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Metaphor Narative Essay
Metaphor Narative Essay
Metaphor Narative Essay
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The Midwest: land of TV news anchors, housewives, and dreary, never-ending fields. In her memoir “The Horizontal World”, Debra Marquart uses interesting rhetorical techniques to detail this vast, distinctly uninteresting plain. By using unusual figurative language, outside examples to solidify her points, and a geometric extended metaphor, she paints a picture of perhaps the most boring place on Earth.
Throughout the excerpt, Marquart utilizes unconventional imagery to solidify the dreariness of the plains. In the very first paragraph, she describes North Dakota’s interstate as “one long-held pedal steel guitar note”. While also alluding to the country music ever prevalent in the Midwest, she personifies exactly how it feels to pass through such a bland area: an endless boredom and monotony, never punctuated by a new note to add to the song. Soon thereafter, she quotes a comedian as saying that the area “spawns both tornadoes and Republicans”. An interesting analogy that grabs the reader’s attention, when put in context with the descriptions of dullness that precede it, the quote imp...
Part I of A Sand County Almanac is devoted to the details of a single piece of land: Leopold’s 120-acre farmed-out farmstead in central Wisconsin, abandoned as a farm years before because of the poor soil from which the "sand counties" took their nickname. It was at this weekend retreat, Leopold says, "that we try to rebuild, with shovel and axe, what we are losing elsewhere". Month by month, Leopold leads the reader through the progression of the seasons with descriptions of such things as skunk tracks, mouse economics, the songs, habits, and attitudes of dozens of bird species, cycles of high water in the river, the timely appearance and blooming of several plants, and the joys of cutting one’s own firewood.
Capote begins the novel with a complete description of not only the town as a whole, but also the people and landmark buildings, which allows Capote to characterize the town completely. In the first line of the passage Capote uses the rhetoric of diction and imagery, to not only expose the surroundings to the audiences, but also to begin the higher and implicit meanings of his words. “Holcomb stands on the high wheat plains of western Kansas, a lonesome area”, this quote from the passage provides the implicit understanding that the land surrounding this town is unkempt, and lacks human interference. The “high wheat plains” act as a barrier to the outside world that those who live in the village, want to stay isolated from. The ending of the same line uses diction to explicitly show that this one little area is divorced from other communities. “Area that other Kansans call “out there””, shows that even to people who live in Kansas, which Americans consider “out there” can call this town “out there” providing exemplary evidence to Capote’s purpose of proving the seclusion of the village. “The countryside, with its hard blue skies and desert- clear air”, shows the use of diction and implicit meaning. ...
A number of ideas, suggestions, and points can be extracted from “Illinois Bus Ride,” a passage from Aldo Leopold’s collection of essays entitled A Sand County Almanac and Sketches Here and There. However, there must be one main thesis that the author is attempting to get through to his audience. Leopold argues that we Americans have manipulated the landscape and ecosystem of the prairie so that it seems to be nothing more that a tool at our disposal. All aspects of what was once a beautiful, untamed frontier have been driven back further and further, until they were trapped in the ditches.
One example to depict Los Angeles as a frontier town is how “Other sidewalk booths, like those ordinarily used as dispensaries of hot doughnuts and coffee, offered wild-cat mining shares, oil stock and real estate in some highly speculative suburb” (29). This shows the developmental activity in Los Angeles due to the real estate, the oil stock, and the wild-cat mining shares. Many people come to Los Angeles hoping to become rich and strike gold. Los Angeles is a frontier town that has a plethora of oil. In Adamic’s “Laughing in the Jungle,” he characterizes some of LA’s citizens as seeing “a tremendous opportunity to enrich themselves beyond anything they could have hoped for ten or even five years ago, and they mean to make the most of it” (52). This characterization of LA’s citizens is another way of Adamic depicting LA as a frontier town due to the exploitative activity that he describes. Another example of how Adamic portrays LA as a frontier town is because “Los Angeles is America. A jungle. Los Angeles grew up, suddenly, planlessly, under the stimuli of the adventurous spirit of millions of people and the profit motive” (54). Adamic clearly depicts the exploitative activity associated with LA as a frontier town. Another author who illustrates the exploitative activity to establish LA as a frontier town is Upton Sinclair. In
...to Americans: if their prospects in the East were poor, then they could perhaps start over in the West as a farmer, rancher, or even miner. The frontier was also romanticized not only for its various opportunities but also for its greatly diverse landscape, seen in the work of different art schools, like the “Rocky Mountain School” and Hudson River School, and the literature of the Transcendentalists or those celebrating the cowboy. However, for all of this economic possibility and artistic growth, there was political turmoil that arose with the question of slavery in the West as seen with the Compromise of 1850 and Kansas-Nebraska Act. As Frederick Jackson Turner wrote in his paper “The Significance of the Frontier in American History” to the American Historical Association, “the frontier has gone, and with its going has closed the first period of American history.”
Capote opens up his piece with a wide-angled description of an ordinary village in Western Kansas. The reader is faced with an “advertisement [that] has been dark for several years,” “irrelevant sign[s],” and “a gaunt woman.” This grim description points out the unfamiliarity of this isolated village. It paints
In Annie Proulx’s work Close Range she tells stories that emphasize the rugged landscape of Wyoming and how it has shaped the characters in her short stories. In the short story “A Lonely Coast” Proulx uses the Narrator and her friend Josanna Skiles, as the models for what life is like for a single woman in the rugged, masculine, male-dominated culture of Wyoming. Josanna’s boyfriend Elk functions as the personification of the state of Wyoming, pushing Josanna to her limits until she snaps, just like the landscape of Wyoming pushes its residents to the point that they either leave or die there.
