Analysis Of Constructing Normalcy

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In “Constructing Normalcy,” Lennard J. Davis discusses how the idea of normalcy, the bell curve, and eugenics go hand-in-hand, especially in how only “negative” deviations from normalcy are deemed as a threat to the “purity” of humankind. This concept is inescapable in daily life, even seeping into such widespread cultural phenomenons as the Harry Potter book series, published by J.K. Rowling between 1997 and 2007. In particular, Remus Lupin, a werewolf, and Nymphadora Tonks, a Metamorphmagus, both have magical abilities beyond the norm, and each of their abilities is queer, yet Lupin’s lowers his productivity and is thus a disability while Tonks’ increases her productivity and is therefore normalized. Furthermore, both of these characters …show more content…

Davis’s “Constructing Normalcy: The Bell Curve, the Novel, and the Invention of the Disabled Body in the Nineteenth Century”. Davis’ first point is about how the world “normal” was not applied to humans until the advent of statistics and subsequent eugenics. The text then discusses the eugenecist redefinition of the bell curve “to show the superiority of the desired trait (for example, high intelligence).” This redefinition created “ogives”, which assign a person at the median a value of 0 and a person in the upper quartile a value of 1. This then allowed the normalization of the abnormal, but only for those traits that were desirable in society - high intelligence, height, etc. By turning some deviations from the norm into disabilities while simultaneously making other deviations desireable, and later “normal”, eugenicists essentially redefined the entire concept of normality. Additionally, Davis discusses how, in literature, disabled characters are often used as plot devices and removed from the story when they are no longer useful to the …show more content…

Much of Lupin’s description, even before he reveals his lycanthropy to Harry, focuses on his physical appearance, mental health, and socioeconomic status, all of which his lycanthropy severely impacts. When Lupin first appeared in the series in Harry Potter and the Prisoner of Azkaban, he was “wearing an extremely shabby set of wizard’s robes that had been darned in several places. He looked ill and exhausted. Though quite young, his light brown hair was flecked with gray” (Rowling 74). In this scene, he was sleeping, and his name had not even been revealed yet. He was also on the train to Hogwarts with the students, though no other professor ever rode the Hogwarts Express in the entire series. The first thing we learned about Lupin, therefore, is that he was fundamentally different than other wizards. We were not told why, but his shabby robes, illness, exhaustion, gray hairs at a young age, and riding the Hogwarts Express with students already indicate a low socioeconomic status within the Wizarding world accompanied by some sort of mental or physical

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