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Now and then character analysis
123 essays on character analysis
123 essays on character analysis
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“For I hate the Moor, and it is thought abroad, that ‘twixt my sheets, he has done my office: I know not if ‘t be true.” “In “Othello” by William Shakespeare, Iago represents the evil that is evident in everyday life and the difficulty to tell what is really true. Iago is motivated because of his hatred for the Moor, Othello. So, he builds trust with several characters to take him down, and the reader watches his plan executed almost flawlessly.
Iago’s desire for revenge was hardly justified. He did aspire to be the lieutenant and was expecting it. He tells Roderigo that he deserves the position, “I know my price, I am worth no worse a place.” He also has fought with Othello for 8 years and had built a strong friendship. Although Iago feels
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First, his trust with Othello, which is already a strong bond after fighting with him for 8 years, builds when he tells Othello what happened between Cassio and Montano: as Othello notes that “Iago is most honest.” After this, Othello is obligated to trust Iago when he alerts him of the possible affair with Desdemona and Cassio, asking him, “Is ‘t possible my lord?” He also gains trust with Cassio after he got him drunk. Iago gives him good advice to speak with Desdemona, who would speak highly of him to Othello. He tells Cassio to “confess yourself freely to her, importune her help to put you in your place again.” However, Iago plans to use this against Cassio to give the appearance of an affair. Roderigo is the last victim of Iago’s deceit. Although Iago pledges to help Roderigo get noticed by Desdemona, he simply steals the valuable jewelry, and Desdemona gets nothing. Eventually, Iago persuades Roderigo to kill Cassio with very little evidence as Roderigo states that he “has no great devotion to the deed; and yet he hath given me satisfying reason.” The credibility Iago built with each of the characters had the intent to destroy for revenge. Although Iago seems to be doing the best for his friends, he is double sided and intends to …show more content…
Following Cassio leaving the party drunk, he randomly treaded upon Roderigo and began to fight him. He then returned to the party and stabbed Montano after he told him, “come come, you 're drunk.” All of this was done in front of Othello, who then fires him, telling him that “I love thee, but never an officer of mine.” Iago was fortunate that Cassio couldn 't handle a drink and that he didn’t walk out unbothered. Next, when Othello was demanding proof that his wife was having an affair with Cassio, his wife found Desdemona’s handkerchief and gave it to Iago, telling him that Desdemona “let it drop by negligence and, to th’ advantage, I being here, took ‘t up. Look here it is.” Once again, Iago is fortunate that Emila finds it and gives it to him without asking too many questions. Lastly, when Othello is beginning to believe Iago about the affair, Iago gets Othello to hide and listen to the conversation between him and Cassio talking about Desdemona. However, Iago asks about his mistress, Bianca, and Othello does not hear it. Then, Iago lucks out again when Bianca enters with Desdemona’s handkerchief and throws it at Cassio, asking “what did you mean by that same handkerchief you gave me even now? I was a fine fool to take it.” This solidifies that Desdemona is indeed having an affair in Othello’s mind. So, with several strokes of luck, Iago now holds lots of power and
Iago has been regarded as : “Shakespeare’s greatest villain”; shown by his ability to be both admired and despised for his manipulative and obsessive nature towards Othello and his relationship with Desdemona. In Act One, Iago can be seen to be admired for his work within the Venetian army and his want to warn Brabantio about the ‘evil’ Othello’s plans to ‘bewitch’ young Desdemona: “The Moor is of a free and open nature, That thinks men honest that but seem to be so....” Here, Iago is speaking within a soliloquy and is warning the audience that Othello has cruel intentions. Within the Jacobean era, the time of which the play was performed, attitudes towards black people were very negative and therefore, a white man would play the character
Iago elaborates a master plan to get Cassio position as a lieutenant. Iago get Cassio drunk so he could fight Roderigo. Othello then discharge Cassio from the lieutenant position when he says, How must poor Cassio have felt? To lose all he had worked for, working up his reputation that any half-hearted human can tell he earned and deserved. Iago know that Othello who ask him about the deed because of he fame of being a honest man. Iago tell Othello about the deed winning his trust that is when Iago starts to crab Othello by his weak point his Love for Desdemona.
