Bless Me Ultima, the captivating controversial novel that was banned, forbidden, and burned. Written by Rudolfo Anaya, the novel is centered on the relationship between the coming of age of a young boy and an elderly medicine woman who helps him contend with the battle between good and evil that rages in his village. At each life turn there is Ultima, who delivered him into the world and will nurture the birth of his soul and destiny. Antonio Marez is only six years old when Ultima comes to stay with his family in New Mexico during the WWII. Ultima is a curandera, one who cures with herbs and magic. Under her wise wing, Antonio will test the bonds that tie him to his people, and discover himself in the pagan past, in his father's wisdom, and in his mother's Catholicism. The everyday life events in the story capture polytheism, rites of passage, animistic, magic, and animalism. Inevitably, this controversial novel portrays religion through every twist and turn. Throughout the novel Antonio struggles with his identity, as a result his beliefs are put at test by his heritage. In the beginning of the novel the roots of Antonio’s struggles is established through one of his dreams. In his dream, a flashback to the day of his birth, he views the differences between the families of his parents. In his father’s side the Marez who are descendants of the sea, they are the restless vaqueros who roam the llanos to seek for adventure. On the contrary, the Lunas, his mother’s side, are the people of the moon that are religious farmers that whose destiny is determined to work for the land. The control of newborn Antonio’s future is fought by each side of his families. His mother's dream is for him to become a Roman Catholic priest and his father'... ... middle of paper ... ...gacy that was Ultima. Additionally, Antonio discovers oneness with nature and is then able to resolve the major conflicts in his life. In order to reconcile himself to his heritage, he finds a way to bring all of his competing religious deities into harmony with one another. He realizes that the tension he feels as he is pulled between the open landscape of the llano, and magical river valley of the village, between the Márez's way of being and that of the Lunas, and between Catholicism and the indigenous religion of the Golden Carp, does not require him to choose one over the other. He can bring both together to form a new identity and a new religion that is made up of both. For this reason and those that follow, Bless Me, Ultima contains common features of basic religions throughout the entire novel that have been illustrated in the life events of Antonio.
The story uses many motifs, symbols and themes. First the motif is Antonio’s dreams. In the beginning of the book his dreams are about what he will become when he grows up; the choice between priest or a vaquero. Later on his dreams change to more important matters, such as family questions and his duty in life. The second motif regards Antonio’s family. He has many family members such
Ultima goes to stay with Antonio Marez, a young boy who lives in the llano with his parents, two sister, and three brothers. This is because Ultima is too old to live on her own. Antonio and Ultima grow very close. Antonio helps Ultima cure his uncle Lucas and lift the curse on the Tellez home. Ultima collects herbs from the mountains and uses these to make remedies and medicines. She used remedies and medicines to cure Antonio’s uncle, Lucas.
Many people in the world are pressured into a job or marriage that they don't long to be in, and don’t know how to cope or choose what to do. In Bless Me, Ultima Antonio experiences the same concept with his parents; his mother has her heart set on him being a priest, but his dad longs for him to be a cowboy, and Antonio doesn't know what to do. But, Antonio shouldn't be pressured to choose between the occupations or his fate , he should discover what he desires to do and figure out himself. One of the main themes of Bless Me, Ultima is the value of Independence, and Anaya uses juxtaposition to reinforce it.
Antonio lives in a magical world that is full deaths and sadness in his life. His dreams represented his inner interpretations of those experiences. The story of the child in Bless Me, Ultima is much more than just an ordinary child living at the time in Santa Rosa. He sees parts of the future, but doesn’t want it to happen. This boy has a grown soul that lives in a child’s body.
In Rodolfo Anaya's novel, Bless Me, Ultima the author uses different settings in order to develop Antonio's sense of good and evil.
As a young child, Rodriguez finds comfort and safety in his noisy home full of Spanish sounds. Spanish, is his family's' intimate language that comforts Rodriguez by surrounding him in a web built by the family love and security which is conveyed using the Spanish language. "I recognize you as someone close, like no one outside. You belong with us, in the family, Ricardo.? When the nuns came to the Rodriquez?s house one Saturday morning, the nuns informed the parents that it would be best if they spoke English. Torn with a new since of confusion, his home is turned upside down. His sacred family language, now banished from the home, transforms his web into isolation from his parents. "There was a new silence in the home.? Rodriguez is resentful that it is quiet at the dinner table, or that he can't communicate with his parents about his day as clearly as before. He is heartbroken when he overhears his mother and father speaking Spanish together but suddenly stop when they see Rodriguez. Thi...
Throughout the novel, Antonio fights a psychological war in his mind about all the religions and faiths that surround him in his everyday routine. All his life he was raised to believe in God, and as a result he grew to be a devote Catholic. However, some of his beliefs alter when Ultima, a curandera, comes to live with his family. By witnessing her mysterious powers, Antonio begins to question his beliefs. For many years following Ultima’s arrival Antonio balanced the religions of both worlds, by praying to the Virgin Mary while his brothers were away at war, as well as helping Ultima pick and care for her many magical herbs. At first, he didn’t compare the two faiths, but as time went on, he knew it was time to choose which path he wanted to follow into his future.
