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Langston Hughes the negro speaks of rivers
Essay of the poem the negro speaks of rivers by langston hughes
Analysis of The Negro Speaks of Rivers Langston Hughes
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Recommended: Langston Hughes the negro speaks of rivers
Suleman Masood
Dr. Karen Kappen
English 102
15 November 2014
A Negro Speaks of Rivers Essay
Langston Hughes’ poem “A Negro Speaks of Rivers” is an inspiring tale about the historical whereabouts of African Americans. Langston Hughes uses the geographical locations of monumental rivers to describe the progress and hardship of African Americans. Written at the age of seventeen, Hughes gave rise to the Harlem Renaissance with his literary work in 1920. The poem was written on a train, and Hughes dedicated the poem to NAACP founder W. E. B. Du Bois. Hughes credits writers such as Walt Whitman and Carl Sandberg as his influences of the poem and does so through his “voice” in the poem. Many readers may speculate that the speaker in the poem is
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Hughes’ recurring theme of using “I” in this poem seems to affirm that he is speaking for the entire African-American race, yet does so in representation of a first-person character. It seems as though Hughes’ portrayal of representing African-Americans is in chronological order, starting with “bathing in the Euphrates” (line 5), where Hughes makes reference to the idea that the Euphrates was the birthplace of human civilization, while ending the poem with a reference to “Abe Lincoln went down to New Orleans, and I’ve seen its muddy bosom turn all golden in the sunset” (lines 9-10). Langston Hughes is able to achieve representing African-Americans as an entire race through his …show more content…
It encompasses the entire spirit and moods of African American history, simply by using the rivers as an allusion to the chronological history of African-Americans. Langston Hughes uses the first person “I” as a way to represent his race and eloquently took the reader to many different depths of history. Langston Hughes took the metaphor of rivers to show the passage of time, and also, that despite suffering, slavery and loss, the Negro race triumphed over all adversity. “Just as the rivers still flow, since the dawn of time, so too has the Black American soul outlasted everything” (Moore). What started out as the beginning of civilization in the Euphrates, and then progressively moving toward the Nile River, ended with the same intuitive people being chained up and forced to withdraw their culture. Hughes doesn’t offer a solution to discrimination, yet points out that although his people suffered, it has matured him, thus the closing line “my soul has grown deep like the rivers” (line
Langston Hughes wrote during a very critical time in American History, the Harlem Renaissance. Hughes wrote many poems, but most of his most captivating works centered around women and power that they hold. They also targeted light and darkness and strength. The Negro Speaks of Rivers and Mother to Son, both explain the importance of the woman, light and darkness and strength in the African-American community. They both go about it in different ways.
Hughes, a.k.a. Langston, a.k.a. “The Negro Speaks of Rivers.” The Bedford Introduction to Literature. Ed.
Because of that, his writing seems to manifest a greater meaning. He is part of the African-American race that is expressed in his writing. He writes about how he is currently oppressed, but this does not diminish his hope and will to become the equal man. Because he speaks from the point of view of an oppressed African-American, the poem’s struggles and future changes seem to be of greater importance than they ordinarily would. The point of view of being the oppressed African American is clearly evident in Langston Hughes’s writing.
In the poem, The Negro Speaks of Rivers, written by Langston Hughes, and the poem, For My Children, written by Colleen McElroy both mention the rivers that their people have lived next to in Africa and in America. Langston Hughes mentions the rivers in Africa as a reminder of where his people used to live, and how their past still lives with in the deep waters of the African rivers. Yet, he mentions the rivers he lived by in America, and how those rivers are also where his people’s past lives. His idea in the poem was to address how all of...
During the early to mid-twentieth century Langston Hughes contributed vastly to a very significant cultural movement later to be named the “Harlem Renaissance.” At the time it was named the “New Negro Movement,” which involved African Americans in creating and expressing their words through literature and art. Hughes contributed in a variety of different aspects including plays, poems, short stories, novels and even jazz. He was even different from other notable black poets at the time in the way that he shared personal experiences rather than the ordinary everyday experiences of black America. His racial pride helped mold American politics and literature into what it is today.
During the 1920's and 30’s, America went through a period of astonishing artistic creativity, the majority of which was concentrated in one neighborhood of New York City, Harlem. The creators of this period of growth in the arts were African-American writers and other artists. Langston Hughes is considered to be one of the most influential writers of the period know as the Harlem Renaissance. With the use of blues and jazz Hughes managed to express a range of different themes all revolving around the Negro. He played a major role in the Harlem Renaissance, helping to create and express black culture. He also wrote of political views and ideas, racial inequality and his opinion on religion. I believe that Langston Hughes’ poetry helps to capture the era know as the Harlem Renaissance.
The four poems by Langston Hughes, “Negro,” “Harlem,” “The Negro Speaks of Rivers,” and “Theme for English B” are all powerful poems and moving poems! Taken all together they speak to the very founding of relations of whites and blacks all the way down through history. The speaker in the poem the, “Negro” and also, “The Negro Speaks of Rivers,” tells the tale of freedom and enslavement that his people have endured, and it heralds their wisdom and strength. The poems “Harlem” and “Theme for English B” speaks to the continuous unfair treatment that the blacks have received at the hands of white people throughout the years.
