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Narrative personal experience of war
War literature essays
War literature essays
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There’s a common misconception when anybody says that time heals all wounds. It, in fact, does the opposite and only masks the pain one feels. To question, for example, if a flower was to get old and wilt, would it still be considered a flower? Of course it would, as so pain physically and mentally. So as deaf, blind, speechless, and limbless Joe tries to get a hold of himself in both the novel and movie, his mind tries to protect his sanity as he recounts his past memories, is fantasizing, and in his present condition. Writer Dalton Trumbo is able to exhibit Joe, wounded soldier, as he grapples with humanity and the militaries reasoning for leaving a man in his present state alive.
Trumbo is able to construct the essence of the time Joe spends laying in his bed thinking through his writings viewpoints. The novel is written in first and third person. When Joe is either looking back in time, or is fantasizing, it is told from a different point of view as if to suggest that it is a limited omniscient form of Joe. When Joe is describing the time period when his father was dying, he stat...
In the beginning of the story Joe Jones seems like he just wants to get this project over with and not put any effort into his writing. In the beginning of the story Joe says,” Aw come on. It’s bad enough I have to do this lame assignment ” (106). This shows how Joe really does not care about the assignment and has a very negative attitude toward it.
Within the novel Slaughterhouse Five, by Kurt Vonnegut, the character Billy Pilgrim claims to have come “unstuck” in time. Having survived through being a Prisoner of War and the destruction of Dresden during World War II, and having been a prisoner used to clear away debris of the destruction, there can be little doubt that Pilgrim’s mental state was unstable. Furthermore, it may be concluded that Pilgrim, due to the effects of having been a Prisoner of War, and having been witness to the full magnitude of destruction, suffered from Post-Traumatic Stress Disorder, which caused him to review the events over and over during the course of his life. In order to understand how these factors, the destruction of Dresden and ‘PTSD’, came to make Billy Pilgrim “unstuck” in time, one must review over the circumstances surrounding those events.
Some experiences were so strong and lasted a life time. For instance, he remembers shooting the innocent civilian woman with her baby. The changes left him negative permanent memories that he will always remember. The war left Garcia with a negative impact on his entire life due to the violence and death he experienced during the war. He also experienced racism against the Jewish
Tom is a very ambitious person when it comes to his work. He is caught up in getting a promotion from work by doing a project. Tom just focuses on the “big picture,” which is his future, rather than the “small picture,” which is what his wife is doing. This trait changes at the end when he decides to go to the movies with his wife. When the paper flew out the window for the second time, he realized that he can do the paper over again but he can never take back that one specific night he could have spent with his wife.
After feeling ostracised by the township, the alienated Brennan family are driven to leave the town of Mumbilli at 4:30am. With hardly any peer support, Tom begins to lose his sense of security, resulting in his transformation into an unconfident teen who is afraid of public opinion. It is no wonder that Tom is unable to move on in his new town as he is being held back in fear of revealing his past. Burke tactfully illustrates Tom’s emotional kaleidoscope through phrases such as “I felt the knot snap” and “my guts landing at my feet” (Burke, pg 172) when reflecting on the accident. On the contrary, with encouragement from family members, Tom begins to step out of his comfort zone and face the future that is to come.
John Edgar Wideman’s essay “Our Time” presents us the story of his brother Robby. The essay is unique because Wideman uses the “voices” of his brother Robby, his mother, and himself to convey the different perspectives of each person. The author uses the three different points of view in an attempt to express his emotions, and what he was going through while trying to understand the motives behind Robby’s transgressions. Wideman articulates that choices in life are often difficult to make, and other people will be unable to understand the reasons behind a particular choice. In addition to telling Robby’s story, Wideman includes the problems he faced as a writer in order to tell the story from his brother’s point of view.
“Car Crash While Hitchhiking” and “Work” both follow the stream of consciousness of the narrator, which shows the influence of drug on people’s mentality. Both stories are confusing with the narrator moving around the time and place; it seems as if the narrator is talking about whatever comes into his mind without specific plot or message. In “Car Crash While Hitchhiking,” the narrator talks about the family that picked him up, and suddenly switches to the story of him and salesman by saying “…But before any of this, that afternoon, the salesman and I …” (4) In “Work,” narrator says “And then came one of those moments,” (52) when he recalls a memory about his wife while talking about Wayne. Both stories shift abruptly without proper conjunction. In everyday lives, people think of numerous things. However, what they say are limited, as they talk consistently with a specific purpose, considering factors such as time, place, and appropriateness before they speak. On the other ha...
Trumbo aspires to preach the horrible effects of war. In order to do this, he manipulates his words to engender allegories and figures of speech. This is demonstrated towards the end of the story when Joe starts reminiscing all of the past girls he was involved with. One of the three main girls is called Lucky.
