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The vibrations on our eardrums make the most interesting sounds. Some vibrations turn into voices, others animal vocals, but the most common is the vibrations of music .Observing our society one can find an individual “plugged” into some form of listening device; be it a cell phone, ipod, or old fashioned listening device. Music plays a large part of every individual's life. Whether it is composed for a movie, audience or transferred through earbuds, music has always been there. But at one point or another each and every one of us has had the urge to listen to instruments with the occasional vocals or vice versa, depending on his or her style of music. Except the process to listen is not how it seems. In Charles W. Moore’s essay “Is Music Piracy Stealing,” he attempts to explain if one downloads a song without paying the composer it is taking away from working an honest living. His argument is valid but because of his limited amount of information on this topic, Moore's essay tends to fade due to poor writing style, weak analogy, and scatter brained content.
Charles W. Moore is a well known contributing editor for Applelink, Low End Mac,
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The Researchers of Butte College have looked into the usage of an analogy and the results aline with Moore’s strategies. When comparing, Researchers discovered, “it is said that all analogies... are useful for illustration only as far as they remain reasonable. Therefore, do not try to stretch an analogy too far... analogies can get out of control unless you know when to stop,”(1) In Charles W. Moore’s case the comparison of GM foodstuffs to copyright laws falls into this category. The explanation of GM foods is elaborated to a point of information overload. Moore started out strong then slowly faded into the facts and science of improvements of GM seeds. Had he remained focused on the law instead of scientific facts his argument would have remained
Barlett and Steele, after arguing a clear case against Monsanto Company’s legal tactics, fail to provide adequate evidence to supplement the testimonies of extra-legal tactics, leaving readers in a position to vindicate Monsanto’s alleged conduct based on its legal aggression. Barlett and Steele’s decision to supplement their arguments with first person narratives from targeted victims added characters to an otherwise sound chronological observation and provide authentic testimony against faceless company representatives who may not represent the views and opinions of their employer(s). Barlett and Steele, who commented minimally on nonGMO/GMO product differences, criticize Monsanto’s aggressive and unorthodox expansion and misuse of the legal system to draw attention to the heavy handed company and to its
Food is an essential part of everyday life without it one could not survive. Every day we make choices on what we put in to our bodies. There are countless varieties of food to choose from to meet the diverse tastes of the increasing population. Almost all food requires a label explaining the ingredients and the nutritional value allowing consumers to make informed decisions on what they are consuming. However, many may not be considering where that food is coming from or how it has been produced. Unfortunately, there is more to food than meets the eye. Since 1992, “ the U.S. Food and Drug Administration ruled, based on woefully limited data, that genetically modified foods were ‘substantially equivalent’ to their non-GM counterparts” (Why to Support Labeling). GM food advocates have promised to create more nutritious food that will be able to grow in harsh climate conditions and eventually put an end to world hunger in anticipation of the growing population. There is very little evidence to support these claims and study after study has proven just the opposite. GM crops are not only unsafe to consume, but their growing practices are harmful to the environment, and multinational corporations are putting farmers out of business.
In Charles W. Moore’s essay, “Is Music Piracy Stealing?” Moore uses great statistics of the people who are concerned and not concerned about music piracy. He gives many examples of the facts he has researched and gives an ethical appeal to his audience. “This week the Motion Picture Association of America (MPAA) launched an ad campaign using the slogan ‘copying is stealing,’ attempting to convey the message that digital copying is as serious and criminal as stealing a CD from a record shop or a DVD from a video shop” (Moore 242). However, throughout Moore’s entire essay he has a weak introduction and conclusion paragraph, repetitive examples, examples that do not apply to his topic and he uses many logical
Witherbee, Amy, and Marlanda English. “Music Piracy Costs Billions.” Points of View Reference Senter. N.p., n.d. Web. 13 Mar. 2014.
People have been finding alternative ways to access their music since technology evolved, whether it was recording songs off the radio onto a cassette tape or borrowing your friend’s CD in order to ‘burn’ it, No one played by the rules, legally. This piece will discuss illegally downloading music and the political theories and concepts it represents. What are the social norms and attitudes that drive this behaviour? and what is the solution, if there is one?