Iago wanted Othello’s position and used others to shame Othello and gain stature. Iago dressed himself up a trustworthy man and worked his way into Othello’s trust with tricks and lies. He wore a very convincing mask; often temporarily defending the person he was trying to ruin to further his honest visage. He says to Othello, “Men should be what they seem…” (3.3.127) through these methods, Iago convinces Othello that Cassio, an officer, was having an affair with Othello’s beautiful wife Desdemona. As a vicious result, Othello is driven mad with anger and sadness and throttles Desdemona in their bed. The death and want left by Iago’s deception is vast hurting everyone involved most frequently on a mortal level. When the truth finally comes out, Othello, in his grief and remorse, ends up stabbing himself with a dagger. In the end, many die due to Iago’s deception, through villainy or despair, and none gain what they truly want because of it. This just goes to show that the mask of deception that a man wears can cause an unbelievable amount of harm, bodily and worse,
In Shakespeare’s Othello, Iago is the antagonist and villain who causes all the trouble and disorder. Othello is the protagonist, and is the main person Iago’s destruction and revenge is aimed towards. Othello is naïve and gives everybody his trust even though he may not know them or they haven’t earned his trust yet. He often refers to Iago has “Honest” Iago, which is a direct showing of irony because Iago is not honest at all (Shakespeare, I, iii. 289). Iago is so angry that Othello didn’t give him the promotion that was given to Cassio that he plans to seek revenge against Othello. He seeks his revenge against Othello by manipulating and lying to all of the people around him including his closest friend Roderigo, Cassio, Othello’s wife Desdemona and even his own wife Emilia. In the end, Iago’s lies and manipulation led to the deaths of Roderigo, Emilia, Othello and Desdemona. This isn’t the first time many of these individual characteristics have shown up in one of Shakespeare’s plays.
As early as the first scene of the play Iago shows us strong motives for his actions. In this first scene we see Othello, a general of Venice, has made Cassio his new lieutant. Iago feels he truly deserves his promotion as he says "I know my price, I am worth more no worse a place."(l.i.12) Iago over here is confused why Othello has made such a stupid decision. Iago is a man with a tremendous ego who knows, sometimes overestimates, his worth. Roderigo, a Venetian gentleman, understands Iago when Iago said that he is "affined to love the Moor."(l.i.41-42) What Iago really means is "I follow him to serve my term upon him."(l.i.45) Iago wants to use Othello for his personal goals. We also must put ourselves into Iago's shoes. He is a man whose self-esteem and professional carrier have just been torn apart. Iago makes his actions of revenge toward Othello almost immediately by informing Brabantio, a Venetian senator and father of Desdemona, that "an old black ram (Othello) is tupping (his) white ewe (Desdemona)."(l.i.97)
Shakespearian tales always leave us with a plethora to ponder about the Elizabethan age and Shakespeare himself. “Othello” is no break in this mold, leaving us to ponder the roll of Iago within the harsh tale of love and murder. Iago is the one to tell Othello of his wife’s betrayal with Cassio, hence making up a story that will work to his favor yet betray those around him. Iago betrays his wife, Emilia, but not only her as he drags Othello, Desdemona, and Cassio into the mix of lies and the hatred he is spreading to improve his rank with Othello. But were Iago’s acts unjust and done for the sake of it? Is he a heartless man who’s only happiness is to bring sorrow upon others? No, Iago has a just reason for what he does, even though he causes the deaths of Cassio, Emilia, and Desdemona in his search for revenge; Iago is not a heartless fiend, just a man wronged.
The situation above leaves an opening for Iago to fulfill his vital plan to bring down Othello through Desdemona. Cassio was a mental wreck and told Iago that his reputation was ruined. Iago told him that he can get his rank back through Desdemona and get back on Othello's good side. "Confess yourself freely to her, importune her help to put you in your place again (p. 54)." Once Cassio talks to Desdemona, Iago will speak with Othello and get him to think of his wife's trust. In Act three Scene three Iago is speaking to Othello and warns him to look out for Cassio and Desdemona. Othello asks Iago if it was just Cassio that left from speaking with his wife.
