Analysis Of Kathryn Stockett's Novel The Help

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Kathryn Stockett’s novel The Help is the story of helps in the 1960s small town Jackson, Mississippi. Through a young white lady Skeeter and her cooperator helps Aibileen and Minny’s effort to make an original book that is written the daily life of helps and white families from helps’ point of view, Stokett tries to portray the manner of the 1960s Southern women. This essay discusses a white lady Hilly’s motivation to act terribly cruel towards the helps and people around her, in addition, it examines Hilly’s two-sided personality which is as a flawed separatist and as a wonderful mother as the answer of QUESTION 1. Besides, Skeeter’s mother Charlotte’s belief for her help Constantine or Lulabelle, Constantine’s daughter and Charlotte’s sympathy …show more content…

When Hilly asks Aibileen about the separatism in a school and forces to agree on Aibileen to her, unexpectedly to Hilly, Aibileen expresses her idea. “Not a school full a just white people. But where the colored and the white folks is together.” Hilly who is indignant for Aibileen says “But Aibileen”---Miss Hilly smile real cold---“colored people and white people are just so…different.” This Hilly’s act represents the best her strong separatism, in the page …show more content…

When Lulabelle came to Charlotte’s home, Charlotte could not stand Lulabelle’s behavior that was alike a white and run her out of home. Charlotte’s word “They are not like regular people” is the same with Hilly’s word “colored people and white people are just so…different.”
Likewise, when Hilly rejected Yule May’s begging for a loan, Charlotte’s self-righteousness that may derive from her belief and Mississippi’s traditional racism tells Lulabelle the truth why Constantine gave away Lulabelle. “Because Lulabelle needed to know the truth. She needed to go back to Chicago where she belonged.” in the page 429. However, Stockett strongly criticizes Charlotte’s act as the Skeeter’s word “There is no redeeming piece of the story. A child should never know this about her own mother.” Most of Charlotte’s interaction with Skeeter is critical because of not only as a mother’s nurture for a daughter but also as Charlotte’s conservative belief. When Skeeter and Pascagoula watch the television that tells the President Kennedy’s order to the governor to step aside for James Meredith, Charlotte orders “Eugenia, Pascagoula! Turn that set off right this

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