Analysis Of Moulin Rouge: Film Technique

747 Words2 Pages
bulb-icon

Recommended: Romance movies argumentative essay

Film genres help familiarize the audience with the film’s plot. Professor Jon Sufrin, in his lecture at York University, defines genre as “[the] grouping of texts with similar distinct and reoccurring patterns of writing (i.e. Romance, Western, […] etc.)” (Sufrin). The audience finds comfort in this pattern of reoccurring themes, character tropes, plot progressions, and general elements. As a result, many films follow the genre’s conventions with little to no deviations from the plot tropes. One genre of film that rarely deviates from its predictable patterns is the romance film genre.
Romance films often tell the love story of two (typically young and white) heterosexual people who overcome many circumstances that separate them – often a disapproving family, racial, economic and social discrimination, diseases and death (supernatural powers) – to be in an intimate relationship with each other. Moulin Rouge! is a film that embodies everything about the romance genre – specifically the romantic-drama. Thus it maintains all the predictability of the romance film genre, including tropes such as: love at first sight, a man …show more content…

It constantly reminds the audience that it is all about love and it rests on this theme alone. In his review of Moulin Rouge, Roger Ebert argues, “He [Luhrmann] constructs "Moulin Rouge" with the melodrama of a 19th century opera, the Technicolor brashness of a 1950s Hollywood musical and the quick-cutting frenzy of a music video” (Ebert). Ebert observes this film’s flamboyance and credits it to the director, Baz Luhrmann’s film style. Furthermore, the constant choppy cuts, and speedy zooms from one frame to the other match the quick, exited pace of the film’s plot and characters. Another commendable feature that highlights the exaggeration of love in this film is the vivid, blinding colours (with lots of intense reds to symbolize

Show More
Related

  • Comparing Love in To Dance with the White dog and Moulin Rouge

    1027 Words  | 3 Pages

    In the novel, To Dance with the White dog, Terry Kay crafts a love story about Sam Peek and his wife Cora, that seems to extend beyond the grave in the form of a white dog.  At the same time, the film Moulin Rouge is a fast paced, tensely dramatic, love triangle between Christian, the poor writer, Satine, the courtesan that everyone fancies, and the Duke, who has the money to transform the Moulin Rouge into a theatre with real merit. Both movies center on the main theme of love but take two different stands on that love. While Satine is unable to concentrate solely on a single relationship, Sam Peek is able to focus solely on the love of his life, Cora.

    Read More

  • Male Failure and Genre Affirmation in New Hollywood Westerns and Noir

    2198 Words  | 5 Pages

    In the classical Western and Noir films, narrative is driven by the action of a male protagonist towards a clearly defined, relatable goal. Any lack of motivation or action on the part of the protagonist problematizes the classical association between masculinity and action. Due to inherent genre expectations, this crisis of action is equivalent to a crisis of masculinity. Because these genres are structured around male action, the crises of action and masculinity impose a crisis of genre. In the absence of traditional narrative elements and character tropes, these films can only identify as members of their genres through saturation with otherwise empty genre symbols. The equivalency between the crises of genre and masculinity frames this symbol saturation as a sort of compensatory masculine posturing.

    Read More

  • How Romeo and Juliet Speak and Behave in William Shakespeare's Play

    1237 Words  | 3 Pages

    that the film may have a romantic genre. There is a lot of fighting in

    Read More

  • l.a confidential film noir

    961 Words  | 2 Pages

    The genre of the film is how we know what kind of film it is. Genre is a French word which literally means type; it shows what category a film comes under. There are certain factors in a genre which will identify it. Things like settings, characters and themes can all be similar in one specific genre.

    Read More

  • Evolution of the Gangster and America

    1185 Words  | 3 Pages

    Barry, , Keith, and Grant, ed. Film Genre Reader III. Austin, TX: University of Texas Press,

    Read More

  • Postmodern Film

    2291 Words  | 5 Pages

    The film’s story does not simply shines forth, but is also the foundation of the plot. The film’s plot makes the traditional guidelines applicable...

    Read More

  • Ballad Of A Soldier Literary Analysis

    734 Words  | 2 Pages

    The genre or theme of this movie is love and all types of it. Throughout this whole movie you see all forms of love and how strong it can be. You will also see a transition between the love genre/theme and the genre/theme of the struggle everyone faces and endures during the times of war.

