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An essay on gaudi and his impact on architecture
Essay on antoni gaudi life
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This assignment one in the report had been chosen an architect design called ‘Antoni Gaudi l Cornet’, he was born in 25 June in 1852 in Spain at Reus, Catalonia in a small town at south of Barcelona and died in 10 June 1926 in Spain at Barcelona, Catalonia by street accident at the aged 73 and his nationality was Spanish. He was the youngest of five children and he accepts Mediterranean people were provided with a originality, creativity and inborn sense for an art design. He like to spent his time outdoor with his family especially during the summer to study a nature. Antoni was a Spanish architect and he was a best of practitioner of Catalan Modernism. His works and projects were reflecting a distinctive and individualized style and most …show more content…
After he graduated, during working periods he worked as an apprentice in the ‘Vapor Nou’ textiles mill in Reus. Afterwards, in 1868 Antoni moved to another city called Barcelona to study, it was teaching in the Convent del Carme. In his teenage year, he became interested in a modern socialis. And then, between 1875 and 1878 he had completed his own required military service in the foot soldiers regiment in Barcelona as a Military Administrator. During his mother died, Anotoni was studied an architecture at Llotja School and the Barcelona Higher School of Architecture, and the graduating in 1878. The first job that he worked was a draftsman for a various architects and constructor. And in an addition of an architecture classes, he has studied history, economics, philosophy, French and aesthetics. Antoni had an answer from the sculptor Llorenc Matamala, with his ironical sense of humour that Anotoni wa an architecture now. Park Guell Case study The assignment had chosen a case study from Antoni Gaudi that called ‘Park Guell’. It was a public park system that had gardens and architectonic elements that was located on top of the ‘Carmel Hill’ in a Barcelona of Spain. The designed of the park was design by Antoni Gaudi, a famous architect and the place was representing a Catalan modernism. This park was built between 1900 and 1914, and opened to let people visited the park in1926. In 1984, UNESCO was showed up the park a World Heritage Site. Location Park Guell Carrer d’Olot, Barcelona,
Q: Use St Peter’s basilica and Donato Bramante’s Tempietto in Rome, in opposition to John Balthasar Neumann’s Pilgrimage Church of Vierzehnheiligen in Bamburg, Germany, to argue that a rational engagement with architecture is a more effective means to comprehend and understand architectural form.
Pablo Picasso is one of the most famous and well-documented artists of the twentieth century. Picasso, unlike most painters, is even more special because he did not confine himself to canvas, but also produced sculpture, poetry, and ceramics in profusion. Although much is known about this genius, there is still a lust after more knowledge concerning Picasso, his life and the creative forces that motivated him. This information can be obtained only through a careful study of the events that played out during his lifetime and the ways in which they manifested themselves in his creations (Penrose).
It is the new decade after the end of world war two and modernism is a well-established practice. Its pioneers and spearheads are prevalent figures looming over the new architects and designers who are trying to make their mark in the shadows of such historically influential people. With new technologies and materials emerging from the world wars the next era of modernism had started to evolved, bringing with it philosophies and ideas which seemed far removed from those of the pioneers of modernism “What emerged in the late 1940s and 1950s was an expanding synthesis of questions utterly removed from the confident statements of the pioneers.”(Spade 1971,10) Two significant buildings were designed in the 50's, both of them for educational institutes and to house students of architecture, there were both designed in completely different styles and methods. The first is Ludwig Mies van der Rohes' Crown Hall, finished in 1956 and designed as a part of a campus master plan for the Illinois Institute of technology in Chicago. Mies' design for Crown Hall is one of his most realised expressio...
The book, Towards A New Architecture by Le Corbusier is not at all what one would expect. Thinking that the great master architect would limit himself t...
The purpose of this Essay is to discuss an example of design from the late 1800s, I will relate it to the social, economic, technical and cultural context of that time. . I intend on delivering details of the artist and his life experiences as well as his style and possible interests. I will also evaluate the subject with my own opinion, likes and dislikes, with comparisons of work and artists from within that period up to the present date
Palladio had an exceptional grasp of the use of proportion in classical architecture and believed beautiful architecture improved p...