In Bless Me Ultima and The House on Mango Street, syncretism is displayed through the actions of both novels to show that syncretism is the "bridge" of ambivalence. Syncretism in context of Anaya and Cisneros' novels, merge Christianity and Native American pagan religions to form the syncretic nature of ambivalent Hispanic Americans. There are several main points in each text that exhibit the issue of syncretism. These points or issues include the "Christ-like" comparison, the witchcraft comparison, and the comparison of pagan religions of superstition and sorcery. The concept of good and evil revealed in the two Hispanic novels through the mixture of Christianity and Native religions is a type of syncretism created by folk Catholicism. According to Ellwin Stoddard's Mexican Americans, the concept of folk Catholicism, "is driven on the idea that the formal sphere of the Catholic church is blended with the Native ...
José, the protagonist, is a young man of African descent living in Black Shack Alley with his grandmother, M’Man Tine. The people who work harvesting sugar cane are the close descendants of only recently freed slaves – they live in conditions of poverty similar to that of slavery due to the wealthy, ruling white class. Catholic imagery is found throughout the film – notably, M’Man Tine keeps a portrait of Jesus Christ in her shack in Black Shack Alley, and later, above her bed. This portrait serves as a visual cue to the reach of French colonialism and an iteration of French power – the idols of white religion hang in the houses of black oppressed peoples. Perhaps Jesus, to M’Man Tine, represents the notion of life after death and a means of escaping the physical and psychological toil of harvesting cane, much in the same way the converts in Things Fell Apart looked for solace in
In the novel, Bless Me Ultima, written by Rudolfo Anaya, two different religions are introduced. The religion of Catholicism is the religion originally practiced by the novel’s main character, Antonio. Throughout the novel, the religion of the Golden Carp is introduced and causes a crisis of faith for Antonio. Antonio must learn to choose between the conventional values of the Church and the modern beliefs of the Golden Carp by comparing and contrasting the two religions.
In the book “Bless Me Ultima”, by Rudolpho Anaya, there were two families represented, the Marez family and the Lunas family. These two families were very different, but were brought together by the marriage of Gabriel Marez and Maria Lunas. Through the eyes of their son Antonio one may see the comparison of the two. The differentiation of these two families is very clearly noticeable, such as in their personalities, the expression of their religion, and their everyday ways of life.
...book. These symbols and recurrences are not coincidental or superficial, but upon investigation, give deeper insight into how deeply the mindset of our main character was affected. We now know that Felipe had almost no choice and was lulled into this household. Then there is a plausible explanation about the true relationship between Aura and Senora Consuelo. This book turns out to be a very strange life/death cycle that still leaves questions that need to be answered.
In essence, Antonio shows that he is unsure if he truly believes in his religion because of his acceptance of other beliefs, the new ideas that he learns, and the deaths of Narciso and Lupito. Antonio’s experiences lead him to believe that he is in charge of his destiny and he has the ability to choose what he wants, not what his parents want. In the end, Antonio determines his religious values based on what he believes in, so he tells himself to “[t]ake the Ilano and the river valley, the moon and the sea, God and the golden carp and make something new” (247). Antonio’s encounters with religion represent those who follow their religion but are not content with it. All in all, the story suggests that sometimes people want to learn other ideas to discover what fits them best.
Family is one of the most important institutions in society. Family influences different aspects of a person’s life, such as their religion, values, morals and behavior. Unfortunately, problems may arise when an individual’s belief system or behavior does not coincide with that of family standards. Consequently, individuals may be forced to repress their emotions or avoid acting in ways that that are not acceptable to the family. In the novel The Rain God, written by Arturo Islas, we are presented with a story about a matriarchal family that deals with various conflicts. One major internal conflict is repression. Throughout the novel the characters act in strange ways and many of the family members have internal “monsters” that represent the past that they are repressing. In his article, “The Historical Imagination in Arturo Islas’s The Rain God and Migrant Souls”, Antonio C. Marquez’s implicitly asserts a true idea that The Rain God is a story about repression. Marquez’s idea can be supported from an analysis of secondary sources and a reading of the primary text.
Few questioned it, nonetheless giving the church power. In Antonio’s community, many people identified themselves as catholics therefore believing in the teaching of the Virgen de Guadalupe, a symbol of forgiveness. Like his main character, Rudolfo Anaya was brought up in the same religious environment. His family greatly influenced religious beliefs. A key character to the development of Tony’s religious disbeliefs is Florence, an orphan who does not believe in God due to his troubled past. Florence gives Tony his life story, both parents are dead, sisters become hookers, and he asks Tony “If God was real why would he do this to me” (90). As Antonio became frustrated with many unanswered questions regarding religion he starts doubting the ways of God. At this point Tony meets Cico, an older boy who introduces him to a different belief system, the “Golden Carp”. The belief of the Golden Carp was something that really intrigued Tony as he thought he finally found a forgiving God, a better God. After his first communion Tony thought that he would finally be one with God but soon after he did not feel anything, his disbeliefs were triggered to a whole other