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‘Lepo Sela, Lepo Gore’ or ‘Pretty Village, Pretty Flame’ is a Serbian film from 1996 directed by Srđan Dragojević, based on a true story from the Bosnian War. The film follows a non-linear structure, changing between different events, telling the story several different characters and how they came to be involved with the situation they find themselves in.
The film beings with a mock-newsreel in black and white covering the opening of the ‘Tunnel of Brotherhood and Unity’ by President Josip Broz Tito in 1971. As the newsreel ends, the scene shifts into colour. The atmosphere is joyful and excited, with school children singing Tito’s Theme. As Tito cuts the ceremonial ribbon, the music shifts to a slower, more dramatic anthem with stab chords and repeated beats on the drums. Tito accidentally cuts his thumb with the scissors as the music stops. One of the children standing in front of him is splatted with blood. There is complete silence for a few seconds before Tito laughs and the music resumes. While this scene may seem odd in isolation, it is incredibly important to understanding the message of ‘Lepo Sela, Lepo Gore’. The opening scene foreshadows the coming bloodshed of the Bosnian war. The tunnel, which is the setting for much of the action within the film, is an important symbol. ‘Bratstvo i jedinstvo’ or ‘Brotherhood and Unity’ was the slogan of
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While the soldiers are trapped in the tunnel, they make jokes with the opposing side, over music and entertainment, and the stereotypes placed on both groups. The quote ‘My sister can’t afford mourning clothes’ is repeated twice. Death seems almost inevitable, and the soldiers find themselves joking about finding a practical reason not to die. The reason given also shows the state of the economy, one of the leading reasons for the collapse of
As the war progresses, Caputo requests to go to a line company in the middle of November. This is a change from the “office” position he currently held where he was largely responsible for counting casualties. At this point, the romanticized visions Caputo had of war have been completely shattered and he goes into this transfer being fully aware of this. This change in viewpoint becomes even more clear when compared to the beginning of the novel where Caputo was intrigued by the romance and action of war. While readers would expect more action and typical war stories in this section of the book, Philip Caputo writes anything but. Caputo writes, “It went like that for the rest of the month. It was a time of little action and endless misery…Almost every hour of every night, the radio operators chanted, ‘All secure. Situation remains the same’ (1996: 240). Caputo repeats the phrase “All secure. Situation remains the same” five times throughout this single paragraph. Because of this, readers see the dull and mundane side of war that is often not talked about. In addition, Caputo continues to comment of the large amounts of waiting throughout the autobiography. When most think of the Vietnam War, they picture the “main events”. Similar to the numerous documentaries we watched in class, some of the main points of the war include: The first Indochina War, The Gulf of Tonkin, and the Tet Offensive. These documentaries all focused on these monumental events and because of this, the public perceives this war as the sum of these events. However, what many fail to consider the large gaps in time between these events. It is in these large gaps that little action occurred and most of the soldier’s time was spent waiting as Caputo depicted in this scene. In connection with
There is a major change in the men in this novel. At first, they are excited to join the army in order to help their country. After they see the truth about war, they learn very important assets of life such as death, destruction, and suffering. These emotions are learned in places like training camp, battles, and hospitals. All the men, dead or alive, obtained knowledge on how to deal with death, which is very important to one’s life.
In the aftermath of a comparatively minor misfortune, all parties concerned seem to be eager to direct the blame to someone or something else. It seems so easy to pin down one specific mistake that caused everything else to go wrong in an everyday situation. However, war is a vastly different story. War is ambiguous, an enormous and intangible event, and it cannot simply be blamed for the resulting deaths for which it is indirectly responsible. Tim O’Brien’s story, “In the Field,” illustrates whom the soldiers turn to with the massive burden of responsibility for a tragedy. The horrible circumstances of war transform all involved and tinge them with an absurd feeling of personal responsibility as they struggle to cope.
Another unique aspect to this book is the constant change in point of view. This change in point of view emphasizes the disorder associated with war. At some points during the book, it is a first person point of view, and at other times it changes to an outside third person point of view. In the first chapter of the book, “The Things They Carried,” O’Brien writes, “The things they carried were largely determined by necessity (2).
...rman company encounters impoverished conditions, only further adding to their pain. As a result of battling unmanageable forces and dealing with shoddy trenches, the young German armed forces are no longer able to see the real world.
