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Modern concept of identity
Postmodernism and identity
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How does the text conform to, or deviate from, the conventions of a particular genre, and for what purpose? How do Kurt Vonnegut’s short stories “Welcome to the Monkey house” conform to post-modernism? Postmodernism it is a complicated term but it can also be interpreted as a set of ideas, it has only emerged as an area of academic study since the mid-1980s. Defining Postmodernism initially can be problematic, because the concept itself relates to many academic disciplines including architecture, art, literature, film, communications, technology, and fashion. The term “postmodernism” emerged in the 1960’s to cope with and reflect the radical changes which have been projected on the nature of knowledge since World War 2. What characterizes the …show more content…
Also in those three short stories (“Who Am I this Time”, “All the kings horses”, “Displaced Person”,) Vonnegut focuses and emphasizes different kind of aspects. In the first story “Who Am I this time”, he focuses on isolate individuals and responds to their solitude in a robust world. In the second story “All the kings’ horses” he addresses and questions the morality and humanity, especially relationships between the family members and also people’s actions. In the third story “Displaced Person” Vonnegut emphasizes the treatment of different people and also the power of identifiers in that society. He questions the source of our knowledge and different aspects of humanity in order to provide a new way of thinking. In “Who Am I This Time?” short story, the concepts of identity and self-isolation are the terms which are being put into question and analyze. In this story, two main characters Harry and Helene both struggle with making contact with other people and choose to spend their time in loneliness. …show more content…
And practically all the men in the different companies I visit are married and I never stay anyplace long enough to know many people who aren’t…even in school I was always moving around a lot. My father was a construction worker, following jobs around, so I was always saying hello or good-by to someplace, without anything in between” (pp. 19-20). There was something missing out from both Helene and Harry lives when they were younger. So that forced them to isolate themselves from other people. Vonnegut is criticizing Harry and Helene for being isolate and he forces the reader to question what thing in the society makes people like Harry and Helene the way they are. In “Displaced Person”, a young boy named Joe does not know anything about who he is and where he comes from, and he struggles in finding his identity. Joe is an African American born in Germany who lives at an orphanage. Joe’s original name was Karl Heinz, but everyone calls him Joe because the only other black person they know is Joe Louis, the professional boxer. All Joe wants to know is who his parents are because he feels like he does not belong there in Germany. “Peter said my mother was a German, and my father was an American soldier who went away. He said she left me with you, and then went away too.” There was no sadness in his voice- only
There are many similarities between the war experiences of Kurt Vonnegut and the character of Billy Pilgrim in his novel Slaughterhouse Five. Several similarities between them are shown in the letter from Kurt Vonnegut to his family dated May 29, 1945 (Vonnegut, Armageddon in Retrospect 11-14).
“Force is all-conquering, but its victories are short-lived.” Stated Abraham Lincoln. That quotes applies to Slaughterhouse-Five because even when you think you have conquered something and achieve the victory doesn’t mean that it will last long. Billy Pilgrim is the protagonist of Kurt Vonnegut Jr. anti-war novel, Slaughterhouse-Five. Billy Pilgrim is non-heroic in the anti-war novel which makes the theme of the book Slaughterhouse-Five a man who is “unstuck” in time.
Relationships and Interdependence in the Works of Kurt Vonnegut While on the surface Kurt Vonnegut's works appear to singularly contain the pessimistic views of an aging, black humorist, his underlying meanings reveal a much more sympathetic and hopeful glimpse of humanity that lends itself to eventual societal improvement. As part of Vonnegut's strategy for enhanced communal welfare, the satirist details in the course of his works potential artificial family groups to connect the masses and alleviate the lonely.
Postmodernism movement started in the 1960’s, carrying on until present. James Morley defined the postmodernism movement as “a rejection of the sovereign autonomous individual with an emphasis upon anarchic collective anonymous experience.” In other words, postmodernism rejects what has been established and makes emphasis on combined revolutionary experiences. Postmodernism can be said it is the "derivate" of modernism; it follows most of the same ideas than modernism but resist the very idea of boundaries. According to our lecture notes “Dominant culture uses perception against others to maintain authority.”
Free will, the ability of organisms to make choices without being influenced by divine intervention, is one of history’s most debated philosophical topics. Kurt Vonnegut discusses this matter in his two novels Cat’s Cradle and Slaughterhouse-Five. In the first novel, he writes about a religion based on the idea that God puts us in groups to carry out His will. The second novel talks about a group of aliens from the planet Tralfamadore who say that out of the thirty-one inhabited planets in the universe, “Only on Earth is there any talk of free will.” In both novels, the protagonists Jonah and Billy accept their unavoidable fate, and so they don’t worry about life or death. Through his two novels, Vonnegut portrays the futility of believing in free will in a universe controlled by fate.
Oscar Wilde, an acclaimed Irish Poet, novelist, dramatist and critic once aptly commented, “Men become old, but they never become good”. The philosophical aspect of this quote relies on the basis that human beings are inherently malevolent. Through his pessimistic perspective, Wilde clearly captures the ill-disposed mindset of mankind. Moreover, there are various deductive arguments that discredit the optimistic depiction of human nature. One of the prime examples can be found in Kurt Vonnegut’s literature. In Kurt Vonnegut’s Cat's Cradle, through the illustration of his characters, the author symbolizes the four elements of human fallibility.
“No wonder kids grow up crazy. A cat’s Cradle is nothing but a band of X’s between someone’s hands and little kid’s look and look at all those X’s… No damn cat and no damn cradle,” Vonnegut writes is his appropriately titled book Cat’s Cradle. A cat’s cradle is a string trick we all grew up learning and seeing, and it is just as Vonnegut described, nothing. Everyday we experience things like a cat’s cradle; we experience insignificant objects, feelings, or idols that we base our life on. We base and change our lives off of things with no real significance. Kurt Vonnegut’s novels Cat’s Cradle and Slaughterhouse-Five demonstrate the ineptness of the human race to base our life and happiness off of intricate and interwoven lies, or off of a single point of view.