Implicitly targeting Othello’s doubts about marrying Desdemona and insecurities about her actions with infidelity, Iago eventually impacts Othello enough that the General himself confides in Iago about his own wife. Earlier in the play, ‘honest Iago’ needs to first gain Othello’s confidence and he does so by expressing his loyalty to Cassio, “I had rather have this tongue cut from my mouth/ Than it should do offence to Michael Cassio”, while Othello is present in a conflict (2.3. 203-204). Then, later in the play Iago baits Othello by suggesting that Desdemona and Cassio are having an affair. Immediately, Othello wants more information; however, Iago nervously responds with, “…vicious in my guess-/ As I confess…” and tries to calm Othello by saying, “My noble lord-” (3.3 46-47, 93). When voicing his devotion to Cassio, Iago immediately begins to play on his false reputation as ‘honest Iago’. He enables Othello, and his fellow characters, to think highly of him and to respect that even when his partner, Cassio, has not been following orders, Iago would even endure physical pain and have his “tongue cut from [his] mouth” and proves his locality (2.3. 203). This leads to when Iago responds to Othello’s queries, about
Iago is a powerful predator who exploits those around him by infecting their perceptions of truth with carefully chosen fallacy. His skill in finding the proverbial chinks in others' armor allows him to skillfully weave his machinations of destroying Othello into their minds and actions; by manipulating character's perceptions of Desdemona, Iago gains the leverage he needs to exploit each character. No one is impervious to Iago's seething purpose; even Othello falls prey to Iago's suggestions and insinuations about Desdemona. Iago's constant presence as the stager, as well as his ceaseless - but subtle - reinforcement of events through narration, allows him to be the pivotal force that directs Shakespeare's Othello.
One person Iago deceives is Roderigo. Throughout the play, Iago tells him that he hates Othello and that Roderigo should make some money so he could give gifts to Desdemona, who he admires from afar. Thinking that this is sound advice, Roderigo does just that. However, Iago is actually keeping the gifts that Roderigo plans to give Desdemona for himself. Eventually, Roderigo begins to catch on to the act and confronts Iago, but he falls right into Iago’s trap again when he tells him that killing Cassio will help him win over Desdemona. Roderigo is then lead to his death by the hands of "Honest Iago."
Iago is one of the most complex characters in William Shakespeare’s Othello. To most of the characters, he is “Honest Iago” (Shakespeare, 5.2.73). however, the audience knows that Iago is the furthest thing from honest. Iago is a devil bent on destroying the lives of everyone around him. At the beginning of the play, the audience learns that Iago is determined to ruin Othello’s marriage to Desdemona. He has appointed a new lieutenant, Michael Cassio. This angers Iago because he feels that he has much more military experience and should be the lieutenant. Iago has also heard rumours that both Othello and Cassio have slept with his wife Emilia. He concocts a malicious plan to ruin the lives of all who have wronged him, and consequently establishing
“I am not what I am,” proclaims one of Shakespeare’s darkest and most enigmatic villains, Iago, in the tragedy Othello. Iago’s journey for revenge enables him to become capable of immoral acts, and whilst his malevolence excites us, we are no more intrigued by his attributes than we are of the play’s tragic hero, Othellos’. Rather, both characters’ confrontation with jealousy and their subsequent moral demise as a result of failing to control such an emotion provides the true excitement for audiences. Iago’s spiteful manipulation of Othello makes him a multifaceted character — whose corrupt attributes make the audience examine their own morality. However, the same can be said of Othello; his failure to withstand Iago’s ‘pouring of pestilence’
He is greedy for power and jealous of Cassio for being promoted above. him, and will do anything to stop Othello and Cassio. In Act 1 Scene 1, Iago starts to manipulate Othello straight away. Iago speaks to Roderigo about how he despises Othello and wants revenge. I will be a sailor.
Iago's manipulative nature has a profound effect on the decisions made by other characters in Shakespeare's ‘Othello’. Through his relations with those around him Shakespear characterizes him as a man full of malice, vengeance and dishonesty that is wholly inspired by jealousy. Furthermore it would appear that Iago has an exceptional ability to scheme, a talent which he uses to snake his way into the lives of others and exploit them through their weaknesses. Whether he does this for profit or for pleasure is a separate issue.
In Shakespeare’s play Othello there is a main character named Iago. In this play, Iago is the instigator. From the very beginning the readers can see that he is single minded and determined. Iago portrays an act of being persuasive and helpful to the other characters in the play, yet as the audience we see his hatred, selfishness, and jealousy. He succeeds in fooling the other characters with his “loyalty” and “honesty” and this is what makes him one of Shakespeare’s greatest villains.