Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
The study and analysis of literature
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Sexuality and gender have been taboo topics for as long as one can remember, and the approach to these topics have ranged from lightly treaded to head-on. A special characteristic of literature is that the messages can be camouflaged, left out in the open, or be left up to the interpretation of the reader. Science fiction has been known to harbor some incredible insights on society through its creation of an endless array of societies and universes and their respective alien norms and characteristics. The New Wave era of science fiction (1960s-70s), influenced by the progressivism following the Civil Rights movement and the introduction of counter culture, birthed many revolutionary works within the genre that refused to shy away from touchy topics, with one of the best known authors being Ursula K. Le Guin. Le Guin’s The Left Hand of Darkness the flexibility of science fiction to allow readers an insight into her sharp criticism of human sexuality and gender. The Left Hand of Darkness immediately opens with an introduction on sexuality and gender …show more content…
As noted by a previous visitor of Winter, “There is no division of humanity into strong and weak halves, protective/protected, dominant/submissive, owner/chattel, active/passive.” (93). There is no stigma related to crying, especially a masculine figure doing so, even though Ai hides himself several times to do so. The absence of war is the most notable. Although there is still conflict and murder, which is within human nature to disagree and fight, Le Guin’s writing suggests that war is a masculine concept. Masculinity and its effects on war has been a widely debated feminist ideal, most famously explored in Carol Cohn’s Sex and Death in the Rational World of Defense
War has been a mainstay of human civilization since its inception thousands of years ago, and throughout this long and colorful history, warriors have almost exclusively been male. By repeatedly taking on the fundamentally aggressive and violent role of soldier, Man has slowly come to define Himself through these violent experiences. Although modern American society regulates the experiences associated with engaging in warfare to a select group of individuals, leaving the majority of the American public emotionally and personally distant from war, mainstream American masculinity still draws heavily upon the characteristically male experience of going to war. In modern American society, masculinity is still defined and expressed through analogy with the behavior and experiences of men at war; however, such a simplistic masculinity cannot account for the depth of human experience embraced by a modern man.
The memoir Night by Elie Wiesel gives an in depth view of Nazi Concentration Camps. Growing up in the town of Sighet, Transylvania, Wiesel, a young Jewish boy at the innocent age of 12, whose main focus in life was studying the Kabbalah and becoming closer in his relationship with God. In the memoir, Elie Wiesel reflects back to his stay within a Nazi Concentration Camp in hopes that by sharing his experiences, he could not only educate the world on the ugliness known as the Holocaust, but also to remind people that by remembering one atrocity, the next one can potentially be avoided. The holocaust was the persecution and murder of approximately six million Jew’s by Aldolf Hitler’s Nazi army between 1933 and 1945. Overall, the memoir shows
very hard to get into her world from the first chapter, Winter, Hainsh Cycle 93,
Irigaray, Luce. "This Sex Which Is Not One." Feminism: An Anthology of Literary Theory and Criticism. Ed. Robyn R. Warhol and Diane Price Herndle. New Brunswick, NJ: Rutgers UP, 1991.
Not only does Huxley use sex and reproduction as symbols of stealing human rights early in life, but he uses it for their adolescent and adult lives. Strange and alien sexual control is showed at an early age in this society when children of a young age are told to be playing an erotic and sexual game. This continued push on sexual promiscuity, especially on women, is in stark contrast to our own soci...
context out of which a work of literature emerges molds the interpretation of gender in that work.
Jordanova, Ludmilla. Sexual Visions: Images of Gender in Science and Medicine between the 18th and 20th Centuries. London: Harrester Wheatsheaf, 1989.
Butler, Judith. "Gender is Burning: Questions of Appropriation and Subversion." Bodies That Matter: On the Discursive Limits of Sex. New York: Routledge, 1993. 121-140.
De Beauvoir Simone. “The second sex” Ch.1. 2009. Science Fiction Stories and Contexts. Ed. Stephen A. Scipione and Marisa Feinstein. Boston: Bedford/ St. Martin's, n.d. 119-34. Print.
During the nineteenth and the beginning of the twentieth-century women’s sexuality was dictated by the family and society as there were specific rules put in place for each gender. This became problematic for women in the century, as they could not express their sexual identity. However, the protagonist in both Kate Chopin’s The Awakening (1899) and Angela Carter’s The Magic Toyshop (1967) demonstrate the consequences of going against the family for women. Jeffrey Weeks states, “The very idea of sexual identity is an ambiguous one. For many in the modern world-especially the sexually marginal-it is an absolutely fundamental concept, offering a sense of personal unity. Social location, and even at times a political commitment.” (Capaln, 1989:
In a society where the focus on equality amongst different races, religions and sexes continues to grow, it is no surprise that literature has begun to follow suit. Publishers have seen a rise in strong, capable female protagonists who overcome a variety of struggles to save themselves or others and both teens and adults alike rush to get their hands on this material. With such popular literary works to choose from, it seems strange that many schools continue to rely on somewhat archaic material that mistreats and degrades so many women. In John Steinbeck 's Of Mice and Men, for example, the only female character the reader interacts with is treated like a lower-class prostitute who is ultimately killed off due to her seductive behavior. Though Steinbeck 's treatment of women comes mainly from classic gender roles, his portrayal of female characters in Of Mice and Men is
It has not only been a trend, but almost a necessity, for novelists who depict wars to depict humanity. Wars are largely, if not totally, alienating; it alienates humans from who they are—or at least whom they think they are—to fighting machines programmed exclusively for mass destruction and ruthless killing. Romantic love and strong sentiment seem to be incompatible with the nature of wars and are rarely found in wars as well. However, in Cold Mountain, Charles Frazier shows us the reshaping of humanity and personality of the male protagonist Inman during the war; he conveys an idea of rebirth in the war—a process of gradually discovering and finally adopting a new, more introspective self-identity; and this journey to rebirth is led by love, courage, and the desire for freedom.
The deviated depiction of female protagonists from normalized gender binaries in The Things They Carried solidifies the masculine domination of war, and also uproots any possibility of male acceptance of the women that dare to test the masculine protocol casted on America by its own soldiers.
Gender Outlaws (Smith, 2010) breaks the laws of gender by defying gender normative rules that exclude trans, queer and other non-conforming gender expressions often oppressed by “gender-norming rules,” rules, “expected to observe” or be subject to ridicule and often times labeled as freak by those who consider themselves as normal (p. 28). A gender outlaw seeks to, redefine the notion of gender and are carving out spaces of their own” (p. 30).
The feminist perspective of looking at a work of literature includes examining how both sexes are portrayed