African American women writers and thinkers are one of those Postcolonial groups that have asserted their voices and experiences in a world, which has denied them the right to exist. The Patriarchal fathers have silenced women from even the dominant communities into submission, so it was nothing new for Black women to be muted for centuries together by the all powerful white patriarchal powers. Black women have been facing oppression on more than one count. There has been covert resistance and resentment from these women, which have been beautifully depicted in the 2012 movie The Help, but it was only in the late 60’s and early 70’s when Black women overtly came to forefront with the establishment of The National Black Feminist Organization (NBFO).
Writers like Patricia Hill Collins and bell hooks have given us a thorough
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Walker demystifies and upholds Black woman’s body through her theory and fiction both. Possessing the Secret of Joy deals with the issue of female Genital Mutilation being practiced in many African Tribes. It traces the psychological aspect of a woman who has undergone this horrific and extremely unhealthy procedure. Tashi is a woman who under peer pressure decides to take revenge by killing the woman who performed this operation on her and many girls like her. In this novel Walker discusses the inhuman practice of stealing women’s sexuality in the name of tradition. The grave psychological danger that these women are exposed to as one of the consequence of the Genital mutilation is at the center of the novel. Walker does not believe in having separate spheres for men and women but feels that in matters of health there can be a departure, she writes: “Committed to survival and wholeness of entire people, male and female. Not a separatist, except periodically, for health” (SMG
In “ ‘It Was Like All of Us Had Been Raped’: Sexual Violence, Community Mobilization, and the African American Freedom Struggle” by Danielle L. McGuire, McGuire begins her piece with a haunting tale of the rape of Betty Jean Owens, that really illustrates the severity of racial brutality in the 1950s. She depicts a long history of african-american women who refuse to remain silent, even in the face of adversity, and even death, and who've left behind a testimony of the many wrong-doings that have been done to them. Their will to fight against the psychological and physical intimidation that expresses male domination and white supremacy is extremely admirable. The mobilization of the community, and the rightful conviction of the 4 white men most definitely challenged ideologies of racial inequality and sexual domination, and inspired a revolution in societal
As both Tracey Reynolds and Audre Lorde have emphasized, Black women are not perpetually passive victims, but active agents. It is totally possible for Black women to seize a form of empowerment, whether that be alternative education, or the creation of organizations that weren’t situated in either the Civil Rights movement or Women’s
Malcolm X stated that the most disrespected, unprotected and neglected person in America is the black woman. Black women have long suffered from racism in American history and also from sexism in the broader aspect of American society and even within the black community; black women are victims of intersection between anti-blackness and misogyny sometimes denoted to as "misogynoir". Often when the civil rights movement is being retold, the black woman is forgotten or reduced to a lesser role within the movement and represented as absent in the struggle, McGuire 's At the Dark End of the Street: Black Women, Rape, and Resistance--A New History of the Civil Rights Movement from Rosa Parks to the Rise of Black Power does not make this same mistake.
Collins, Patricia. Black Feminist Thought: Knowledge, Consciousness, and the Politics of Empowerment. New York, NY: Routledge, 2000
In our society of today, there are many images that are portrayed through media and through personal experience that speak to the issues of black motherhood, marriage and the black family. Wherever one turns, there is the image of the black woman in the projects and very rarely the image of successful black women. Even when these positive images are portrayed, it is almost in a manner that speaks to the supposed inferiority of black women. Women, black women in particular, are placed into a society that marginalizes and controls many of the aspects of a black woman’s life. As a result, many black women do not see a source of opportunity, a way to escape the drudgery of their everyday existence. For example, if we were to ask black mother’s if they would change their situation if it became possible for them to do so, many would change, but others would say that it is not possible; This answer would be the result of living in a society that has conditioned black women to accept their lots in lives instead of fighting against the system of white and male dominated supremacy. In Ann Petry’s The Street, we are given a view of a black mother who is struggling to escape what the street symbolizes. In the end though, she becomes captive to the very thing she wishes to escape. Petry presents black motherhood, marriage and the black family as things that are marginalized according to the society in which they take place.
McGuire, Danielle L. At the Dark End of the Street: Black Women, Rape, and Resistance- A New History of the Civil Rights Movement from Rosa Parks to the Rise of Black Power. New York, New York: Vintage Books. 2011.
In the weekly readings for week five we see two readings that talk about the connections between women’s suffrage and black women’s identities. In Rosalyn Terborg-Penn’s Discontented Black Feminists: Prelude and Postscript to the Passage of the Nineteenth Amendment, we see the ways that black women’s identities were marginalized either through their sex or by their race. These identities were oppressed through social groups, laws, and voting rights. Discontented Black Feminists talks about the journey black feminists took to combat the sexism as well as the racism such as forming independent social clubs, sororities, in addition to appealing to the government through courts and petitions. These women formed an independent branch of feminism in which began to prioritize not one identity over another, but to look at each identity as a whole. This paved the way for future feminists to introduce the concept of intersectionality.
"Open Statement - The Help." Welcome to the Association of Black Women Historians Website. N.p., n.d. Web. 1 Dec. 2013.
