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Essays on religious conflict
After twenty years of literary analysis
After twenty years of literary analysis
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Dear Professor Artless, it has come to my attention that you acknowledged that the plays, books, and short stories that we have read prove no merit in Literature. In your words, you stated that the Literature we have read is “trash, nonsense, stale, trivial, irrelevant, and they add nothing to our understanding of what life is like in Latin America.” I should take offense about your statement, but I am going to do something better. I am going to prove it to you by taking you on a journey and tell you about the story we read in class called Dreaming in Cuba. It tells the story about three generations of Cuban women divided by politics and the revolution of Cuba. We should read more books like Dreaming in Cuba because it takes us beyond our limited experience of life and deepens our understanding of the history of our people, the division of politics, and shifting cultures. Also, it examines some of the major themes such as family relationship, exile, preservation of culture, memory, and creation of identity. The relationships between the Del Pino women are for the most part shattered by any or all the themes above. Prepare to be amazed, Professor Artless.
Dreaming in Cuba is told from many different perspective of the Del Pino family (Celia, Lourdes, Felicia, and Pilar). Pilar, the daughter of Lourdes, represents the embodiment of struggling immigrants as well as struggling in a new country and new cultures in order to develop a new identity. Pilar articulates her identity as trying to bridge the gap between the United States and Cuba. The family’s exile causes Pilar to feel nostalgic for her homeland, therefore, she feels like she needs to recover her family memories and the family she left behind in Cuba. Her nostalgic for Cuba...
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...m my understanding, my class enjoyed reading Dreaming in Cuba because it was relatable because at one point we all faced identity crisis. As well at one point in time our ancestors were exile from their homelands. In my case, my grandmother always reminisces about her childhood in Puerto Rico and sometimes she grows nostalgic and wishes to return. Therefore, students can relate and wonder how did their ancestors adept to their new environments, and if so, did they encounter the same situations like Pilar, Lourdes, or Celia. You said the books in Latin Literature are irrelevant but what you haven’t grasped is that every story is meant to be told and listen and should never be judge otherwise. Take into account that these stories and plays offers students life lesson and not to repeat the past mistakes of history. One last question, were you amazed Professor Artless?
In the novel “Cuban Color in Tourism and La Lucha” the author and anthropologist L. Kaifa Roland describes her journey in Cuba and the different people she encounter with that describe to her the life of a citizen in Cuba. Throughout her stay in Cuba, Roland describes the different situations people go through in Cuba economically and gender wise. She also mainly describes “La Lucha” which in the book is identified as the struggle people face and go through every day in order to get by in Cuba economically. However, the thing that caught my attention the most in the book was how women get mistreated and seen by people differently. Through my paper I am going to be discussing how women in Cuba get discriminated not just by their color or where
In both “Hungry” and “On Being Educated,” Joy Castro uses “academic” prose through her use of emotional, descriptive, and explanatory words and sentences. It is through her experience and lense that she is able to connect such little things to such major historical occurrences and creations. When telling a story, Castro does not leave it at one short explanation, but she furthers the conversation. Instead of simply stating that when she moved in with her birth father she ate lots of food and bought lots of clothes, Castro chooses to say that she was “devouring tuna, wheat bread, peanut butter, putting on weight, putting on the clothes [her father and his wife] bought for [her] in bulk at the outlet store, since [she’d] run away with nothing”
“As long as Latino kills Latino… we’ll always be little people,” stated Ernesto Quinonez. This statement comments on the integration of society within an individual’s identity and it’s long lasting effects. The perception of who we are behind closed doors and who we are in public greatly influences our state of mind and our internal well-being. Throughout Quinonez’s Bodega Dreams, the reader can clearly see how one’s traditional culture and perception of private vs. public image is valued amongst the characters. At times, the reader may notice an internal struggle within multiple characters. The thought of going against what may be considered “normal” can be quite nerve-racking for
Sometimes many similarities can be found between two completely different works of literature. The poem “I am Joaquin'; and the short story “The First Seven Years'; at the same time exhibit both contrasting positions and similar ideals. Even though “I am Joaquin'; is told from Mexican-American perspective while “The First Seven Years'; is told from Jewish-American perspective, similarities are found in both. They tell of the American Dream and of the two mentioned families’ roles and influences as a means of attaining that dream. The roles of the families in these works and each version of the American Dream are based on the same ideals, but involve different methods.