    Read More

  • Amelie And The Dressmaker Film Analysis

    908 Words  | 2 Pages

    Jeunet’s Amelie and Ham’s Tilly enter as outcasts; who long for acceptance and normalcy from the members of their societies. The use of settings in the novel and film are used as a visual representation of Tilly and Amelie’s isolation. Tilly is “detached” at the top of the hill but able to “[see] everything”, just as Amelie is in her high positioned apartment that overlooks the unfairness in Raymond Dufayel and Lucien’s lives. They experience detachment in different ways, with Amelie growing up “deprived of playmates”, never learning the social skills necessary to enter society, and Tilly being isolated, for being “the dangerous one” and sent away from the society at a young age. They are after the approval of everyone around them as the women

    Read More

  • Differing Depicitons of Love in Modern Film

    596 Words  | 2 Pages

    Love is such a small word that holds such a strong meaning. Many people in their lives, at some point, contemplate about love, dream about it, and even lose sleep over it. Why is it that so many people imagine what love is? This one word, with many meanings, is so problematic to explain and yet it is impossible to live without. The movies in the romance section of this course, each depict a type of love many of us might go through. The first two films, Water for Elephants and How Do You Know, explore the concept of finding love. Whereas, the film Groundhog Day emphasizes the notion one has to become a loving person before one can love. Lastly, The Painted Veil and Stuck Between Stations explores the idea of creating love and seeing goodness in one another. Therefore, all of these films have a specific structure leading us to the notion that love seems to be the center of all things, both in giving and receiving, and can ultimately have many different meanings.

    Read More

  • The Two-Tiered System of Allusions

    1605 Words  | 4 Pages

    In Hollywood today, most films can be categorized according to the genre system. There are action films, horror flicks, Westerns, comedies and the likes. On a broader scope, films are often separated into two categories: Hollywood films, and independent or foreign ‘art house’ films. Yet, this outlook, albeit superficial, was how many viewed films. Celebrity-packed blockbusters filled with action and drama, with the use of seamless top-of-the-line digital editing and special effects were considered ‘Hollywood films’. Films where unconventional themes like existentialism or paranoia, often with excessive violence or sex or a combination of both, with obvious attempts to displace its audiences from the film were often attributed with the generic label of ‘foreign’ or ‘art house’ cinema.

    Read More

  • The Classical Hollywood Paradigm in Singin' in the Rain

    973 Words  | 2 Pages

    A set of practices concerning the narrative structure compose the classical Hollywood Paradigm. These conventions create a plot centering around a character who undergoes a journey in an attempt to achieve some type of goal (). By giving the central character more time on screen, the film helps the audience to not only understand the character’s motivation but also empathize with his/her emotional state. Additionally, some antagonistic force creates conflict with the main character, preventing immediate success(). Finally, after confronting the antagonist, the main character achieves his or her goal along with growing emotionally(). This proven structure creates a linear and relatively easily followed series of events encompassing the leading character and a goal.

    Read More

  • The Big Sleep: Movie vs. Novel

    1588 Words  | 4 Pages

    Film and literature are two media forms that are so closely related, that we often forget there is a distinction between them. We often just view the movie as an extension of the book because most movies are based on novels or short stories. Because we are accustomed to this sequence of production, first the novel, then the motion picture, we often find ourselves making value judgments about a movie, based upon our feelings on the novel. It is this overlapping of the creative processes that prevents us from seeing movies as distinct and separate art forms from the novels they are based on.

    Read More

  • Analysis of Movie Moulin Rouge

    1933 Words  | 4 Pages

    of the dancing scenes the dancers are synchronized; also the men in the Moulin Rouge wear the same. The fact that the 'baddy' of the film is portrayed as being English is similar. The Moulin Rouge is all about putting on a show which is what musicals are all about, especially Broadway musical. There is a huge element of romance throughout the film. The film on the other hand is different to typical musicals as there isn't a happy ending.

    Read More

  • Classification of Movie Goers

    523 Words  | 2 Pages

    Many people go to the movies. The movies are an escape into a fantasy world. Everyone has a different preference on what kind of movie is the best. Romance, horror, action, and comedy are different types of movies. The kind of movie someone goes to see can give clues to what kind of person they are.

    Read More

  • Why Are Romance Films Real Love?

    1706 Words  | 4 Pages

    A story of love, romance films often have the themes of love at first sight, young (and older) love, unrequited love, tragic love, etc. Romantic comedies and chick flicks are the main genres these themes. Romance films were created as a fantasy for viewers to escape and experience a “happily ever after” (Romance films). The intended audience is generally women and teenager. This fantasy world that has been created had begun to create false expectation of what real love is. With the popularity of these films leads to the idea that, people’s perception of love is greatly influenced by films, and this leads to false expectations of how people perceive real relationships.

    Read More

More about Analysis Of Moulin Rouge: Film Technique

Open Document