Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Dystopia literary genre
Fiction rhetorical techniques
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Dystopia literary genre
While reading George Saunders’ Short story collection, In Persuasion Nation, it is easy to see that Saunders is using literary fiction with a hint of science fiction to convey a central message in each of his short stories. Saunders offers us a glimpse into a possible sad and scary future. Saunders’ loony characters play a huge role in the final production of a meaningful message. The protagonist is often the most morally sound of the characters, so this gives the reader a closer connection with them. Another factor in determining the way Saunders’ message is conveyed is the ridiculous unpredictableness of the plot. While the reader understands the message it makes it seem less scary or serious when the moral of the story is coated with humor. The use of outlandish story elements show the use of science fiction in his stories, but each story serves an intricate subject and this fundamentally shows Saunders’ rhetorical meaning. In Saunders’ short stories, Jon and My Flamboyant Grandson, the protagonists are well-developed characters that are easily relatable. The way Saunders separates the relation between reader and character is by placing them in the possible future. Because they live in an alternate universe these characters are also somewhat of an unreliable source for information; we cannot truly grasp what is happening in their minds. Saunders characterizes his protagonists as having better morals and a more clear thought process than the supporting characters by the way these characters either think, speak, or act. Saunders’ takes advantage of the fears of the reader by setting his stories in a dystopian environment. Saunders use of the dystopian atmosphere allures the reader because of the American fear of an ... ... middle of paper ... ...the choice for what they want. George Saunders creates a dystopian world in his collection of short stories. The general message is the persuasion of people in an era of consumerism. What’s ironic is that this is a world where most people are not even aware that they are being persuaded, but are happily integrated into the dystopian environment. The setting Saunders gives us is set in America and could be easily applied to our country or any country for that fact. Saunders is highly effective in his use of a dystopian setting, complex characters, and his character’s modest diction to accentuate the problems in today’s materialistic society. Saunders succinctly informs that audience on the issues, but the audience ultimately decides whether or not the issue will be solved. Saunders is only the messenger and the reader is the one who should act on his message.
A lack of communication between parent and child can lead to insufficient development of language skills, limited emotional bonding, and behavioral concerns. In Chaim Potok’s The Chosen Reb Saunders isolates himself from his son Daniel by raising him in silence. Seldom few words pass between them unless they are debating the Talmud. Over time, their lack of verbal expression results in a decline of their vigor and energy and an unloving relationship. Reb Saunders does not make a reasonable decision by raising Danny in silence because it forms a problematic relationship between the two and presents each of them with numerous mental and physical issues.
No matter how they are told or expressed, most dystopian stories have several similar assets. They are usually made to be unique, however there are usually numerous links between them. The book Brave New World and the film “The Island” are prime examples of this statement. A few similarities include the actions of hypnopaedia, forbidden love and affection, and un-natural births.
This itself alludes to America’s extreme response to communism during the Cold War era, under the influence of Senator Joe McCarthy. Similar to the paranoia that characterized the McCarthy era, Orwell’s dystopian society was expected to betray their friends, family and co-workers for the benefit of the state and themselves. This is made explicitly evident during Winston’s visit to the cafe, in which the telescreen sang; “Under the spreading chestnut tree/ I sold you and you sold me…”Foreshadowing Winston’s eventual betrayal of Maria in order to save himself, and his conformity to the party. Furthermore, the notion that “nothing was your own except the few cubic centimetres in your skull” becomes ironic as the novel develops in which the criminalisation of unorthodox ideologies leads to the punishment of “thoughtcrime”, and the eventual “vaporisation” of dissidents. This itself alludes to the ‘great purges’ that took place under the terror that characterized Joseph Stalin’s reign. Likewise, the inherent fear of eccentricity amongst the oppressed citizens of “Airstrip one” is highlighted by the nature of “facecrime” in which the presence of an improper expression or any suggestion of abnormality could be punished. Thus, through Orwell 's effective use of allusion and characterisation, contextual audiences are provided with a didactic warning regarding the nature of a totalitarian reign, in which a “hideous ecstasy of fear” influences society’s
Last but not least, O’Connor confirms that even a short story is a multi-layer compound that on the surface may deter even the most enthusiastic reader, but when handled with more care, it conveys universal truths by means of straightforward or violent situations. She herself wished her message to appeal to the readers who, if careful enough, “(…)will come to see it as something more than an account of a family murdered on the way to Florida.”
