Lillian Heker and Amy Tan are two fictional authors who illustrate varying perspectives on the social mores and social conditions surrounding their child protagonists. Heker exemplifies in her short story, A Stolen Party, an incident where a child is prejudicially judged based on parent’s social and economic status. She exemplifies an incident where her child protagonist receives differential treatment solely based on her family’s unfortunate financial status. She demonstrates that her protagonist’s personality and talents exceed those of a wealthy family’s child. Through the short story, Heker conveys to the audience that children should be perceived based off their personality and talents, and not viewed by their parent’s financial and educational …show more content…
Rosaura’s mother is perceived by others as financially unfortunate, working as a maid for the family of Rosaura’s best friend, Luciana. Her mother’s economic status play a fundamental role in how the protagonist is treated throughout the short story. In an exemplifying incident, the protagonist is invited to Luciana’s birthday party where Luciana’s mom, Senora Inez, treats Rosaura according to her mother’s employment status. Throughout her friend’s party, Rosaura tries her best to help out, wanting to be a helpful friend. Unfortunately, Senora Inez perceives her as an underlying worker. She pays Rosaura for her attendance and help instead of showering Rosaura with presents similarly to how she treats the other guests. Heker writes in her short story, “[Senora Inez] rummaged in her purse. In her hand appeared two bills. ‘You really and truly earned this,’ she said handing them over [to Rosaura]” (Heker 4). Rosaura is shocked and disturbed to find that she has been treated as a worker merely due to her mother’s social status. She vehemently believed that she deserved to be treated as one of Luciana’s friend, rather than one of Senora Inez’s maid’s family members. The money that Senora Ines pays Rosaura symbolizes Rosaura’s lower social status, simply attributed to her mother’s employment as a maid. By paying Rosaura, Senora Ines implies that her family is of higher social status than Rosaura’s family. Rosaura and the other children in the short story are prejudicially treated accordingly to their family’s social and economic
Estrella and Cleofilas have come to accept that they don’t get much for their hard labor. They both learned how society looks at immigrants from other countries. They both were looked down upon. Estrella works hard in the hot heat. She comes to realize that picking grapes doesn’t earn enough money, and it all depended on the piece rate of the grapes. Society turns around, eats the grapes and doesn’t think twice about how the grapes came to their mouths. When the society doesn’t think of the age or person that has picked the grapes.
Hattie spent much of her younger years living with different relatives because both of her parents had died when she was five. As Hattie was “tossed” from one relative’s home to another throughout her childhood, she never had a sense of belonging. To make matters worse, her relatives treated her like a hassle—as though her very existence was an annoyance. Needless to say, Hattie’s relatives were neither supportive nor encouraging of her. By age 16, Hattie’s feeling of self-worth was at an all time low. The story did not describe her appearance in depth, but it did say she was very modest and dressed humbly.
In the story, “A&P” by John Updike, the student identifies the differences of social classes between Sammy, a checkout clerk and Queenie, a wealthy girl that visit’s the store. Though not from the same class structure, Sammy is compelled to interact with the girl, however fails in doing so because she is considered privileged.
Social class has always been a controversial issue in America. This idea, that individuals are defined by their wealth, is explored by Jeannette Walls in her memoir, The Glass Castle. Walls shows, through a manifold of personal anecdotes, how growing up in a dysfunctional household with financially inept parents affected her and her siblings. Growing up in this environment, Jeannette was exposed to a very different perception of the world around her than those of higher social status. However, despite the constant hardships she faced, Walls makes it clear that a lower social status does not define an individual as inferior to those in a higher class.
Children are seen as adorable, fun loving, and hard to control. Ida Fink uses a child in “The Key Game” to be the key to this family’s life. The setting is placed during the start of World War II; Jews all around were being taken. Fink uses a boy who doesn’t look the traditional Jewish, “And their chubby, blue-eyed, three-year-old child” (Fink). As they read on the emotional connection is stronger because there is a face to go with this character. Fink draws a reader in by making connections to a family member the reader may know. A blue-eyed, chubby child is the picture child of America. A child in any story makes readers more attached especially if they have children of their own. The child is three way too young to be responsible for the safety of the father, yet has to be. Throughout the story, we see how the mother struggles with making her child play the game because no child should be responsible like
Toni Cade Bambara addresses how knowledge is the means by which one can escape out of poverty in her story The Lesson. In her story she identifies with race, economic inequality, and literary epiphany during the early 1970’s. In this story children of African American progeny come face to face with their own poverty and reality. This realism of society’s social standard was made known to them on a sunny afternoon field trip to a toy store on Fifth Avenue. Through the use of an African American protagonist Miss Moore and antagonist Sylvia who later becomes the sub protagonist and White society the antagonist “the lesson” was ironically taught. Sylvia belong to a lower economic class, which affects her views of herself within highlights the economic difference created by classism.
