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Essay on inequality of income in India
Essay on inequality of income in India
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In order to raise awareness of the staggering injustices, oppression and mass poverty that plague many Indian informal settlements (referred to as slum), Katherine Boo’s novel, Behind the Beautiful Forevers, unveils stories of typical life in a Mumbai slum. Discussing topics surrounding gender relations, environmental issues, and corruption, religion and class hierarchies as well as demonstrating India’s level of socioeconomic development. Encompassing this, the following paper will argue that Boo’s novel successfully depicts the mass social inequality within India. With cities amongst the fastest growing economies in South Eastern Asia, it is difficult to see advances in the individual well-being of the vast majority of the nation. With high …show more content…
This is necessary as the vast majority of individuals migrating from rural to urban centers has been steadily increasing with the level of economic growth seen within the past twenty years as mentioned earlier. Unfortunately, this situation has further shown the structural issues and inequalities of cities, as most migrants end up having a poor quality of life living in informal settlements as highlight substantially by Boo. As a means of tackling this, however, the Indian government has turned its focus on investing rural regions, developing the agricultural sector. Specifically, Boo mentions that “the prime minister, Manmohan Singh, had come down from Delhi to express his concern for the farmers’ hardships, and the central government’s determination to relieve it” (p. 138). While this is definitely important funds are not being divided justly. For starters, between rural and urban areas almost all investments are being targeting towards rural regions, which is only addressing issues of inequality in one section of the country. Furthermore, across rural areas inequalities of investment are quite often overlooked. Although, “one of the governments hopes was to stop villagers from abandoning their farms and further inundating cities like Mumbai, but Asha’s relatives knew nothing of these celebrated relief programs” (p. 138). Therefore, even though …show more content…
Nevertheless, inequality continues to be a major problem within cities and between rural and urban areas. Encompassing this situation is Katherine Boo’s novel Behind the Beautiful Forevers, which attempts to shine some light on the conditions of Mumbai’s informal settlements. Following the life of two rural migrant families residing in the Annawadi settlement, Boo highlights the everyday challenges individuals must fact to survive. As such, one of the major topics of the novel is inequality as a consequences of a lack of investment in basic needs, a matter of poor planning based on interest differences as well as corruption. Therefore, it can be argued that through her novel, Boo was able to successfully depict the how inequality has impacted the lives of those residing in informal settlements, with the fact that housing and land rights alone is an issue not being properly dealt
In order to understand why Whitty’s argument is effectively communicated it must be noted that this article was published in the politically progressive magazine, Mother Jones. The audience of Mother Jones mostly consists of young adults, mostly women, who want to be informed on the corruptness of the media, the government and the corporate world. In order to be fully effective in presenting her points, Whitty starts her article by creating a gloomy imagery through her story of the city of Calcutta and the hard lives which its citizens live. Through her use of words such as “broken down…. Smoky streets” to describe the scene at Calcutta, she is able to create this gloomy image. She ties this gloomy story to how the population of Calcutta is the reason for the harsh living environment and how immense its population density is when compared to cities like New York. Additionally, she discusses how the increase in population has caused harsh lives for individuals in the Himalayas, the rest of India and the rest of the world. Through these examples she ties the notion that the root causes of such hard lives are because of the “dwindling of resources and escalating pollution,” which are caused by the exponential growth of humankind. She goes on to
While it may be easier to persuade yourself that Boo’s published stories are works of fiction, her writings of the slums that surround the luxury hotels of Mumbai’s airport are very, very real. Katherine Boo’s book “Behind the Beautiful Forevers – Life, Death, and Hope in a Mumbai Undercity” does not attempt to solve problems or be an expert on social policy; instead, Boo provides the reader with an objective window into the battles between extremities of wealth and poverty. “Behind the Beautiful Forevers,” then, exposes the paucity and corruption prevalent within India.
The Bad and The Beautiful (1952) and State and Main (2000) are films within films that unmask Hollywood Cinema as a dream factory and expose the grotesque, veneer hidden by the luxury of stars. The Bad and the Beautiful, directed by Vincent Minnelli, is a black and white film narrated in flashback form. The films theatrical nature requires more close-ups than wide-screen shots to capture the character’s psychological turmoil. For example, Fred and Jonathan’s car ride is captured in a close-up to signify their friendship; however their relationship deteriorates after Jonathan’s deceit. While the camera zooms out, Fred stands alone motionless. Here, Fred is captured from a distance at eye-level and he becomes ostracized by the film industry and
It seems at first easy to look to the author when considering lots of the experiences of Fitzgerald and that of his protagonist Anthony Patch. Fitzgerald’s work of ‘The Beautiful and Damned’ was published in 1922, the beginning of an era where prohibition attempted to keep the type of people like Anthony Patch himself from becoming an alcoholic. ‘F. Scott Fitzgerald is known for his turbulent personal life’ so it could be thought that because of his turbulent and unhealthy lifestyle during the aftermath of the success of his first book Fitzgerald chose to take his ‘social context’ and life and place it into a novel thus Anthony Patch was created.
In the second chapter of the book "Planet of Slums," Mike Davis seeks to answer what characteristics and types of slums are prevalent in different parts of the world. Davis continues his startled, alarmed, disgruntled and depressing tone from the previous chapter. Overall, the chapter is divided into two parts. The first part attempts to explore and examine the global slum census, and the other part describes the various slum typologies
In the novel, The White Tiger, by Aravind Adiga the main character, is Balram, one of the children in the “darkness” of India. Adiga sheds a new light on the poor of India, by writing from the point of view of a man who was at one time in the “darkness” or the slums of India and came into the “light” or rich point of view in India. Balram’s job as a driver allows him to see both sides of the poverty line in India. He sees that the poor are used and thrown away, while the rich are well off and have no understanding of the problems the poor people must face. The servants are kept in a mental “Rooster Coop” by their masters. The government in India supposedly tries to help the poor, but if there is one thing Adiga proves in The White Tiger, it is that India’s government is corrupted. Despite the government promises in India designed to satisfy the poor, the extreme differences between the rich and the poor and the idea of the Rooster Coop cause the poor of India to remain in the slums.