Ruiz, Delia. Women of Color in Modern Society. New York, NY: Harper and Row Press,
“Salvation” by Langston and “Everyday use” by Walker are detail and dialogue base stories. Both stories are first person narrative and written from the characters perspective, which able to put the readers in the narrators shoes and feel their emotions. For instance in Hugh story the question “why don’t you come? Why don’t you come to Jesus?” this sentence makes the readers to feel the pressure and frustration. Personally I like the story of Alice walker “Everyday use” because it embraces the important of family heritage and tradition. For example, after my grandmother passed away, my mother send me a gourd bottle that my grandmother used it for milk storage. It reminds of my grandmother and her legacy.I really appreciate family heritage and
Feminist theory is a term that embraces a wide variety of approaches to the questions of a women’s place and power in culture and society. Two of the important practices in feminist critique are raising awareness of the ways in which women are oppressed, demonized, or marginalized, and discovering motifs of female awakenings. The Help is a story about how black females “helped” white women become “progressive” in the 1960’s. In my opinion, “The Help” I must admit that it exposes some of our deepest racial, gender, and class wounds as individuals and social groups, and that the story behind the story is a call to respect our wounds and mutual wounding so that healing may have a chance to begin and bring social injustice to an end. The relationship between Blacks and whites in this novel generally take on the tone of a kindly, God-fearing Jesus Christ-loving Black person, placidly letting blacks and whites work out their awkwardness regarding race and injustice. Eventually both the black and white women realize how similar they are after all, and come to the conclusion that racism is an action of the individual person, a conclusion mutually exclusive of racism as an institutionalized system that stands to demonize and oppress people based on the color of their skin and the location of their ancestry.
In today’s advanced societies, many laws require men and women to be treated equally. However, in many aspects of life they are still in a subordinated position. Women often do not have equal wages as the men in the same areas; they are still referred to as the “more vulnerable” sex and are highly influenced by men. Choosing my Extended Essay topic I wanted to investigate novels that depict stories in which we can see how exposed women are to the will of men surrounding them. I believe that as being woman I can learn from the way these characters overcome their limitations and become independent, fully liberated from their barriers. When I first saw the movie “Precious” (based on Sapphire’s “Push”) I was shocked at how unprotected the heroine, Precious, is towards society. She is an African-American teenage girl who struggles with accepting herself and her past, but the cruel “unwritten laws” of her time constantly prevent her rise until she becomes the part of a community that will empower her to triumph over her barriers. “The Color Purple” is a Pulitzer Prize winning novel by Alice Walker which tells the story of a black woman’s, Celie’s, striving for emancipation. (Whitted, 2004) These novels share a similar focus, the self-actualization of a multi-disadvantaged character who with the help of her surrounding will be able to triumph over her original status. In both “The Color Purple” and “Push”, the main characters are exposed to the desire of the men surrounding them, and are doubly vulnerable in society because not only are they women but they also belong to the African-American race, which embodies another barrier for them to emancipate in a world where the white race is still superior to, and more desired as theirs.
The purpose of this essay is to connect the feminist theory to the film “The Help,” and underlie certain ideas that are demonstrated throughout the film. I specifically chose this film, because it takes place in Jackson, Mississippi during the early 19060s during the time Jim Crow laws were still very much alive, and practiced. Skeeter, a young white Caucasian woman has just graduated and returned home from attending Ole Miss to take care of her fairly sick mother. Aside from her associates and colleagues, who are more into finding a husband on their time off from Ole Miss, Skeeter focuses all of her time into becoming a journalist. Throughout the film family servants are well within each white family social circle, they are referred to as “The Help,” and are exclusively black women. As tradition the servants are passed down throughout family generations, which means the child they raised would become their boss in the future. Each servant had their own story to tell and conflicts of their own to deal with, including Skeeter. As time progresses Skeeter decides to write a column on the black servants in relation to their white bosses, with the help of her fifty-year-old servant Aibileen Clark. Hesitant to help, Aibleen along with other black servants gather to tell their different stories while accepting the consequences it will bring. As a feminist, it is one who supports feminism, which is the advocacy of women’s right on the grounds of politics, social, and equality to men, but in this case white women as well. Throughout the essay are explorations of the different issues relevant to feminism.
For this assignment, the movie “The Help” was chosen to review and analyze because it presents a story of fighting injustice through diverse ways. The three main characters of the movie are Eugenia “Skeeter” Phelan, a young white woman, Aibileen Clark, and Minny Jackson, two colored maids. Throughout the story, we follow these three women as they are brought together to record colored maids’ stories about their experiences working for the white families of Jackson. The movie explores the social inequalities such as racism and segregation between African Americans and whites during the 1960s in Jackson, Mississippi.
As one season slowly bleeds into the next, the world keeps on revolving. Change is always happening; it’s not something one can escape. In “The Flowers,” Alice Walker displays how the growing up of a child correlates with summer transitioning to fall. She portrays it through the events of the story and the last line, “And the summer was over.” (9).