Considering an argument as valid requires critical analysis of several aspects and providing strong evidence. Robin Mather, a journalist who “has passion for food and its sources, has worked at major metropolitan newspapers (the Detroit News, the Chicago Tribune)”(86), argues that GMOs have risks and hazards to human health and threats to wildlife and environment in her article “The Threats from Genetically Modified Foods”, whereas Entine, a colleague at the Genetic Literacy Project, and Wendel, a science writer(82), claim that GMOs are safe to eat and no harm to people or animals in their article “2000+Reasons Why GMOs are Safe to Eat and Environmentally Sustainable” Both articles’ authors state their ideas clearly for whether GMOs could be eaten or not. However, Mather provides more solid
The idea that music is information tends to turn people's heads. The art of information stands as the largest growing field in both business and society. How does the age-old art of music fit into this category? Can music even be considered information? The rising popularity of mp3's proves that people value music as a source of information. Hundreds of groups are advertising their band on the web at mp3.com, from popular music groups to those struggling to make a name in society. The web sites serve as a vehicle for bands to display their message to the public in an uncensored atmosphere. This atmosphere cannot be presented solely through record labels because the labels monitor what the public sees. Music speaks to the public through its words and sound. Musicians use the web as a source to present the information their music holds.
Is important for anyone who has created any intellectual property to protect it. In the music industry, in order for someone to protect their work, they must obtain a copyright. Music has been around before anyone could obtain a copyright and when the invention of the computer came along it made it easier for someone to steal another artist's intellectual property with the help of the internet. This paper will cover what events have taken a big role in copyright protection for artist, the consequences if someone was to break the rules of a copyright which is called copyright infringement, and how will a copyright hold in the future. Were copyrights enacted without the thought of life changing technology, and how can some music companies surpass copyright infringement and make a profit from the artist? Can a copyright really make that much of a difference in the world we know today?
BEHIND an electronic keyboard and his perfectly coiffed hair, he laughs good-naturedly at a vocal student’s verbal jab. A quick Google search offers links to YouTube videos demonstrating his record-breaking whistle register, live performances and interviews. Adam Lopez; international recording artist, singer/songwriter and a victim of your crime. From personal experience, Lopez agrees that music piracy is damaging to an artist’s success, income and popularity.
Piracy is a form of theft. Specifically, it refers to the unauthorized copying or use of intellectual property. Intellectual property is knowledge or expression that is owned by someone. There are three major types of intellectual property: 1) creative works, including music, written material, movies, and software, which are protected by copyright law; 2) inventions, which are protected by patent law; and 3) brand-name products, which are protected by trademarks. Many of the issues surrounding piracy have to do with the difference between intellectual property and physical property. A CD, for example, is a piece of physical property, but the songs on the CD are intellectual property. A customer in a record store can purchase a CD, but someone else still owns, or more precisely, has the copyright to the songs on the CD.
The Web. The Web. 17 May 2010. http://www.noisebetweenstations.com/personal/essays/music_censorship.html>. In another essay on the censorship of music, Lombardi argues that the listener should be able to decide for himself whether or not the music is suitable for his ears.
The music industry started in the mid 18th century with Wolfgang Amadeus Mozart. Through the decades there has been a great increase in this industry; however, the revenues for this industry have declined by half in the last 10 years. This has been caused by music piracy, which “is the copying and distributing of copies of a piece of music for which the composer, recording artist, or copyright-holding record company did not give consent” . After 1980’s, when the Internet was released to public, people started to develop programs and websites in which they could share music, videos, and information with...
The Internet has led to financially devastating consequences for the music industry (Stafford). The industry is struggling to generate enough revenue because of new technology (How the Internet Changed Music). When music changes hands without money being involved, royalties can’t be paid. Since royalties can’t be paid, so much has been done recently to try to prevent illegal downloading. The availability of music for free has cost the industry $2.5 billion in economic loss (Writer).
Moreover, hackers came up with new ways to remove the digital copyrights so the same as before one downloads music and distributes them around. The industry gets its revenue from selling this content, whether it’s online or in stores, this funds new projects and allows for better products in the future. The public should be aware of this, downloading the content for free, and not buying it will decrease revenue for the companies, stopping them from undertaking future projects. “Production companies should lower the price on their products, I can’t buy music for at least 20$ per album and DVDs for 30$, I only make 200$ per month,” said George Issa, a music fan who spends most of his nights downloading music from the internet, “when there is an album or movie that I really like, I try to buy it legally, I don’t think I am doing anything wrong, they are wrong making money off our backs,” he added.
Illegal downloading can also be known as piracy. Piracy is defined as stealing a piece of music in which the composer or recording artist did not give consent for. It is the stealing of music from people such as songwriters, musicians, record label employees, and everyone else who put hard work into it. There are some people who see no problem with downloading music from the Internet but it presents three main problems. The first problem is that the music will mostly likely not have g...