Langston Hughes was probably the most well-known literary force during the Harlem Renaissance. He was one of the first known black artists to stress a need for his contemporaries to embrace the black jazz culture of the 1920s, as well as the cultural roots in Africa and not-so-distant memory of enslavement in the United States. In formal aspects, Hughes was innovative in that other writers of the Harlem Renaissance stuck with existing literary conventions, while Hughes wrote several poems and stories inspired by the improvised, oral traditions of black culture (Baym, 2221). Proud of his cultural identity, but saddened and angry about racial injustice, the content of much of Hughes’ work is filled with conflict between simply doing as one is told as a black member of society and standing up for injustice and being proud of one’s identity. This relates to a common theme in many of Hughes’ poems: that dignity is something that has to be fought for by those who are held back by segregation, poverty, and racial bigotry.
Lastly, Langston Hughes’s poem, “The Negro Speaks Of Rivers”, ends with “I’ve known rivers: / Ancient, dusky rivers. / My soul has grown deep like the rivers (8-10). The speaker voices out his last breath to which from an analytical standpoint, the theme of death arises. Langston Hughes follows T.S. Eliot’s suggestion as he cries out for the African-American race to alienate themselves by embracing their own artistic form, claiming that black is beautiful.
“The Negro Speaks of Rivers” by Langston Hughes is a compelling poem in which Hughes explores not only his own past, but the past of the black race. As the rivers deepen over time, the Negro's soul does too; their waters eternally flow, as the black soul suffers.
Langston Hughes was deemed the "Poet Laureate of the Negro Race," a fitting title which the man who fueled the Harlem Renaissance deserved. But what if looking at Hughes within the narrow confines of the perspective that he was a "black poet" does not fully give him credit or fully explain his works? What if one actually stereotypes Hughes and his works by these over-general definitions that cause readers to look at his poetry expecting to see "blackness?" Any person's unique experiences in life and the sense of personal identity this forms most definitely affects the way he or she views the world. This molded view of the world can, in turn, be communicated by the person through artistic expression. Taking this logic into account, to more fully comprehend the message and force of Hughes' poetry one must look, not just to his work, but also at the experiences in his life that constructed his ideas about society and his own identity. In looking at Hughes' biography, one studies his struggle to form a self-identity that reflected both his African American and mainstream white cultural influence; consequently, this mixing of black and white identity that occurred throughout Hughes' life is reflected in his poem "The Weary Blues."
The poem “Negro” was written by Langston Hughes in 1958, where it was a time of African American development and the birth of the Civil Rights Movement. Langston Hughes, as a first person narrator, tells a story of what he has been through as a Negro, and the life he is proud to have had. He expresses his emotional experiences and makes the reader think about what exactly it was like to live his life during this time. By using specific words, this allows the reader to envision the different situations he has been put through. Starting off the poem with the statement “I am a Negro:” lets people know who he is, Hughes continues by saying, “Black as the night is black, Black like the depths of my Africa.”
Langston Hughes is one of the most famous poets of the Harlem Renaissance. He was born in Mississippi in 1902 and later moved to Ohio where he attended Central High School. When Hughes graduated high school he went to Mexico to visit his father and while crossing the Mississippi River he was inspired to write “The Negro Speaks of Rivers”, which was his first published poem when he was eighteen years old. When Hughes returned to the United States in 1924 the Harlem Renaissance was in “full swing”. In 1925 at the age of twenty-three Hughes received an award for his poem “The Weary Blues”, Hughes was famous for incorporating blues and jazz rhymes into his poetry, which is what he did in his poem “The Weary Blues”. Hughes was at a banquet where he received an award for his poem “The Weary Blues” and was asked by a man named Carl Van Vechten if he had enough poems to make a book. Hughes said yes and Van Vechten promised that he would find Hughes ...
The Harlem Renaissance was a cultural movement where African American poets were writing about the racial tension they experience. Most poems came from Harlem and were about the injustices and pride the black community felt. One famous poet was Langston Hughes. Hughes works were about the African American life starting in the twenties. Langston Hughes was the best writer of the Harlem Renaissance. He wanted his poems to the point and simple, rather than complex and wordy. His works were not written in sonnet like many other black poets. He believes that poem from African American poet should be different from their experiences. He wanted to tell real stories that including good and bad times that happen. His poems spoke to people everywhere, especially in the African American community. One of his poems goes over a hard time an African American would have to face when living under a landlord. Through the words in “Ballad of the LandLord” by Langston Hughes, themes of social injustices in the African American communities show the audience how African Americans were treated.
In “The Negro Speaks of Rivers”, the river stands as a symbol of endlessness, geographical awareness, and the epitome of the human soul. Hughes uses the literary elements of repetition and simile to paint the river as a symbol of timelessness. This is evident in the first two lines of the poem. Hughes introduces this timeless symbol, stating, “I've known rivers: I've known rivers ancient as the world and older than the flow of human blood in human veins” (Hughes 1-2). These opening lines of the poem identifies that the rivers Hughes is speaking about are older than the existence of human life. This indicates the rivers’ qualities of knowledge, permanence, and the ability to endure all. Humans associate “age” with these traits and the longevity of a river makes it a force to be reckoned with. The use of a simile in the line of the poem is to prompt the audience that this is truly a contrast between that ancient wisdom, strength, and determination of the river and the same qualities that characterize a human being. The imagery portrayed in the poem of blood flowing through human veins like a river flows ...