Rather, it criticizes this culture through its portrayal of women. The narrative is focused on a male and is told by a male, which reflects the male-centered society it is set in. However, when we compare how the narrator views these women to who they really are, the discrepancies act as a critique on the Dominican culture. Yunior, who represents the typical Dominican male, sees women as objects, conquests, when in fact their actions show their resistance to be categorized as such. Beli, whose childhood was filled with male domination by Trujillo and the family she worked for, attempts to gain power through sexuality, the avenue the culture pushes women toward. This backfires, creating a critique of the limited opportunities available for women. La Inca portrays a different side to this, working quietly but in ways that are not socially acceptable through self-employment. Society attempts to cage these women, but they continue to fight against it. Diaz, in an interview, quoted James Baldwin, stating, “Not everything that is faced can be changed, but nothing can be changed until it is faced" (Fassler). He exhibits the misogyny in the system but does not support it, rather critiques it through strong female characters. By drawing attention to the problem, the novel advocates for change. Diaz writes, at the end of part 1, “Nothing more exhilarating… than saving yourself by the simple act of waking”
Demetria Martínez’s Mother Tongue is divided into five sections and an epilogue. The first three parts of the text present Mary/ María’s, the narrator, recollection of the time when she was nineteen and met José Luis, a refuge from El Salvador, for the first time. The forth and fifth parts, chronologically, go back to her tragic experience when she was seven years old and then her trip to El Salvador with her son, the fruit of her romance with José Luis, twenty years after she met José Luis. And finally the epilogue consists a letter from José Luis to Mary/ María after her trip to El Salvador. The essay traces the development of Mother Tongue’s principal protagonists, María/ Mary. With a close reading of the text, I argue how the forth chapter, namely the domestic abuse scene, functions as a pivotal point in the Mother Tongue as it helps her to define herself.
This novel is a story of a Chicano family. Sofi, her husband Domingo together with their four daughters – Esperanza, Fe, Caridad, and Loca live in the little town of Tome, New Mexico. The story focuses on the struggles of Sofi, the death of her daughters and the problems of their town. Sofi endures all the hardships and problems that come her way. Her marriage is deteriorating; her daughters are dying one by one. But, she endures it all and comes out stronger and more enlightened than ever. Sofi is a woman that never gives up no matter how poorly life treats her. The author- Ana Castillo mixes religion, super natural occurrences, sex, laughter and heartbreak in this novel. The novel is tragic, with no happy ending but at the same time funny and inspiring. It is full of the victory of the human spirit. The names of Sofi’s first three daughters denote the three major Christian ideals (Hope, Faith and Charity).
of the native tongue is lost , certain holidays may not be celebrated the same , and American born generations feel that they might have lost their identity , making it hard to fit in either cultures . Was is significant about this book is the fact it’s like telling a story to someone about something that happened when they were kid . Anyone can relate because we all have stories from when we were kids . Alvarez presents this method of writing by making it so that it doesn’t feel like it’s a story about Latin Americans , when
Elena Poniatowska escrita durante una epoca de cambio en Mexico. Antes de sus obras las mujeres mexicanas eran sometidos, docil, y pasivo. En la tiempo de sus obras las mujeres estaba tratando salir de los estereotipos de antes. Esta problema social tomo un afecto en Elena. Aunque ella no viene de un movimiento literatura directamente, ella escrita con el concepto de compremetido. En su narrative El Recado ella crea un mujer estereotipical que no puede controlar sus emociones. La titula es eso porque ella viene a ver su amante, pero el no esta, asi ella escribe las cosas que sentia. La perspectiva es de un personaje y ella nunca interacta con otros personajes. En facto la unica descripcion de un personaje otro de la protagonista es de su amante Martin. Habla de otros personajes, pero solamente de sus acciones. Porque ellas es la unica perspectiva que tenemos es sencillo a sentar compasion para una protagonista de quien nombre no aun sabemos. Ella da la descripcion de toda que vea, y mas importante todo que se sienta. Tambien tropos y figuras retoricas dan un tono significante al poema. Estos sentimientos de la portagonista y el tono emocional de la narrativa transporta una tema de una mujer estereotipical y debil quien quiere ser reconocido.