Kurt Vonnegut's personal experiences force him to question the meaningless cruelties and conflicting paradigms in life. As a second generation German-American and a witness of Dresden's bombing during World War II, he observes firsthand the pointless destruction of which humans are capable (Dictionary 494). He devotes his works to understanding the chaotic, cruel world he encounters. According to Peter Reed, Vonnegut's works feature a "...protagonist in quest of meaning in an absurd world" (500). While struggling to understand the disordered universe around them, Vonnegut's protagonists attempt to become satisfied individuals by understanding the purpose of human life.
Satire in American literature has evolved in response to the development of the American mind, its increasing use of free will, and the context that surrounds this notion. Satire is the biting wit that authors (labeled satirists) bring to their literature to expose and mock the follies of society. Satirists can be divided, however, into two groups with very different purposes. One type mocks simply for the enjoyment of mocking. These satirists are found almost everywhere in the world, on every street corner, household, and television sitcom. It is the second type of satirist who is a strong force in the world of literature. The satirical author will mock to heighten the reader's awareness of the problems that threaten to destroy the world that they believe has so much potential. They do this with the hope that their satire will encourage others to better society. "I have often hoped that the arts could be wonderfully useful in times of trouble" (32) says the writer who is perhaps the king of this second type of American satire, Kurt Vonnegut Jr. Vonnegut uses his literature to help guide a disillusioned America, in which free will has been fundamental since the writing of the Constitution. As a humanist, Vonnegut uses the idea of free will as a constant motif in his writing. He believes that every soul has the freedom to do anything, but that the problem with society is that people lack direction. Free will, used as a theme in Timequake, is an enormous responsibility. Acknowledging the free will that one has also involves accepting the responsibility that is necessary to use this privilege in a way that will benefit humanity. In several essay...
Is it not on the normal we hear about PTSD (post-traumatic stress disorder) from former veterans go through. They struggle to keep calm and collected visiting through flashbacks from war and maybe other memories that may not be true. Facing trying to have a normal life after being a prisoner of war (POW). Kurt Vonnegut writes using the setting he seen in his life, making a war drama from a first person experience making it fictional at the same time an autobiography. Being free from war is just illusive according to Kurt Vonnegut. Even though I never been to war I see him trying to show that war hinders us mentally through encounters in war.
Postmodernism can be defined as a rejection of the idea that there are certain unequivocal truths or grand narratives (such as capitalism, faith or science) and as a belief that there are multiple ways of understanding anything, whether it be it culture, philosophy, art, literature, films, etc, or even television... Television reflects the mass-produced society we live in and certain shows exhibit many of the archetypes of postmodernism that have become prevalent in other art forms. Postmodernism can be useful for understanding contemporary television it can help us to relate to the ever-changing world we live in. Television shows like ABC’s Lost (ABC, 2004-2010) dabble in matters of intertextuality, questioning of grand narratives and, amongst others, a manipulation of time through use of flashbacks, flash-forwards and, uniquely to Lost, the flash-sideways.
Conventions are commonly known as a customary feature of a literary work such as the use of a chorus in Greek tragedy or an explicit moral in a fable. They are found in stories, plays, essays, poetry, and movies. Conventions are found frequently in Shakespeare’s Hamlet, Taming of the Shrew, and Othello. They are also detected in D. H. Lawrence’s The Horse Dealer’s Daughter and The Rocking Horse Winner, and lastly in Henrik Ibsen’s A Doll House. These literary devices all grasp the same conventional concept. The use of a prop in a literary work is a perfect example of a convention—each prop is used to show a significant idea in its respective literary work.
In the 1950s, authors tended to follow common themes, these themes were summed up in an art called postmodernism. Postmodernism took place after the Cold War, themes changed drastically, and boundaries were broken down. Postmodern authors defined themselves by “avoiding traditional closure of themes or situations” (Postmodernism). Postmodernism tends to play with the mind, and give a new meaning to things, “Postmodern art often makes it a point of demonstrating in an obvious way the instability of meaning (Clayton)”. What makes postmodernism most unique is its unpredictable nature and “think o...
Postmodernism is a vague term that can describe a variety of disciplines that include, architecture, art, music, film, fashion, literature…etc. (Klages). In the case of “Videotape”, postmodern literature would be the main focus or area of study. This type of literature emerged in the era that succeeded World War II and relies heavily on the use of techniques such as, fragmentation, the creation of paradoxes, and questionable protagonists. Furthermore, postmodern literature also exudes ambiguity and critical thinking where the focus is mainly on the reader and his/her experience of the work rather than the content and form. Building upon that, the selected passag...
Postmodernism, on the other hand, aspires to reflect the critical. Critical knowledge is a process, rather than product. Absolute knowledge is unattainable, conditional, and provisional at best. Any unequivocal sense of the real is rendered superfluous. Truth, therefore, remains elusive, relativistic, partial, and always incomplete; it cannot be learned in totality. "Truth itself is a contingent affair and assumes a different shape in the light of differing local urgencies and convictions associated with them" (Fish 207). Critical knowledge has no choice but to exercise complicity with the cultural historical context in which it is hopelessly mired. As Lee Patterson states, "Even scholars who are dealing with chronologically and geographically distant materials are in fact examining a cultural matrix within which they themselves stand, and the understandings at which they arrive are influenced not simply by contemporary interests but by the shaping past that they are engaged in recovering" (259).