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Punishment in modern societies
Punishment in modern societies
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Foucault and Nietzsche challenge the hidden purposes of historians in their search for origins, demonstrating that an accurate understanding of history rectifies one of any beliefs of moral origins. In this paper, I will elaborate what Foucault thinks an accurate understanding of history regarding punishment truly is. I am going to clarify this concept by focusing on the first chapter of Foucault’s book, Discipline and Punish.
Foucault starts out the first chapter, The body of the condemned, by contrasting Damiens gruesome public torture with a detailed schedule of a prison that took place just eighty years later. Foucault is bringing the reader’s attention to the distinct change in punishment put in place in less than a century. It gets the reader to start thinking about the differences between how society used to punish people and the way that we do today. Foucault states that earlier in time the right to punish was directly connected to the authority of the King. Crimes committed during this time were not crimes against the public good, but a personal disrespect to the King himself. The public displays of torture and execution were public affirmations of the King’s authority to rule and to punish. It was after many years when the people subjected to torture suddenly became sympathized, especially if the punishment was too excessive for the crime committed.
As a result, at the end of the 18th Century, Foucault mockingly tells the story of how our society became “humane” and the public cried out for punishment without torture. When the invention of prisons came about, most people chose to forget the disappearance of public executions. Foucault states: “Today we are rather inclined to ignore it: perhaps in its time, it gave r...
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...d essential at the moment of birth. “The origin always precedes the Fall. It comes before the body, before the world and time; it is associated with the gods, and its story is always sung as a theogony.” (Foucault, Page 79) This quote explains why we like to pin point an ideal origin and dispute the likelihood the idea of evolution.
Ultimately, Foucault has shown that punishment does not have one origin that can be traced down in history but that it is a combination of a never-ending cycle. A few years from now, we will evolve and there will be another level of power in charge that will come along with different rules and punishment. We will look back and be astounded at the way that we punished people, and call that the new barbaric ways of our society. This shows how the change in power is what determines the type of punishment we enforce and not by our morals.
Throughout the ages, death penalty has always been a controversial topic and triggered numerous insightful discussion. In Kroll’s Unquiet Death of Robert Harris, the writer employs pathos as an appeal throughout the whole article in order to convince the audiences that death penalty is “something indescribably ugly” and “nakedly barbaric”. While Mencken makes use of ethos and logos and builds his arguments in a more constructive and effective way to prove that death penalty is necessary and should exist in the social system.
In George Orwell’s essay, “A Hanging,” and Michael Lake’s article, “Michael Lake Describes What The Executioner Actually Faces,” a hardened truth about capital punishment is exposed through influence drawn from both authors’ firsthand encounters with government- supported execution. After witnessing the execution of Walter James Bolton, Lake describes leaving with a lingering, “sense of loss and corruption that [he has] never quite shed” (Lake. Paragraph 16). Lake’s use of this line as a conclusion to his article solidifies the article’s tone regarding the mental turmoil that capital execution can have on those involved. Likewise, Orwell describes a disturbed state of mind present even in the moments leading up to the execution, where the thought, “oh, kill him quickly, get it over, stop that abominable noise!” crossed his mind (Orwell.
In “Bring Back Flogging,” Jeff Jacoby, a journalist, argues why the current criminal justice system in America is not effective or successful. As a solution, he suggests that America should bring back the old fashioned form of punishment, flogging, once used by the Puritans as an alternative to imprisonment (198). This article originally appeared in the op-ed section of the Boston Globe. Therefore, the primary audience of this article is people who want to read arguments about controversial topics and have probably read some of Jacoby’s other articles. His argument that the current criminal justice system is not working is extremely convincing. He appeals to pathos and uses statistics to prove that thesis and to persuade the audience. However, he provides no reason why corporal punishment is the best alternative to imprisonment and never offers any other options. Additionally, he does not make an effort to explain why corporal punishment would be more effective or successful than imprisonment. Thus, in “Bring Back Flogging,” Jeff Jacoby successfully informs his audience of the dangers and problems with imprisonment by using verbal irony, appealing to the emotion of pity, incorporating logical
Randa, Laura E. “Society’s Final Solution: A History and Discussion of the Death Penalty.” (1997). Rpt.in History of the Death Penalty. Ed. Michael H. Reggio. University Press of America, Inc., 1997. 1-6 Print.
Perhaps no other event in modern history has left us so perplexed and dumbfounded than the atrocities committed by Nazi Germany, an entire population was simply robbed of their existence. In “Our Secret,” Susan Griffin tries to explain what could possibly lead an individual to execute such inhumane acts to a large group of people. She delves into Heinrich Himmler’s life and investigates all the events leading up to him joining the Nazi party. In“Panopticism,” Michel Foucault argues that modern society has been shaped by disciplinary mechanisms deriving from the plague as well as Jeremy Bentham’s Panopticon, a structure with a tower in the middle meant for surveillance. Susan Griffin tries to explain what happened in Germany through Himmler’s childhood while Foucault better explains these events by describing how society as a whole operates.
