Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Message of Salinger throughout Catcher in the Rye
Message of Salinger throughout Catcher in the Rye
Characterization of holden caulfield
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Message of Salinger throughout Catcher in the Rye
Holden Caulfield, the protagonist in Catcher in the Rye by J.D. Salinger, is going through a crucial time in his adolescence – his teenage years. Holden often struggles with maturing, although he wants to appear comfortable. Holden drinks and smokes, but struggles with sex. In the same way, Holden uses words such as “bastard” and “ass”, but “fuck you” written on school museum walls cross Holden’s lines. Salinger uses the “fuck you” graffiti to express Holden’s difficulty with the inevitability of growing up and the loss of youth and innocence. Holden is inside of his school, on the way to deliver a note to his sister when he sits down and notices the first “fuck you” written on a wall. “Somebody’d written ‘fuck you’ on the …show more content…
Earlier in the novel, Holden talks about the museum he often visited as a child. “The best thing, though, in that museum was that everything always stayed right where it was… The only thing that would be different would be you,” (Salinger 121). Holden liked the museum because no matter what happened or changed in his own life, the museum would always be exactly the same. It helped him capture his childhood. After Holden left the school, he goes to where the letter told Phoebe to meet him – the museum. He sits next to a tomb, and feels “so nice and peaceful,” (Salinger 204). Then, he sees another “fuck you”. “It was written with a red crayon,” (Salinger 204). Salinger uses the crayon, a writing utensil mainly used by children, to show the reader that the “fuck you” was most likely written by a child. Here, Salinger implements irony into his writing, because Holden is trying so hard to save the children from this evil, when the children themselves are causing it. This further enhances Salinger’s point of Holden using children as an excuse for preserving his own innocence, which goes on to show Holden’s difficulty with loosing
... has to go away. He runs to Phoebe’s school to leave her a note to meet him. While he’s waiting he notices “Fuck you” (201) on the wall. “It drove me damn near crazy,” he thought. Holden sees Phoebe with her suitcase as she tells him, “I’m going with you. Can I? Okay?” (206) Holden’s response was “No. Shut up”. Phoebe got angry and didn’t let up until Holden agreed that he wouldn’t leave. She went on the carrousel in the park and while she was going around and around, Holden felt so happy that, “[he] was damn near bawling”. (213)
Holden, before leaving for New York, attended a boarding school named Pencey Prep. He makes it clear that he thinks everyone, teachers and students alike, is a “phony.” At one point, his roommate Stradlater goes out with a girl who ends up being Jane Gallagher, a childhood friend and crush of Holden. In his eyes, this is a betrayal. Holden is annoyed
Strauch, Carl F. “Kings in the Back Row: Meaning through Structure-A Reading of Salinger's `The Catcher in the Rye’.” Wisconsin Studies in Contemporary Literature. Winter, (1961). 5-30. Literature Resource Center. New York Public Library. Web. 24 April 2008.
Holden Caulfield has failed out of three other prep schools before his parents enroll him at Prencey. The first chapter takes place during the last days of Holden’s first term at Prencey. He has failed four of his five classes, and because of this, he has been asked to not return for the next term. The headmaster has already verbally informed Holden, and is writing a letter to his parents to inform them. Since there is nothing left for Holden at Prencey, he decides to leave the school before the official end of the term. He goes to New York to relax until his parents expect him home for the mid term break. Holden’s experiences during this long weekend lead him to some sort of mental hospitalization. At the end of the novel, Holden is in the hospital recovering and is somewhat optimistic about attending a new school.
After spending some time at Mr. Spencer, his history teacher's house and getting lectured regarding his poor efforts in school, Holden fabricates a story to leave his teacher’s house without seeming rude. On his way to his dormitory at Pencey, Holden claims that he is an exceptional liar, and would lie even about the most insignificant facts, such as where he is going. He then goes into detail about whom his dormitory is named after, and how much of a phony the man is.
Throughout the whole novel Holden has always been in denial of everything. As stated by Freud, denial is the “Refusal to recognize a threatening impulse or desire” (Sigmund Freud). When he visited his ten year old sister Phoebe, she was trying to communicate with Holden but she was nervous that it would displease him. She stated “Because you don't. You don’t like schools. You don't like a million things. You don't…Why the hell do you have to say that?” I said. Boy was depressing me” (Salinger 169). Even though Holden is very fond of Phoebe he didn't bother to listen to what she had to say, this demonstrates that Holden is very in denial because he got very upset when Phoebe said that he dislikes everything. Which furthers shows how he is unable to recognize that what Phoebe is
Not just for Phoebe, but also for those people who cared for him. He mentions that "[he] could probably tell you what [he] did after [he] went home, and how [he] got sick and all, and what school [he’s] supposed to go to next fall, after [he gets] out of here, but [he doesn’t] feel like it." (213) The phrases “sick and all” and “after I get out of here” represents that Holden had gone to the hospital to receive physiological treatment. The phrase “what school [he’s supposed to go” also represents that Holden is applying himself for his future just like how his teacher wanted him to. Although Holden “[doesn’t] feel like it,” he is going to try so that he becomes a worthy person for not just Phoebe but also the people that he cares about.
