-images to be together, yet they had to be tricked into doing so. They were never willing to admit their feelings until the other did so first. Benedick likes to be known for being loved but not giving love because it makes him feel powerful. Beatrice is either scared of being hurt or already has been. Even after they profess their love to each other, Beatrice and Benedick remain in competition to protect their egos. At the wedding, they claim not to love each other until Hero and Claudio expose the love letters they had written but never sent. They then give in and decide to be married, yet they are not rid of the prideful patterns that may later threaten their relationship. If they are still unable to healthily express their love for each other, is that love strong enough to endure the hardships of a lifetime together? Another effect of her emotional suppression is the outburst Beatrice has in Act 4. For the first time, she is seen weeping, which is followed by a radical request. When she tells Benedick he must kill Claudio or lose her, all the tension and emotion she has been holding in throughout the movie is released and you see her frustrations with gender roles and inequality (4.2.255-329). This scene also reveals the unequal expectations of each other. Benedick is originally
Beatrice's courtship with Benedick greatly contrasts with the courtship of Hero and Claudio. Hero gladly and willingly submitted to marriage, and she accepted the role of the relatively powerless woman. In contrast Beatrice chose her submission after openly criticizing the institution of marriage.
Telling her gentlewomen that Benedick loves Beatrice is her secret and it just so happens that Beatrice overhears, because it was. all planned that she should overhear. In this scene, Hero is dominant. in the conversation and says whole paragraphs instead of a few words that she says sporadically throughout the play, like in Act 1 scene 1. where she only says one line in the whole scene, "My cousin means Signor Benedick of Padua. " Page 5, line 27.This is because she needs.
This can be seen during his conversation with Beatrice, after every one hears of Hero’s “infidelity”. In this scene, when Don John and Claudio were leaving, Benedick doesn’t follow them. Instead, he sticks around with Beatrice. His action in this scene is highly critical, as it shows that he considers his love for Beatrice more important than his Allegiance to his brothers, Don John and Claudio. This action is something Benedick from the beginning would never think of doing. While in the beginning, Benedick’s allegiance remained rooted to his brothers, it has now pledged allegiance to his lover, Beatrice. In this scene, Benedick is seen to have grown as a person. Instead of losing complete trust due to un-proven rumours like Don Pedro and Claudio, he is able to take in the situation more substantially. He further proves himself during his conversation with Beatrice. By telling Benedick to “Kill Claudio” (Shakespeare 4.1.288), “Beatrice asks for her newly-professed lover the utmost favor: to place his love for her above that of his long-established friendship with Claudio. The command shows that Beatrice and Benedick are now more serious than they were. Rather than jest about serious problems as they did at the play’s beginning, they are now engaged with them” (Smith 182). Although a bit reluctant in the beginning, Benedick decides to follow his lover’s orders, and challenges Claudio to a duel. From this point on, all of Benedick belongs to Beatrice, for “Love is his compass” (Horowitz 50). To Benedick, “Love is immediately the basis for decision over life itself…. [and] Benedick’s love for Beatrice must determine his [decisions]” (Horowitz 49). The fact that Benedick decided to challenge his long-time friend Claudio further proves how much he has changed as a person. To Benedick, Beatrice has now become more important than his fellow
Beatrice asks, Does it make any sense to write and tell him I love you when I have always treated him with scorn?” (2.3.31-34). In this quote all Claudio was saying was that Hero had told him that Beatrice had confessed to her that she was in love with Benedick but was not sure how to let him know That all changed when family and friends helped them both realized they have always been in love with one another. As for Claudio and Hero they are a couple who see eye to eye knowing they are perfect for one another. Even though they had an antagonist that did not want to see them happily married such as Don John, they were able to let it pass and end up happily
This could be used against her in order to start thinking about marriage. Beatrice and Benedick seem to have been pushed in the right direction but this was the only factor. that actually made them fall in love with each other. As for Claudio and Hero, they were already in love with each other, but this stands to question, if they were really in love wouldn’t Claudio?
Whedon's production of Much Ado About Nothing is a modern, black and white retelling of the famous Shakespeare play of the same name which tells the story of love and deceit between two couples: Hero and Claudio, and Beatrice and Benedick. While Hero and Claudio court and prepare to marry each other, Beatrice and Benedick steal the show away with their wit, humor, and constant bickering. Though they both insist that they hate each other, the flashback presented at the start of the film suggests that there is far more to the story than meets the eye. While the style of the film certainly enhances the story being told, making it a timeless classic entangled with modern society, it is the ensemble cast that work both individually and as a unit which make the film a true masterpiece, as well as the genius idea of a change in scenery that propels a sense of realism not often found in your average Shakespeare adaptation.