The theory of Panopticon by Foucault can be applied in this poem. According to Foucault, there is a cultural shift from the old traditional discipline of inmates to a European disciplinary system (314). In this new disciplinary model, the prisoners always assume that they are under constant watch by the guards and they start policing themselves. Panopticon is the process of inducing inmates to a state of conscious and ...
Shakespeare’s The Tempest and Dante’s Inferno both exhibit Foucault’s idea of categorization and subjectification using “dividing practices.” (Rabinow 8) Foucault argued that people can rise to power using discourse, “Discourse has the ability to turn human beings into subjects by placing them into certain categories.” (Rabinow 8) These categories are then defined “according to their level of deviance from the acceptable norm.” (Rabinow 8) Some examples of such categories are the homosexual, the insane, the criminal and the uncivilized. (Rabinow 8). By the above method, called “dividing practices,” people can be manipulated by socially categorizing them and then comparing them to norms. In this way human beings are given both a social and a personal identity (Rabinow 8) and this is how superiority among human beings can be established.
Herbert Morris and Jean Hampton both view punishment as important to a healthy society. However, their views on what kind of role does punishment plays in a healthy society are vastly different. Morris believes that when one commits a crime they “owe a debt to the society and the person they wronged” and, therefore the punishment of that person is retributive, and a right for those who committed this wrong (270). Hampton, on the other hand, believes that punishment is a good for those who have strayed in the path of being morally right. Out of the two views presented, I believe that Hampton view is more plausible, and rightly places punishment as a constructive good that is better suited for society than Morris’s view.
Since he cares little for the affairs of the world, claiming they do not mean anything, then justice—a major concern of the world—also means nothing to him. His actions both before and after his decision to kill a man without provocation demonstrate his apathetic view of the world, and his indifference to justice. Therefore Meursault’s search for justice, culminated by the court’s decision to execute him, remains an example to all of the inability of society to instill justice in criminals. Meursault’s perpetual refusal to acquire a sense of morality and emotion instigates skepticism in all who learn of his story of society’s true ability to instill justice in the
Foucault once stated, “Our society is one not of spectacle, but of surveillance; under the surface of images, one invests” (301). By this, he means that our society is full of constant supervision that is not easily seen nor displayed. In his essay, Panopticism, Foucault goes into detail about the different disciplinary societies and how surveillance has become a big part of our lives today. He explains how the disciplinary mechanisms have dramatically changed in comparison to the middle ages. Foucault analyzes in particular the Panopticon, which was a blueprint of a disciplinary institution. The idea of this institution was for inmates to be seen but not to see. As Foucault put it, “he is the object of information, never a subject in communication”(287). The Panopticon became an evolutionary method for enforcing discipline. Today there are different ways of watching people with constant surveillance and complete control without anyone knowing similar to the idea of the Panopticon.
Is Michel Foucault a historian or not? At the beginning of the analysis on Foucault’s historical analysis, what should be acknowledged is that none of Foucault’s works refer to his previous ones and every work is based upon a new construction of theory and method which shakes the standard norms of history writing and put his methods under suspicion by some historians. On the other hand, many others favor his work; because of Foucault’s specific approach, Gutting calls him as an ‘intellectual artisan’ who was an expert of producing intellectual equivalents of material objects and especially three kinds of them which are history, theory and myth. (Gutting 1996, 3-6) Thomas Flynn answers this question by claiming that Foucault’s all major works are histories of a
Defenders of capital punishment can be separated into two categories. Some are retributivists and follow Immanuel Kant’s theory of retribution. Other defenders are consequentialist and follow John Stewart Mill’s consequentialist approach. Both philosophers unambiguously address the dispute of capital punishment as a moral responsibility in their ethical theories...
...s the prisoners as well as the administration. During his period the rich were able to buy there way into particular incentives such as day passes and visitors. With that type of control some prisoners can gain more power than the guards that oversee them. Lastly, violence is a universal means to gain power. In the case of the white crime in the movie, violence was a means to gain control over a slowly retreating “American” society. Violence with the prison is a mean to impress a level of control over those subjected to its scope. Physically and mentally violence is a means to subdue the prisoner. Foucault explains that although modern guard violence is physical it is a means to control the soul of a man. Life with in prisons is a struggle of balancing the powerful with the powerless. Without one there would be no other and the intricate prison set up would suffer.
This essay will analyze and critique Michel Foucault’s (1984) essay The Use of Pleasure in order to reveal certain internal weaknesses it contains and propose modifications that would strengthen his reading of sexuality as a domain of moral self-formation. In order to do so, it will present a threefold critique of his work. Firstly, it will argue that that his focus on solely the metric of pleasure divorced from its political manifestations underemphasizes state power as a structuring principle of sexuality. Secondly, it will posit that his attention to classical morality privileges written works by male elites and fails to account for the subtexts that would demonstrate other forms of morality. Finally, it will argue that the nature of actors’ resistance to moral codes, explicated through Butler’s concept of iterability and signification, is an important factor that should also be considered. As a result of this critique, this essay
This essay will attempt to look at the above view in depth, to answer the question of what the characteristic of modern punishment is for Durkheim. The essay will then move onto Foucault and his views. I will deal with each view separately, as is not easy to contrast and compare their views because they have a very different outlook on society.