Cuando a los 26 años obtuvo el título de Arquitecto, estaba a punto de iniciarse una nueva etapa en la vida de Antoni Gaudí. Mientras esperaba realizar obras de mayor envergadura, llevó a cabo algunos pequeños trabajos de carácter decorativo. Entre ellos diseñó una vitrina para una conocida guantería de Barcelona, Casa Comella, para la Exposición Universal de París de 1878. Eusebi Güell, importante empresario del sector textil, quedó prendado de la modernidad
Rowland, Kurt F. A History of the Modern Movement: Art Architecture Design. New York: Van Nostrand Reinhold, 1973. 142. Print.
It will discuss the different types of dwellings throughout recorded human history from the perspective of how art and culture influences building design. This will fulfill my own curiosity to understand the different influences on homebuilding and design over the years and how people have dealt with these changes.
This paper will explore Vladimir Tatlin and Naum Gabo differences on the role of the Avant-Garde artists and how their beliefs influence the kind of work they produced. A pioneer of Russian design Vladimir Tatlin is a representative of Russian Realism. He left home when he was fifteen and served on the shipboard. When he became a painter, he often represented sailors in his pictures Art and culture in Russia after Revolution was a tool for creating industrially aesthetical reality. Tatlin’s project The Monument to the Third International (1920) one that so much can be considered an architectural work as a sculptural piece, it constituted by a spiral of iron that is expanded diagonally and enclosed by walls of glass of a much higher height to that of the Eiffel tower. It was never embodied into life, but this project shows that socialist order propagation was of primary concern for artists of the beginning of 20th century in Russia (Avant-Garde, Tatlin). Thus, in accordance with Tatlin, avant-garde artist transfers ideas of social reality of his modernity. In his project Tatlin wanted to reflect technological progress of post-revolutionary Russia. He was called “artist of great culture, a true master, who is a devoted worker for the proletarian revolution” (Avant-Garde – Abstraction in Constructivism).
Frank Lloyd Wright and Le Corbusier are two very prominent names in the field of architecture. Both architects had different ideas concerning the relationship between humans and the environment. Their architectural styles were a reflection of how each could facilitate the person and the physical environment. Frank Lloyd Wright’s Robie House, is considered one of the most important buildings in the history of American architecture and Le Corbusier s Villa Savoye helped define the progression that modern architecture was to take in the 20th Century. Both men are very fascinating and have strongly influenced my personal taste for modern architecture. Although Wright and Corbusier each had different views on how to design a house, they also had similar beliefs. This paper is a comparison of Frank Lloyd Wright‘s and Le Corbusier ‘s viewpoints exhibited through their two prominent houses, Frank Lloyd Wright’s Robie House and Le Corbusier’s Villa Savoye.
and means New Art. It was an extraordinary movement in art history from the end
Modernism as a new contemporary style was seen as pure geometric forms having distinct structural systems, and a relationship with the new technological advancements caused by the Industrial Revolution. Throughout Mies van der Rohe’s career he was in pursuit to provide clarity, and evolve his architecture to convert the technical solution into an architectural expression. He exposed the structure to exploit all expressive effects, which lead Mies van der Rohe to become one of four Masters of Modern Architecture
The German Pavilion, more commonly known as the Barcelona Pavilion, is one of the most recognizable buildings of the modern period during the early 20th century. It encapsulates every element of modern architecture in one structure. Ludwig Mies van der Rohe, one of the fathers of modern architecture, was the architect of this beautiful building. In this essay I will explore how Mies impacted the modern movement in architecture through his groundbreaking ideas using the Barcelona Pavilion as a case study.
Although Gaudi was one of the lead innovators of Art Nouveau and Modernisme in the world at the time and in Barcelona, eventually his style developed into something completely his own and his originality is un-marveled. His style can be connected to many different types including Spanish, late gothic, Moroccan, Spanish baroque and an important stress on exuberance, fantasy and nature. Gaudi sought to make his creations look as though they had risen from the ground especially that of his life work, Sagrada Familia. He also believed in using what was around him and also recycling things into beautiful creations like the chimney caps of Casa Mila and many other buildings of his. This was sort of his forte and he was amazing at it. This may be in bad taste, but it is brimful of vitality and handled with ruthless audacity.