Both passages concern the same topic, the Okefenokee Swamp. Yet, through the use of various techniques, the depictions of the swamp are entirely different. While Passage 1 relies on simplicity and admiration to publicize the swamp, Passage 2 uses explicitness and disgust to emphasize the discomfort the swamp brings to visitors.
Turner, Frederick J. The Significance of the Frontier in American History. Ann Arbor: University Microfilms, 1966. Print.
The spaces of the American West are far from uniform, in fact, they could be considered the complete opposite. This variety is what makes the West stand apart from the rest of the United States. The lack of a more common landscape and culture, such as in the American East, provides the backdrop for a plethora of Literary prowess from authors like Jack Kerouac and Douglas Coupland, who saw the American West as the perfect setting for two of the most influential novels of our time. The wide open road was just as much of an inspiration to Kerouac as the concrete megalopolises of malls, fast food, and tracts homes were to Coupland. Western culture would be fraction of what it is today if not for its exceptional diversity among space.
In Flannery O’Connor’s short story “A Good Man is Hard to Find” the author uses foreshadowing to lead up to the unexpected twist of fate that the family finds when meeting the story’s antagonist “The Misfit.” As columnist in English Language Notes David Piwinski explains, “The murders of the grandmother and her family by the Misfit come as no surprise to the attentive reader, since O’Connor’s story is filled with incidents and details that ominously foreshadow the family’s catastrophic fate” (73). The following passage will explore O’Connor’s usage of foreshadowing in “A Good Man is Hard to Find.”
In the movie A Beautiful Mind, the description of schizophrenia is shown in many accurate ways. The Diagnostic and Statistical Manual of Mental Disorders (DSM) states that the symptoms of this disease are delusions, hallucinations, disorganized speech, or unorganized or catatonic behavior. People with schizophrenia are also socially withdrawn and awkward when in contact with other people. These traits of the sickness are shown in detail throughout the movie by way of the character John Nash’s struggle with the disease. Nash is a very intelligent professor but believes he is working with the government to foil a Soviet attack plot. Nash eventually goes onto win a Nobel Prize for one of his theories. The movie shows the effects of schizophrenia on not only one man, but also on the friends and family of the ill individual. Treatment is discussed but not to any great length due to him ignoring the doctor’s orders on medication. Overall the movie shows some very prevalent traits of the disease in great detail during certain parts of the film.
In “The Fish” by Elizabeth Bishop, the narrator attempts to understand the relationship between humans and nature and finds herself concluding that they are intertwined due to humans’ underlying need to take away from nature, whether through the act of poetic imagination or through the exploitation and contamination of nature. Bishop’s view of nature changes from one where it is an unknown, mysterious, and fearful presence that is antagonistic, to one that characterizes nature as being resilient when faced against harm and often victimized by people. Mary Oliver’s poem also titled “The Fish” offers a response to Bishop’s idea that people are harming nature, by providing another reason as to why people are harming nature, which is due to how people are unable to view nature as something that exists and goes beyond the purpose of serving human needs and offers a different interpretation of the relationship between man and nature. Oliver believes that nature serves as subsidence for humans, both physically and spiritually. Unlike Bishop who finds peace through understanding her role in nature’s plight and acceptance at the merging between the natural and human worlds, Oliver finds that through the literal act of consuming nature can she obtain a form of empowerment that allows her to become one with nature.
Spirituals: African American spirituals are a key contribution to the creation of the initial genre of jazz. African Americans used spirituals during the earliest turmoil of slavery. These spirituals were used as songs to sing during labor and an initial way of communication for the Underground Railroad. These African American folk sounds mixed with gospel hymns were sun fused with instruments such as the harmonicas, banjos, and other instruments that could primarily be found. This initial form of the music started to separate itself from the gospel rendition. This mixture of different styles of music fused and gave birth to such things as minstrel shows, ragtime, and other forms of music. The most important that spirituals truly helped develop, was Jazz. Spirituals were the first true form of Negro expression in the form of music. Marshall W. Steams, Professor of English Literature at Hunter College states that “The spiritual was created out of nowhere by a sort of spontaneous combustion of Negro’s genius” (125). This mixture of hymns and instrumental instruction took form into one of the most versatile genres known to date, Jazz.
In Marquart’s “The Horizontal World”, descriptions of North Dakota occur within the passage to emphasize a potential in her hometown. Marquart uses analogy to give the audience a relatable idea, “Devoid of rises and curves in places that will feel like one long-held pedal steel guitar note” (Marquart, L.3-L.5). By having the audience, United States citizens excluded from North Dakota, imagine an empty, long road makes people curious as to what other possibilities the region obtains. Since North Dakota does not attract huge amounts of tourists like Los Angeles, California or New York City, attention to this simple state could have some appeal. A new concept, a significance in simplicity, can attract Americans who are over consumed in busy tourist attractions; the new wave in modern times. With beautiful nature and barren spaces, the author makes the midwest more engaging and alluring.