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Black power movement in usa
Black power movement and the fight for civil rights
Black power movement in usa
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inundated with this idea of what “good hair” is, to the point that it seemed natural to force that same ideal upon me.
For India Arie, writing these songs during this time period, was extremely paramount. By going against the norm, she put out music that encouraged women to love who they are naturally, and understand that they do not have to fit societal beauty standards in order to be considered beautiful. In I Am Not My Hair, hair becomes a signifier of Blackness, that India looks to step away from. Hair, has always been a focal point of Black culture, and plays a role in shaping our identities, but India wants to argue the contrary. We are not bound by these material characteristics, instead we are so much more.
In contrast to this, Nina
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She used her music to speak out on the injustices that she saw black people face as a community. Eventually, within her music career there would be a shift in the use of her music for individual gain to community advancement, which signaled her deliberate entrance into the movement . As she became more politicized in her musical career, she made sure that she reflected this change on an aesthetic level as well. She replaced her wigs with Afros and wore African garb during her performances . She explicitly made it clear with whom her alliance lied. One of the prevalent arguments around Nina Simone, is that her involvement in the Civil Rights and Black Power movement, ultimately led to the decline and eventual end of her career. During her career, after aligning with both movements, would make controversial statements during her performances. These statements such as, “certain songs [are] for all you black folk out there” was seen as controversial considering the fact that the majority of her audience was white . As she began to fully embrace her blackness and advocate for the black community, she was also at the same time creating distance between herself and the white community that used to regularly consume her
Alice Walker’s short creative nonfiction, Dreads uses imagery to convey her narrative about a hairstyle that was inspired by singer, Bob Marley. Dreads are defined as a “hairstyle in which the hair is washed, but not combed, and twisted while wet into braids or ringlets hanging down on all sides”, according to howtogetdreads.com. Imagery was chosen for this paper by the depth of Walker’s illustration of beauty that natural hair has that might seem to be abonnement or not professional by society standards. This reading sparks interests just by the title a lone. That people have mixed feeling about dreads, some might see it as being spiritual; or as a political statement. However, Walker loves the way her natural hair is supposed to form without
Josephine Baker was an exceptional woman who never depended on a man. She never hesitated to leave a man when she felt good and ready. In her lifetime she accomplished many great things. She adopted 12 children, served France during World War II, and was an honorable correspondent for the French Resistance. She fought against fascism in Europe during World War II and racism in the United States. She grew up poor and left home at an early age and worked her way onto the stage. Baker was more popular in France than in the states. Audiences in America were racist towards Baker and that’s when she vowed she wouldn’t perform in a place that wasn’t integrated.
This was something she grew up with and was used to, she was used to being discriminated against because of her skin color. When she was 16 she dropped out of school to take care of her ill grandmother. She then learned how to type and took on sewing, where she later took her skills and became a seamstress and housekeeper to take care of her family. Also she and her husband was a member of the NAACP.
In the recent past year or two, a woman’s natural hair has become a big thing. Before, African American women, to be specific, were so disgusted by their hair. They would do anything in their power to change the “nappy” aspect of their hair to “beautiful”. They would use relaxers very so often and hot combs.
According to Ruth Feldstein “Nina Simone recast black activism in the 1960’s.” Feldstein goes on to say that “Simone was known to have supported the struggle for black freedom in the United States much earlier, and in a more outspoken manner around the world than many other African American entertainers.” Her family ties to the south, her unique talent, her ability to travel and make money are similar to the Blues women movement that preceded her. It can be said that Nina Simone goes a step further the by directly attacking inequities pertaining to race and gender in her music. However, what distinguishes her is her unique musicianship and that is what ultimately garners her massive exposure and experiences over those of her past contemporaries.
As it opens with imagery reminiscent of the aftermath of Hurricane Katrina in New Orleans, an event that devastated the black communities in the areas affected. The delayed assistance in New Orleans by the U.S. government stirred some controversy that led many to question how much America really cares about its black communities. Nonetheless, Beyoncé’s video is full of imagery that is associated with black culture, including historical references to black communities in the south. But what is really important about “Formation” are the lyrics. With lyrics like “My daddy Alabama, Momma Louisiana, You mix that negro with that Creole make a Texas Bama” and “I like my baby hair with baby hair and afros, I like my negro nose with Jackson Five nostrils,” Beyoncé is undoubtedly declaring her pride for her blackness as well as defending her child Blue Ivy who has always been scrutinized for the way her hair looked. Thus, this song is obviously geared toward the Black community which is obvious due to the lyrics and the imagery in the music video. To put it plainly, this song is a proclamation of Black pride and shouldn’t be thought of in any other way. However, after performing it at the Super Bowl people of other ethnicities became aware of the song and became offended by her performance as well as the lyrics. Controversy arose as people pointed out her backup dancers were dressed similarly to the Black Panther
She admires the African American history, the art of African American hairstyles, and she has even attended one of the top HBCUs (Historically Black Colleges and Universities) in the country. While that has not given her the “rite of passage” to blackness, it has made her the laughing stock as she is being ridiculed by the media for wanting to be something she is not. The question still remains why that is the case. There are millions of people that do anything in their power to pass off as a different race in order to obtain the job or mate they desire. Although the extremes typically go viral on sites like Youtube and Instagram, it never really makes the news. Why is this one story in particular getting so much coverage? The only reason that comes to mind when trying to answer that question is the fact that someone is actually giving up the privileges that come with being white and trading it in for all the hardships that come with being black. More often than not, when Blacks make the news, it’s usually to report rapes, murders, kidnappers, robberies, shootings, riots, and wrongful killings of the youth by police officers and terrorists. If it’s not regarding that, it’s about the U.S. education system that continues to welcome the achievement gap between white children with a high