Film Analysis of Life Is Beautiful “La vita e Bella” is an Italian film; Roberto Benigni starred as the main character, Guido Orefice, and also directed it. The film was contentious because of the way Benigni presented its content of the Holocaust with an unlikely comic slant. Some people thought that it showed a misrepresentation of the concentration camp, whilst other thought it showed the triumph. However, in March 1999 it was nominated. for seven Academy Awards including Best Picture and Best Director.
In the non-fiction book called Behind the Beautiful Forevers by Katherine Boo, a major concept portrayed is inequality. Katherine Boo explicitly discusses the struggles of people living in Annawadi, a slum in Mumbai, India. All the struggles the Annawadians face are derived from the inequality they encounter due to being in poverty. This concept is portrayed in my visual representation in various ways. First, the front cover of the “book” I created contains images of luxurious airports and hotels located near Annawadi. It also contains images of clothing worn by the wealthy people who stayed in the luxurious hotels and traveled through the luxurious airports. The purpose of these images is to portray the life of the wealthy people in India and showcase the ignorant view a
In Behind the Beautiful Forevers, Katherine Boo tells the stories and struggles of families living in a slum adjacent to the Sahar Airport in Mumbai, India. Boo details the ways in which the residents of this slum, Annawadi, attempt to escape their poverty, but fail to do so. Despite numerous initiatives sponsored by the Central Government of India to improve the lives of the many individuals living in Annawadi, these programs are ultimately unable to do so due to deep-rooted corruption in the city of Mumbai. Regardless of this, the residents of Annawadi seem to accept corruption as a fact of life, and do little to fight it. As illustrated over the course of Boo’s narrative, this results from the fact that many Annawadians recognize the ways in which the laws of their society allow for the unfair treatment of certain groups of people, especially the poor and religious minorities, and are also cognizant of the fact that they have no real power to change a system that
For centuries, a great deal of ethnic groups have been disempowered and persecuted by others. However, one should realize that none are more intense than the oppression of women. In the novel, The House on Mango Street, by Sandra Cisneros, women living in the Mango Street neighborhood suffer from their restricted freedom. Three such women, Rafaela, Mamacita, and Sally, provide great examples. All try to escape from their dreadful environment. Most of them fail, but at first, Sally seems to succeed in escaping from her father. However, she ends up meeting a husband as equally bad as her father. Ultimately, the men who live with Rafaela, Mamacita, and Sally act as insuperable obstacles that limit the freedom in their women’s lives.
For example people living in Asia’s largest slum, Dharavi, who have poor housing conditions with poor schools and lack of employment opportunities, may be denied to other opportunities which other sections of society posses. Banks might refuse loan opportunities due to lack of collaterals, insurance companies might reject their applications, or an opportunity of employment might be taken away from a deserving person due to personal and past records. It can also be possible that people themselves might exclude themselves from society’s mainstream. Individuals might drop out of education or turn down a job opportunity or due to lack of confidence, self-esteem and self-value. This might happen due to interaction between human agency and responsibility or social forces might shape people’s views and situations. (Giddens,
Owing to India’s diversity, these identities are determined by caste, ancestry, socioeconomic class, religion, sexual orientation and geographic location, and play an important role in determining the social position of an individual (Anne, Callahan & Kang, 2011). Within this diversity, certain identities are privileged over others, due to social hierarchies and inequalities, whose roots are more than a thousand years old. These inequalities have marginalized groups and communities which is evident from their meagre participation in politics, access to health and education services and
Ever After, a movie based on the classic Cinderella story, was an intriguing and enriching movie, which supports much of what we have been learning, about the Renaissance era. This visual media is an excellent tool for teaching students about this period of history, and the way of life during those times. Many connections are made to the Renaissance throughout the movie, with rich examples tied to religion, various fields of studies, and social status. Through the plot and actions of the characters, an accurate portrayal of life during the Renaissance was portrayed. As was typical during this era, the Catholic religion played a significant role in people's lives, which is clearly shown throughout this interesting movie.
Architecture, street layout, and the integration of spaces help to build an overall feeling in neighborhoods that directly reflect the people who live there. In Children of Heaven we are presented with a poor Iranian neighborhood, filled with narrow alleyways, open shops and vendors, and closed off private spaces. The effects of these features, or rather their cause, is a rich Iranian culture that shines through even in the slums we spend most of our time in. Coupled with the unique story of a poverty stricken family an insight into Iranian culture, society, and inequalities is gained in the form of a neighborhood and its inhabitants.
There is no question that Mulk Raj Anand has fashioned with Untouchable a novel that articulates the abuses of an exploited class through sheer sympathy in the traditionalist manner of the realist novel He is, indeed, the "fiery voice" of those people who form the Untouchable caste. Yet if the goal of the writer, as Anand himself states, is to transform "words into prophecy," then the reader's struggle for meaning in the closing scenes of the novel become problematic and contestatory. It is reasonable to assume -- and as I would argue, it is implied -- that Anand has ventured to address a specific question with writing Untouchable; this is, how to alleviate the exploitation of the untouchable class in India? He then proceeds to address this question through the dramatization of Bahka, the novel's central character. Having said this -- and taking into account Anand's notion of the novel as prophesy -- I will argue that the author has failed to fully answer the question he has set before him.