Holden's brother died when he was growing up and throughout his life he has always been getting kicked out of school. Later, he then goes to New York for a couple of days so that he doesn't have to go home early and explain to his parents that he got kicked out. He then goes to his sister Phoebe's school to give her a letter and finds something inappropriate written on the wall and scrubs it out. At the end of the book, Holden and his sister Phoebe go to the carousel.
Salinger, J. D.. The Catcher in the Rye. [1st ed. Boston: Little, Brown, 19511945. Print.
Salerno, Shane, dir. Salinger. American Masters. PBS, 3 Sept. 2013. Web. 6 Mar. 2014. .
that he is trying to hide his true identity. He does not want people to know who he really is or that he was kicked out of his fourth school. Holden is always using fake names and tries speaking in a tone to persuade someone to think a cretin way. He does this when he talks to women. While he is talking to the psychiatrist he explains peoples reactions to his lies like they really believe him, when it is very possible that he is a horrible liar and they are looking at him with a “what are you talking a bout?” expression. Holden often lies to the point where he is lying to him self.
Holden shows a particular liking towards children over adults. He values the innocence and authenticity of children and he tries to protect them from the phoniness and evil of the world. When he goes back to his old school at the end of the novel to give a note to Phoebe, he sees an obscenity on the wall that infuriates him. He says, "Somebody'd written `F*** you' on the wall. It drove me near damn crazy. I thought how Phoebe and all the other little kids would see it, and then finally some dirty kid would tell them-all cockeyed, about it and maybe even worry about it for a couple of days. I kept wanting to kill whoever'd written it" (201). When Holden's sister Phoebe demands that he tell her one thing that he really likes, Holden's responds saying, "I like Allie...And I like doing what I'm doing right now. Sitting here with you, and talking and thinking about stuff..." (171), showing that he's most content in the simple and innocent world of his childhood.
Holden tries to preserve his own innocence, and the innocence of others by not letting go of childhood memories and through his desire to suspend time. Holden views the adult world as corrupt and full of phonies. He admires childhood because of how it is free of corruption, and untouched by the adult world. IN order to preserve his own innocence Holden often attaches himself to childhood memories. The Museum of NAtural History is one of Holden’s favourite places . He mentions that his grade one teacher Miss. Aigletinger used to take his class there every saturday. While writing about the museum he says, “The best thing, in that museum was that everything always stayed right where it was” (121). This shows how Holden wants to preserve his innocence because he expresses how he likes how everything stayed the
J.D. Salinger recently pasted away at the age of 91. With his passing, several people speculate he left behind a treasure of completed novels and short stories involving their beloved characters. A person with a gift of writing that Salinger processed would not give up writing even though he stop publishing his stories. Salinger used writing as a way of expressing his ideas and feelings. Also he took his life experiences and inserted them into his stories making them entertaining for the readers but at at the same time provided a glimpse into what he experienced. Possibly with the discovery of new stories , Salinger's fans can get a greater understanding of his life because as he stated in a interview, “It's all in the books, all you have to do is read them.”
Born on January 1, 1919, Jerome David Salinger was to become one of America’s greatest contemporary authors. In 1938 Salinger briefly attended Ursinus College in Pennsylvania where he wrote a column, "Skipped Diploma," which featured movie reviews for his college newspaper. Salinger made his writing debut when he published his first short story, "The Young Folks," in Whit Burnett’s Story magazine (French, xiii). He was paid only twenty-five dollars. In 1939, at the age of 20, Salinger had not acquired any readers. He later enrolled in a creative writing class at Columbia University. Salinger was very much interested in becoming an actor and a playwright, which was quite odd because he would later in life become a recluse (Wenke, 3). Salinger adjusted his writing style to fit the literary marketplace. He was writing for money and began writing for magazines like Good Housekeeping and Mademoiselle. Many of Salinger’s characters have unique character traits. "Salinger presents a number of stories that consider characters who become involved in degrading, often phony social contexts," states a major critic (Wenke, 7). These characters are often young and have experienced a lot of emotional turmoil. They have been rejected by society and mainly categorized as "misfits." This alienation of the personality is often viewed as a sign of weakness by society when in fact the outcasts ultimately gain strength from their experiences as shown in Nine Stories, The Catcher in the Rye, and Franny and Zooey. Salinger is telling a tale of the human condition in its reality through his novels. Nine Stories is a collection of short stories of people who are uncertain of the next path to take in life. They are lonely, needy, and searching for love. One of these stories, "A Perfect Day for Bananafish," is the story of a young couple who try to understand their life together and the true meaning of love. Seymour Glass has just been released from the Army Hospital and he is unable to adjust to life with his "crass wife Muriel amidst the lavish and vulgar atmosphere of their post-war second honeymoon" (Gwynn & Blotner, 19). It has often been called "the loveless tunnel of love." Salinger portrays Muriel in the first part of the story as superficial. ...