When the war breaks out, this tranquil little town seems like the last place on earth that could produce a team of vicious, violent soldiers. Soon we see Jim thrown into a completely contrasting `world', full of violence and fighting, and the strong dissimilarity between his hometown and this new war-stricken country is emphasised. The fact that the original setting is so diversely opposite to that if the war setting, the harsh reality of the horror of war is demonstrated.
Written by author Tim O’Brien after his own experience in Vietnam, “The Things They Carried” is a short story that introduces the reader to the experiences of soldiers away at war. O’Brien uses potent metaphors with a third person narrator to shape each character. In doing so, the reader is able to sympathize with the internal and external struggles the men endure. These symbolic comparisons often give even the smallest details great literary weight, due to their dual meanings. The symbolism in “The Things They Carried” guides the reader through the complex development of characters by establishing their humanity during the inhumane circumstance of war, articulating what the men need for emotional and spiritual survival, and by revealing the character’s psychological burdens.
Others weep for the ones lost. They then got prison clothes that were ridiculously fitted. They made exchanges and went to a new barracks in the “gypsies’ camp.” They waited in the mud for a long time. They were permitted to another barracks, with a gypsy in charge of them.
“The Yellow Wallpaper” features a narrator who suffers from nervous depression and cannot control her marriage or her everyday life mentally. The narrator in “The Things They Carried” deals with the subjective conditions of war. Throughout the story, straining emotions often brought O’Brien’s teams emotions, especially after a death, causing a “crying jag” with a “heavy-duty hurt” (O’Brien 1185). The fury of emotion associated with death begins to erode the sharp minds of the soldiers and become mentally effective.
One of the hardest events that a soldier had to go through during the war was when one of their friends was killed. Despite their heartbreak they could not openly display their emotions. They could not cry because soldiers do not cry. Such an emotional display like crying would be sign of weakness and they didn’t want to be weak, so they created an outlet. “They were actors. When someone died, it wasn’t quite dying because in a curious way it seemed scripted”(19). Of course things were scripted especially when Ted Lavender died. It had happened unexpectedly and if they didn’t have something planned to do while they were coping they would all have broken down especially Lieutenant Cross. Cross...
Have you ever thought about what it was like to live during World War 1, or what it was like to fight at war? At first glance of any war piece, you might think the author would try to portray the soldiers as mentally tough and have a smashing conscience. Many would think that fighting in a war shows how devoted you are to your country, however, that is not true. According to All Quiet on the Western Front by Erich Maria Remarque, the reality of a soldier's life is despondency, carnage and eradication at every bombardment. Living every day is not knowing if they will eat, see their families, or even if they will awaken the next day. Demeaning themselves from heroes to barely men without their military garment or identity. Remarque conveyed how
...as they dread wound and death. They have nothing to look forward to but years of rage. They have experienced the horrors of war but have not experienced the enjoyments of life. They will be pushed aside and forgotten and the years will pass, and in the end they will fall into ruin.
During the book, the author use words or phrases as a form of mock seriousness that gives way to the absurd. Especially after a person died, there will have “So it goes” (Kurt Vonnegut, 1969). The author wants to use this kind of specific words to emphasize that the war is really oppressive and cruel. The author through the Billy’s perspective to explain his own feelings, and condemn the Fascism’s brutal, and laugh at human start the war stupid because the war causes a lot of unfair, make many people died, and anyone involved the war have bad life. The only thing that the war can give us is unhappiness, and cannot bring anything good. Conversely, the peaceful environment not only can make people fell security, but also promote the social
by Jon krauker about a boy who leaves everything behind to live the aesthetic life. The film
... could not help themselves, they were not going to be helped. If struggle were encountered, men had personalized ways to reconnect with the real world, and if a tragedy were encountered which affected the entire company, they also found a combined way to cope with this pressure. The priorities of men during the war shifted greatly toward emotional connections to people and events other than the war, and it was these connections that helped them survive and return home. Coping with the stress and burden of war is not an easy task for anyone, yet in The Things they Carried, O'Brien depicts men dealing and coping as much as they can, using only their primeval resources. They learn how to cope with the barest necessities in life, and they learn how to make use of the smallest opportunities to obtain the most relief and joy from every moment in life.