In Kurt Vonnegut’s Slaughterhouse-Five the main character Billy Pilgrim experiences few emotions during his time in World War II. His responses to people and events lack intensity or passion. Throughout the novel Billy describes his time travel to different moments in his life, including his experience with the creatures of Tralfamadore and the bombing of Dresden. He wishes to die during most of the novel and is unable to connect with almost anyone on Earth. The fictional planet Tralfamadore appears to be Billy’s only way of escaping the horrors of war, and acts as coping mechanism. Billy seems to be a soldier with Post Traumatic Stress Disorder (PTSD), as he struggles to express feelings and live in his reality. At the beginning of the novel the narrator proposes his reason for writing the book is to explain what happened in the Dresden fire bombing, yet he focuses on Billy’s psyche more than the bombing itself. PTSD prevents Billy from living a healthy life, which shows readers that the war does not stop after the fighting is over and the aftermath is ongoing. Billy Pilgrim’s story portrays the bombing and war in a negative light to readers, as Vonnegut shows the damaging effects of war on an individual, such as misperception of time, disconnect from peers, and inability to feel strong emotions, to overall create a stronger message.
After a dramatic event happens in someone’s life such as war, some people cannot function the same way as they did previously. To make a reference to the novel, "Slaughterhouse five" written by Kurt Vonnegut, Billy Pilgrim’s character experiences war during World War II. Some drastic changes happened in his way of dealing with the fact of surviving a war. He claims to travel in time and to meet Aliens, called the "Tralfamadorian’s". This essay will discuss Billy believing that he is meeting Aliens and traveling in time, but in fact he only has Post-Traumatic Stress Disorder (PTSD) after surviving the war.
"War is hell . . . war is mystery terror and adventure and courage and discovery and despair and . . . war is nasty (80)." When it all happened it was not like "a movie you aren't a hero and all you can do is whimper and wait (211)." O'Brien and the rest of the solders were just ordinary people thrust into extraordinary situations. They needed to tell blatant lies" to "bring the body and soul back together (239)." They needed to eliminate the reality of death. As ordinary people they were not capable of dealing with the engulfing realities of death and war therefore they needed to create coping skills. O'Brien approaches the loss of his childhood friend, Linda, in the same way he approaches the loss of his comrades in the war as this is the only way he knows how to deal with death. A skill he learned, and needed, in the Vietnam War.
The opening paragraph of the story contains a metaphorical passage: "I stared at it in the swinging light of the subway car, and in the faces and bodies of the people, and in my own face, trapped in the darkness which roared outside"(349). This reference is significant because it is a contrast to the dismal society that the narrator and his brother Sonny live in. The darkness is the portrayal of the community of Harlem that is trapped, in their surroundings by physical, economic, and social barriers. The obvious nature of darkness has overcome the occupants of the Harlem community. The narrator, an algebra teacher, observes a depressing similarity between his students and his brother, Sonny. This is true because the narrator is fearful for his students falling into a life of crime and drugs, as did his brother. The narrator notes that the cruel realities of the streets have taken away the possible light from the lives of his brother and his students. The narrator makes an insightful connection between the darkness that Sonny faced and the darkness that the young boys are presently facing. This is illustrated in the following quote:
Tyler’s failure as a businessperson and his overall frustration with the societal functions in the United States led him to conform to regular societal norms. Jack Moore, a contrasting character, who suffers from insomnia as a result of frustration with a standardized and plain lifestyle. Both Jack and Tyler eventually conform from society through different avenues, each with unique and contrasting impacts on their lives. Jack and Tyler engage in co...
...ror of Pecola’s first sexual experience: her father rapes her), and a difficult marriage situation (caused by his own drunkenness). The “bads” certainly outweigh the “goods” in his situation. Thus, the reader ought not to feel sympathy for Cholly. But, Morrison presents information about Cholly in such a way that mandates sympathy from her reader. This depiction of Cholly as a man of freedom and the victim of awful happenings is wrong because it evokes sympathy for a man who does not deserve it. He deserves the reader’s hate, but Morrison prevents Cholly covered with a blanket of undeserved, inescapable sympathy. Morrison creates undeserved sympathy from the reader using language and her depiction of Cholly acting within the bounds of his character. This ultimately generates a reader who becomes soft on crime and led by emotions manipulated by the authority of text.
Dostoevsky’s Notes from the Underground and Martin Scorsese’s Taxi Driver, written by Paul Schrader, both tell the same story about a man who is lonely and blames the world around him for his loneliness. The characters of Underground Man and Travis Bickle mirror each other; they both live in the underground, narrating their respective stories, experiencing aches and maladies which they leave unchecked, seeing the city they live in as a modern-day hell filled with the fake and corrupt. However, time and again both Travis and the Underground Man contradict their own selves. While the underground character preaches his contempt for civilization—the ‘aboveground’—and the people within it, he constantly displays a deep-seeded longing to be a part of it. Both characters believe in a strong ideal that challenges that of the city’s, an ideal that is personified in the character of the prostitute. He constantly attempts to seek out revenge, but the concept of revenge, paired with the underground character’s actions and inertia, becomes problematic with the underground ideal. The underground character is steeped in contradiction, and how one interprets his actions, or his inactions, is what ultimately determines whether the he is, truly, an underground man.