In the story Fahrenheit 451, by Ray Bradbury, the dystopian society that Guy Montag lives in can be compared fairly closely to that of the present-day American society. It is because of the many dystopian aspects of American society, that our country is in need of improvement. Just as Guy Montag took a stand against his dystopian lifestyle, we can
Decision making is a big part of the freedom we have as humans and so is being able to express ourselves. This story is considered dystopian because we lose those freedoms, we lose touch with ourselves and most importantly, we are unable to make our own decisions. They are no longer individuals, but a collective
Wood, Karen and Charles. “The Vonnegut Effect: Science Fiction and Beyond.” The Vonnegut Statement. Vol. 5. 1937. 133-57. The GaleGroup. Web. 10 March. 2014.
of how John Steinbeck uses extraordinary circumstances to create appeal and realism to the reader.
George Saunders, a writer with a particular inclination in modern America, carefully depicts the newly-emerged working class of America and its poor living condition in his literary works. By blending fact with fiction, Saunders intentionally chooses to expose the working class’s hardship, which greatly caused by poverty and illiteracy, through a satirical approach to criticize realistic contemporary situations. In his short story “Sea Oak,” the narrator Thomas who works at a strip club and his elder aunt Bernie who works at Drugtown for minimum are the only two contributors to their impoverished family. Thus, this family of six, including two babies, is only capable to afford a ragged house at Sea Oak,
Monsters under the bed, drowning, and property damage are topics many people have nightmares about; nightmares about a dystopian future, on the other hand, are less common. Despite this, Ray Bradbury’s Fahrenheit 451 and George Orwell’s 1984 display a nightmarish vision about a dystopian society in the near future. Fahrenheit 451 tells of Guy Montag’s experience in a society where books have become illegal and the population has become addicted to television. Meanwhile, 1984 deals with Winston Smith’s affairs in Oceania, a state controlled by the totalitarian regime known as the Party. This regime is supposedly headed by a man named Big Brother. By examining the dehumanized settings, as well as the themes of individuality and manipulation, it becomes clear that novels successfully warn of a nightmarish future.
In her essay, Pamela Steinle asserts that The Catcher in the Rye is a mundane novel and is confused as to how it gained a great deal of popularity, both positive and negative. She argues that, “[i]t is this fear of nuclear holocaust,... that I believe is at the
Dystopia represents an artificially created society to where a human population is administered to various types of oppressions, or a human population lives under the order of an oppressive government. The novel Fahrenheit 451 and the film V for Vendetta both effectively display this dystopian concept in their works. The nature of the society, the protagonist who questions the society, and the political power that runs the society are examples of how the novel and the film efficiently capture the main points of a dystopian society. The authors of the novel and the film use their visions of a dystopian future to remark on our present by identifying how today’s society is immensely addicted to technology and how our government has changed over the past decades. Furthermore, the authors use our modern day society to illustrate their view of a dystopia in our
Taking everything into account, a future society, depicted by Bradbury, is alarming and differs much from our one. Such things like feelings, socialising, appreciation and communication are vanishing from their lives. These creatures are changing into dull, hollow zombies. The relationships inside the couples are a burden. Along with, nothing seems worth while. Ray Bradbury’s Fahrenheit 451 is a genius work to make people ponder over the future.
Hooks, Bell. "Narratives of Struggle." Critical Fictions:The Poltics of Imagnitive Writing. N.p.: Dia Center for the Arts, 1991. 53-61. Print.
In an interview with The New Yorker George Saunders described his stories as “making a representation of good and representation of evil and then having those two run at each other at full-speed, like a couple of PeeWee football players.” One of Saunders’ stories published in a 1992 issue of The New Yorker pits a man’s character against the long-time mourning about his deceased wife. Through depictions of this struggle and a very old widow, he explores the profound topic of their integrity and status. In Offloading for Mrs. Schwartz George Saunders satirizes people’s undervaluing of experience and memories and their rejection of identity using the tone of the story and satirical devices such as farce and irony.