In the beginning of the play Benedick is just another soldier with Claudio but is also known for arguing with Beatrice. He is constantly getting in to arguments with her and at the masquerade Ball she pretends to be somebody else to try to interrogate her. When he first arrives in Messina he says “Look, it’s my dear lady distain.” This quote represents the relationship in between Benedick and Beatrice. The relationship they have is one of hatred and anger. However when Benedick is in the Orchid and over hears Claudio and the others he falls in love with Beatrice. When he falls in love with Beatrice he wants to pronounce his love to her himself. AS soon as he sees Beatrice after he was tricked into loving her he started being nice to her and didn’t make fun of her. Benedick also says “Lovely Beatrice, I thank you for taking the pains to tell me that” This highlights his change of heart towards Beatrice and that he is willing to love her. This shows how Benedick was manipulated to love Beatrice by Claudio, Don Pedro and Leonato. Afterward When Claudio shammed Hero in front of everybody and left Benedick wants to help Beatrice clear Hero’s name. Benedick doesn’t believe that Hero cheated Claudio and wants to fix the situation. Also he convinces Leonato of the friar’s plan to clear Hero’s name by faking her death. Benedick even says that “I really
Shakespeare represents Beatrice as a very feisty, cynical and sharp woman during the play. We can especially see this when she uses her wit to shock the messenger saying, in act one scene one, that ‘he is no less than a stuffed man.’ This is exceedingly disrespectful to fashion such a rude comment about a man who is just about to arrive back from war. One thing Shakespeare clearly shows us is that Beatrice would not be the ideal woman for most men. To emphasize this he contrasts Beatrice with a weak and quiet character such as Hero who acts upon every mans instruction, we can see this when Beatrice says to Leonato that its her ‘cousins duty’ to say ‘father as it please you.’ Shakespeare makes such a clear contrast between the two women to the extent that Beatrice steals most of Hero’s attention from the other male characters in the play. Furthermore he shows us how Beatrice is perhaps a threat to the patriarchal society at the time, we can see this on page fifty-nine where she implys that it is her duty to please herself, whether or not her father consents. This is unlike Hero, who cannot do anything unless a man is fighting her corner, however Beatrice is willing to
Benedick’s attitude towards love is that he does not love anyone and that it is a stupid idea to fall in love with someone. Then he further explains himself in, “Then is courtesy a turncoat. But it is certain I am loved of all ladies, only you excepted; and I would I could find in my heart that I had not a hard heart, for truly I love none” (Act 1, scene 1, lines 122-125). In this quote Benedick says that the woman’s courtesy is a traitor and that all ladies love him, except for Beatrice. He also states that it is too bad that he is so hard-hearted, because he really doesn’t love anyone. Beatrice’s attitude towards love is that she does not want to be married to a man that swears to love her, because she finds that very stupid. She then further explains herself by stating in, “A dear happiness to women. They would else have been troubled with a pernicious suitor. I thank god and my cold blood I am of your humor for that. I had rather hear my dog bark at a crow than a man swear he loves me” (Act 1, scene 1, lines 126-130). In this quote Beatrice is saying that Benedick would make a nasty suitor for women and that they both feel the same way about love. She also states that she would rather hear her dog bark at a crow than hear a man say that he loves her. And I find their courtship more appealing
However, despite Claudio's questionable motives for marriage, his genuine affection for Hero is made known through his eloquent speeches and jealous behavior. After his betrothal to Hero, Beatrice taunts him for his lack of speech, to which he replies: Claudio. Silence is the perfectest herald of joy. I were but little happy if I could say how much. Lady, as you are mine, I am yours.
When Benedick hears that Claudio has fallen in love for Hero, he is enraged. He thought that Claudio would live a bachelor’s life like him. Benedick tells him that men who are in love are not masculine. Near the end of Act IV, Benedick’s complete change is evident when Benedick chooses love over friendship. Benedick challenges Claudio, previously his closest friend in the world, to duel to the death over Claudio’s accusation as to Hero’s unethical behavior. After Beatrice complains to him about Claudio’s mistake, Benedick gives in, “Enough, I am engaged. I will challenge him.” At this point, there is no doubt that Benedick has switched his allegiances entirely over to Beatrice. But then again, Benedick was relieved that Hero was proved guilty so he would not have to fight his close friend Claudio.
` Benedick and Beatrice hated each other at first. In the beginning of the play Beatrice makes a statement of “...will happily go to hell with Benedick.” This proves that Beatrice does not like Benedick, more hate. There is clearly tight tension in between them, and some background hatred as well. At the beginning of the play, Benedick and Beatrice had a hateful relationship.
She adds that she’s agreeable with everyone, with him as an exception. Benedick retorts that she’s lucky that she doesn’t love him like all the other women he knows, because he loves no one, especially not her. Beatrice responds, “A dear happiness to women, they would have been troubled by a pernicious suitor.... ... middle of paper ...
...he other hand, Beatrice and Benedick are comedy-makers and Beatrice is not ruled by her father as Hero clearly is. It does take Don Pedro’s benevolent plot to bring Benedick and Beatrice together, however. A modern audience would prefer Beatrice to Hero as she is her own self and admirable. The relationships also differ because Benedick and Beatrice’s relationship slowly grew whereas Claudio and Hero’s relationship was love at first sight. Perhaps it was a little hasty as we see in Act 4 how their love turns sour.
... heart in the marketplace.” (A4; S1; L 315-321). When Hero was wrongly accused is when Beatrice showed this the most. She believed that because of what he had done, Claudio deserved to be dead. She wanted no bad deed to go unpunished and what she seen fit was for Benedick to challenge Claudio to a dule and she didn’t want Benedick to stop until he was dead.