The novel Dreaming in Cuban, written by Cristina Garcia, is a novel following the lives of a Cuban family during La Revolución Cubana. Garcia develops her story in great detail, particularly through the struggles this family faces and how each of them attempts to find their own identity. Although the novel has many characters, Cristina Garcia primarily develops the story through the eyes of Pilar Puente. Even though she is one of the youngest characters, Pilar endures a plethora of struggles with her life and her identity. Her mother, Lourdes Puente, moved the family away to New York in order to shield Pilar from what Lourdes deemed to be an unfavorable past in Cuba. The main source of Pilar’s frustration is her internal conflict between her Cuban heritage and her American identity. This struggle stems from the relationship with her grandmother, Celia del Pino, contrasting with her life in America. Along with her struggle with her Cuban heritage, Pilar Puente has many experiences that shape her self-identity throughout the novel Dreaming in Cuban.
In this story, the reader can see exactly how, many Puerto Ricans feel when living on other grounds. Throughout this time, the boy that Rodriguez presents us realizes he has his culture and that he wants to preserve it as much as he can. “Because I’m Puerto Rican”. I ain’t no American. And I’m not a Yankee flag-waver”
The novel ‘The Brief Wondrous Life of Oscar Wao’, by Junot Diaz gives a very entertaining insight towards many social dynamics that are relevant to Dominican culture, and it fits very well within the scope of the course; and, although it is a work of fiction, this novel is set in New Jersey, and deals specifically with the Dominican Republic experience under the Dominican dictator Rafael Trujillo. From what I’ve learned after reading the first half of this book, there is certainly a lot that can be discussed. Thankfully the book’s versatile portrayal of vivid topics that are seldom discussed shine light upon these many issues that face such an overlooked culture, especially for the American audience.
When they first arrived to the United States their only hopes were that they would have a better life and that there were better special education programs for Maribel to attend at Evers. Alma imagined that the buildings would look a lot nicer than they really were. The family was surprised that they could take things from the street that someone threw out of their house, but were in working condition. When they arrived they didn’t think that you would actually have to learn English to be able to communicate, but after going to stores and interacting with people they learned that they need to learn English if they want to live in America. They hoped that you could be able to afford anything in America by working, but based off of the money Arturo was making they learned that you can’t buy everyth...
Chick critiqued Judith Ortiz Cofer’s Silent Dancing by advising that it is a collection of fourteen essays and poems. It talks about Cofer’s adolescence and how she did not achieve the expectations for her to become a traditional Puerto Rican woman (AEW 381). Initially, Mamá is portrayed as an authority figure because she keeps her family in control just by the use of storytelling. With Chick’s point of view, I cannot disagree since it is accurate. Cofer, also disagrees with becoming the traditional Puerto Rican woman from receiving an education and going on her own path to becoming a writer. It is interesting how some of the characters are perceived, although they are considered as fiction since their identities are hidden. Cofer achieves her storytelling by being half fiction and auto-biography since it is written by herself. She reevaluates how women should be known as, but specifically the means of the life of a Puerto Rican
In 1962, Dr. Martin Luther King, Jr. said his most famous words: "I have a dream. " He was not the only one who felt this way. For many, the 1960s was a decade in which their dreams about America might be fulfilled. For Martin Luther King Jr., this was a dream of a truly equal America; for John F. Kennedy, it was a dream of a young vigorous nation that would put a man on the moon; and for the hippy movement, it was one of love, peace, and freedom.