Analysis Of Make A Macbeth Out Of You

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Make a Macbeth Out of You
In Shakespeare's tragedy, Macbeth, the viewer explores the inner workings of the human mind. Lady Macbeth, Macbeth’s closest friend and wife, is a controversial character due to her ruthlessness, in some parts, and gentleness, in others. Through the juxtaposition of Lady Macbeth’s conscious and subconscious thoughts, Shakespeare highlights her tragic flaw, her suppression of her femininity.
In regards to Duncan’s murder, Lady Macbeth demonstrates her tragic flaw in her conscious suppression of her muliebrity and her subconscious support of it. In Act I scene 5, she receives a letter from Macbeth. When she hears about the prophecy, she considers killing Duncan to gain power for the first time. Lady Macbeth is too gentle
Lady Macbeth has a glorified idea of what it means to be masculine, so she thinks that she could achieve more without her femininity. Consciously, she wishes to be, “top-full/of direst cruelty,” (I.v.48-50). Right after this, she tries to turn into a less feminine person on her own. Taking control, she manipulates Macbeth and calls him a coward, and really pushes the envelope on murdering Duncan. Lady Macbeth even tells Macbeth the plan and then says, “Leave all the rest to me,” (I. vi. 86). This is a clear gender role reversal and is the first time she tries to force herself into a non-feminine role. Lady Macbeth shows that she can take charge, but her business-like tone shows that she isn’t allowing her womanly side come out. In fact, while Lady Macbeth is ready to take charge, she has subconscious reservations. She is not able to kill Duncan herself, claiming that “Had he not resembled/My father as he slept, I had done’t,” (II.ii.16-17). While Macbeth isn’t questioning her ability, Lady Macbeth’s tone is defensive, showing that she is trying to convince herself of the same thing. This suggests that perhaps, subconsciously, she isn’t sure about killing Duncan. Outwardly, she is confident and determined, making a
During Duncan’s murder, she consciously suppresses her femininity, only to have it crop up in her sleepwalking. Right after Macbeth reemerges from the bedroom after killing Duncan, he talked about regretting his actions, and feeling as if he couldn’t right the wrongs he did. He even says that, “This my hand will rather/The multitudinous seas incarnadine,” (II.ii.79-80). Macbeth is saying that his hand couldn’t be washed clean with all of the oceans, and if he tried, he would stain them red with blood. Clearly, he feels guilty about killing Duncan and believes that he will never do enough penance for it. His hand is a metaphor for his soul, and the seas represent small good deeds. No matter what he does, his soul will never be clean again. Lady Macbeth belittles his worries, seeming unbothered by the fact that she helped kill the king. Right after Macbeth finishes his tirade on his sins, she insists that, “A little water clear us of this deed.”(II.ii.86). Lady Macbeth appears to think that the murder wasn’t something to feel guilty about, and even if it was, a few good deeds would fix the mark of their souls. However, in her sleepwalking episode, her true feelings appear. She mindlessly rubs her hands and cries in her haze, “Here’s the smell of blood still. All/ the perfumes of Arabia will not sweeten this little /hand.”(V.i.53-55). When she isn’t alert

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