Not only did Davis serve as an architype for upcoming musicians, he exposed his audience to the realities of an oppressed American by way of his music. Growing up he had to work harder than his white peers to get the same chance, and he took note of this. According to the book, Miles Davis: the definitive biography, Davis commented on using injustice as his motivation, “It made me so mad that I made up my mind to outdo anybody white on my horn. If I hadn’t met that prejudice, I probably wouldn’t have had as much drive in my work” (Carr 6). Injustice made a profound influence on Miles. During the civil rights movement Miles Davis became a voice for the black community. Because of Davis’s initiative to deliver music that would bring strength and truth to the African American community, jazz music had become a symbol of power and strength instead of “black music.” In a book by Ingrid Monson she speaks about the relationship between the civil rights movement and jazz: “the defiance and resistance of jazz musicians has often been confused with romanticized politics of style that views music’s relationship to the civil rights struggle as mostly symbolic. Here the defiant attitude of musicians…has been viewed as the heart and soul of the relationship between music and politics” (Monson 56-57). Miles Davis was a manifestation of the
In African American culture we take pride in our hair, especially African American women. Due to the fact that the quality of your hair and your hair style pretty much represents you as a person, hair is taken very seriously. For example, in the song “Don’t touch my hair” Solange says “Don’t touch what’s there when it’s the feelings I wear.” What she means is don’t play or mess with her hair because in doing that you are playing around with or messing with her feelings. I believe she is implying hair is an imperative part of her culture which is black culture. Solange also says “Don 't touch my soul when it 's the rhythm I know. Don 't touch my crown they say the vision I 've found don 't touch what 's there when it 's the feelings I wear.” Solange subtly but heavily implies that a black woman’s hair is a form of an extension her being and also a declaration of her Black pride. Her hair is not for the judging, sideshow or entertaining of white people. When Solange says
Don’t touch my hair: this should be a sentiment simple enough to understand. However, for many black women this establishment of boundaries can be broken repeatedly and without any regard for personal space. Solange Knowles’ song “Don’t Touch My Hair” and accompanying music video takes this declaration of self and creates an anthem for the empowerment of black women and dismissal of microagressions, white beauty standards, jealousy and appropriation. Her lyrics emphasize the emotional connection that black women have to their hair. But, beyond this pride is an act of self-love militant and radical against white standards of beauty; or is this self-love subscribing to the notion that black women’s hair is an object detached from their personhood- objectifying themselves to other’s gazes and not subverting them? In order to answer this question, theories from Helen
Angela Davis became an icon I could appreciate for in her I saw the drive of a warrior and the fierceness of a lady who would not give in and give up in the face of racism and sexism. Her Afro was the very essence of defiance, instead of bending towards the will of a Eurocentric ideal beauty, she instead adorned the Afro to show how blackness was beauty and how the very things which were used to degrade black people--the nappy hair--could be used to symbolize beauty. Angela Davis symbolized the alternate vision for bl...
" This brings us to ‘Good Hair’, a 2009 documentary by Chris Rock that examines what the ongoing pursuit of ‘good’ hair says about African-American cultural identity and the hair-care industry. It investigated and revealed why black people across the ages have subjected themselves to sometimes dangerous, often painful practices in the pursuit of beautiful hair. It also looks into the dangers of many common hair-straightening treatments and reveals the alarmingly high cost of having ‘good’ hair. The social and psychological aspect of hair was delved in by the authors of Hair Story (2010), Tharps and Byrd note, since the beginning of African civilizations "hairstyles have been used to indicate a person's marital status, age, religion, ethnic identity, wealth, and rank within the community..... ...
“It’s my hair.” Says a growing and distinctly baritone chorus from all over the U.S.” and I can do what I want with it.” Thus in this age of revolt, springs one more rebellion-this one against the close-trimmed male haircut.
Almost 250 years of slavery and anti-blackness within the United States has created a divide in what type of hair is acceptable. According to Cynthia L. Robinson, “Black hair texture is graded” (Robinson 2011). Precisely, this means that a Black woman has either good hair or bad hair. Good hair has a resemblance of European hair texture, meaning straight and wavy curls. Good hair also diminishes the look of African ancestry. Bad is the complete opposite. The texture is kinky, coiled, and thick, giving the appearance of short hair (Robinson 2011). Hair that bears a resemblance to Eurocentric beauty standards is more beautiful and makes the individual with that hair type more beautiful as well (Robinson
Curly Hair: how to care for and style your Almost every woman will find fault in it. Especially in the hair: it's too curly, too straight, too thick, too soft. But for every problem, you can find a solution. For most women, who by naturally curly hair, this is a real problem. For several reasons: • 99% curly hair, dry hair. And with a hair dryer, a broken clamp. • They react to moisture. • Treatment is not appropriate, like a woman with curly hair in Dandelion. If you do not know how to cope with your curly hair, or want to try something new, then read on. How to care for curly hair Beautiful curly hair looks amazing, but they are more volatile than direct. So, here are some tips: The most important thing is how you can Blow Dry less frequently, to prevent hair damage. Try to wash your hair every day because curly hair dry. The more often you wash, ground into the scalp. To comb your hair, use your fingers instead of a brush. In an emergency, comb with a wide toothed comb. Curly hair needs moisture, so choose a shampoo and conditioner designed to moisturize the hair. By the way, one ...