“Children are not blind to race. Instead, like all of us, they notice differences” and the character of Ellen Foster is no exception to the rule (Olson). Ellen Foster is the story of a strong willed and highly opinionated and pragmatic child named Ellen, growing up in the midst of poverty and abuse in the rural south. Her life is filled with tragedy from the death and possible suicide of her mother to the abuse she endures at the hands of her alcoholic father and his friends. Despite her hardships as such an early age, she never gives up hope for a better life. In addition to her struggles with poverty she is surrounded by a culture of racism in a society that is post Jim Crow
Creating “worlds of their own, with particular kinds of boundaries separating them from the larger world”, families ideally provide encouragement and protection for each of their members (Handel, xxiv). In J.K. Rowling’s Harry Potter and the Prisoner of Azkaban, however, the Dursleys and Aunt Marge fail to fulfill their roles as Harry’s primary caregivers. In Russell Hoban’s The Mouse and His Child, the father mouse is unable to give his child all that he needs and longs for. In these two children’s stories, the expectation that families will provide physical support, emotional support, and encouragement for their children is not met.
Sometimes growing up we experience situations that can change our perspective on life. Especially, when these situations happen unexpectedly; we are in disbelief. In Toni Cade Bambara short story “The Lesson” written in first person; it delves into the struggle of a girl, Sylvia, who realizes the economic and social injustice surrounding her. However, with the help of Miss Moore Sylvia comes to grip with this issue, and opts to overcome it. In “The Lesson” Miss Moore wanted to impart on Sylvia and the other children is the value of a dollar, the importance of education, and to fathom the social and economic injustice that bounded them.
Children have often been viewed as innocent and innocent may be a nicer way to call children naive. Since children’s lives are so worry free they lack the knowledge of how to transition from being a child to becoming an adolescent. Their lack of knowledge may be a large part of their difficulties growing up, which could be a few rough years for many. In books like the boy in the striped pajamas the story is told from the point of view of a little boy, this way we get a full view of how innocent he is. In this book the writer shows the reader first hand how a child viewed the holocaust and how his innocence cost him his life. Then in books like the perks of being a wallflower Charlie is a teen whom is struggling with the transition from being a child to becoming an adolescent. In this book the writer gives a first hand look at how difficult it can be to transition into an adolescent. Charlie has many difficulties in this book; he is in search of his identity and how to fit in.
Children are common group of people who are generally mislabeled by society. In the short story “Charles’’ by Shirley Jackson and ‘’The Open Window” by Saki showed examples of the labeling of children. In “Charles” the concept of parents labeling their children as being pure and sincere was shown. As in “The Open Window” by Saki “used the notion that girls were the most truthful sex and gives her a name that suggests truthfulness to make her tale less suspect.”(Wilson 178). According to Welsh “Because the fantasy is so bizarre and inventive and totally unexpected from a fifteen-year-old girl, the reader is momentarily duped.”(03). This showed that even we as the readers were a victim of misleading labels of society.
...’ family is in deep alcoholism, depriving children the benefits of a proper upbringing. The Johnsons are also chaotic and tyrannical. Jimmie and his ilk of brawling youths epitomize the violence that rocked the society. In the middle of this violence is pursuit of vanity. Children are fighting viciously to establish the superior one. Adults are watching on indifferently. Maggie gets into prostitution because of pursuing an elegant life. She lacks appreciation of her beauty and persona. In the end, the question to ponder is whether human beings have the capacity to make personal choices in midst of immense social circumstances. Regrettably, Johnsons share the blame for the kind of person that their children turned out. The society too has remained passive in the midst of great social trepidation. Maggie and Jimmie share the blame for pursuit of vainglorious vanity.
“The third day- it was Wednesday of the first week- Charles bounced a see-saw on to the head of a little girl and made her bleed,” (1). In the short story “Charles” written by Shirley Jackson, Laurie, the main character of the story, is a young kindergartener who is able to run around causing trouble at school and at the same time, pretend that it is only another boy in his class that is making the trouble. “Charles” teaches you that parents do not know everything about their child even though the child lives in the same house as them. Laurie’s parents do not know what he is like at school. Laurie is flamboyant, and arrogant yet creative and those characteristics make him the perfect troublemaker.
A family is, by far, the simplest possible functional social unit. Straightforward and personal, it is in far contrast to the labyrinthine politics and secretive policies of a typical Orwellian government. However, Amy Rand’s novella shows that despite its simplicity, the impact that a family has on an individual possesses the capacity to depose countless such governments, and, fearful of this power, the government of this novella separates children from their families.
The Victorian Era was a time of social evolution as well as technological and economic advance. A distinct, unique middle class was formed alongside the traditional working class and wealthy aristocracy. However, there were certain individuals that fell outside this model of Victorian society. The “abandoned child” was society’s scapegoat- a person without a past, without connections, without status. They could appear in any class, at any time. The upper and middle classes often had a somewhat romantic perception of them, due to their prevalence in Victorian literature. Novels like Jane Eyre and Wuthering Heights made heroines/heroes out of orphans, portraying them as respectable yet troubled (Cunningham,“Orphan Texts”). However, orphans were also often treated with disdain and distrust, due to their reputation as “criminally prone” individuals. They were a victim of classic “Victorian contradictions” that characterized most aspects of Victorian society.