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Experience of writing
My experiences with writing
The life of Ernest Hemingway
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“A Good Café on the Place St.-Michel”
When winter came to Paris, the weather was so bad that to warm up the room where the narrator worked was considerably expensive. One rainy day, Hemingway went to a nice café on St.-Michel. While sitting in a warm café and writing a story, the author spotted and enjoyed watching a beautiful girl sitting at a table by the window. Completely immersed in his writing, he didn’t even notice when and with whom she left. When he finished his work, he ordered some food and drinks, leaving the thoughts about the writing for tomorrow. After a productive day at the café, he went home and offered his wife to leave Paris to go to mountains. She supported his idea.
“Miss Stein Instructs”
After coming back to Paris from the mountains, Hemingway payed frequent visits to his new acquaintance, a fellow writer and art collector, Miss Gertrude Stein. He enjoyed her company and the talks they have had: They discussed their own writing and the writings of other contemporary authors, paintings, and artists. During one of the visits to Stein’s studio, they have talked about homosexuality: Miss Stein made a clear distinction between men’s and women’s homosexuality and claimed that women are happy in homosexual relationships while homosexual men cannot find
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Once, Miss Stein told him that he and everyone who served in the war were a lost generation. When Hemingway tried to show her how inconsistent such an assumption was, she denied him the opportunity to express his opinion. Later, the writer could not get rid of the thoughts about this unjust statement; his rumination lead him to the idea that every generation is in one way or another a lost generation. With that thought in mind he remembered what a good person Miss Stein was and could not be angry at her any
" The Hemingway Review. 15.1 (Fall 1995): p. 27. Literature Resource Center -.
Ernest Hemingway was an intricate and dedicated writer who devoted a significant portion of his life to writing multiple genres of stories. Throughout his stories, the similarities in his style and technique are easily noted and identified. Two of the short stories he wrote contain themes and motifs that specifically explain the plotline. The first story, “The Snows of Kilimanjaro,” sets its scene in the depths of a desolate area in Africa, where the main characters, Harry and his wife, decide to make their home. After living there for a few years, Harry ventures out and falls into a thorn bush, thus infecting his leg with gangrene. A few weeks later, he finds himself on the brink between life and death, unable to treat such a severe infection. Throughout the whole story, his life is flashing before his eyes as he recalls all of the major events that occurred in his past. By nightfall, Harry is acting unusual, and he begins to feel as if life is not worth living anymore. After he drifts off to sleep that evening, his wife goes to check on him and discovers that her husband has passed away (Hemingway 52-77). The second great work of Hemingway, “The Short, Happy Life of Francis Macomber,” is also set in a deserted section of Africa. Francis and his wife, Margot, are on a safari adventure along with their tour guide named Wilson. The way these three characters interact with each other creates tension and provides an adequate plot for the story. The trip begins with the couple intending on hunting big game. At first they track down a lion that continuously roars throughout the night, and later decide to chase after buffalos. To add to the complications of the trip, Margot has an intimate relationship with their tour guide. The story c...
Stewart, Matthew C. "Ernest Hemingway and World War I: Combatting Recent Psychobiographical Reassessments, Restoring the War." Papers on Language & Literature 36.2 (2000): 198-221.
...e Americans came back from World War I experienced disenchantment with modern America and were unconnected from society, these people were known as The Lost Generation (O). This term was first coined by Ernst Hemingway to describe the atrocities witnessed by the soldiers in World War I, and whom came back to write literature. Among the people of the Lost Generation was Ernst Hemingway, F. Scott Fitzgerald, ad T.S. Eliot. The war was backed by the people who lived in the U.S. and did not go off to fight, only the soldiers know the true reality of the situation, and how horrible the war actually was and how the war changed them when returning to the United States.
Ernest Hemingway is today known as one of the most influential American authors of the 20th century. This man, with immense repute in the worlds of not only literature, but also in sportsmanship, has cast a shadow of control and impact over the works and lifestyles of enumerable modern authors and journalists. To deny his clear mastery over the English language would be a malign comparable to that of discrediting Orwell or Faulkner. The influence of the enigma that is Ernest Hemingway will continue to be shown in works emulating his punctual, blunt writing style for years to come.
...tory progresses. This contemporary style is what sets Hemingway’s novels apart from the rest. His style and approach was simplistic and direct. We see this simplistic and direct style when Hemingway writes, “But a man is not made for defeat. A man can be destroyed but not defeated”(103). These two short sentences are simple and direct, yet they carry weight and substance.
Throughout the lost generation, many writers criticized middle class conformity and other issues. Their motives include post-war angst, gender roles, and values. The writers reflected not only their view of society but the views of the generation’s young adults. One writer in particular, Ernest Hemingway, used his experience in the war to write about the theme of war in his novels, and expressed his view of its effects concerning male masculinity and female promiscui...
In this mode the narrator is someone outside the story being omniscient (Abrams, p.301). Nevertheless, the author as the narrator in this story gives the reader virtually no access to the couple’s thoughts and does not even interpret the emotional quality of their words or movements by using adverbs; he simply records. Hemingway termed his own literary writing style The Iceberg Theory, a method in which he held back key details of his stories. He carefully detected and omitted all the words that did not work, keeping only the words that were of highest importance to his story, and leaving readers to sift through the remaining dialogue and bits of narrative on their own (Yanling, p 109). There are no descriptions of the couple’s real names, their occupations or any physical attributes. He further omits dialogue tags (she/he said) and skips any internal monologues. The story has a documentary style with sparse wording which makes the language restraint, intensified and precise. The author seems to be indifferent both to the characters and to the reader; he pretends to be merely an objective observer content to report without comment the words and actions of the protagonists (Yanling, p 108). The reader is on the basis of her or his own interpretations forced to piece together the facts of the difficulties in the couples disjointed conversation (Yanling, p
... from one friend to another. The quality, the control Hemingway had in weaving his theme through his story is the work of a true master. Philosophy is never an easy subject to tackle, with it’s complex theoretical basis, it’s seeming unending list of unanswered questions, and the frustration and sadness it can bring forward. Applauding Hemingway for his attempt at divulging into his own philosophy would be an understatement and, for the most part, would mean little to the author. He comes across as this mythical figure, who’s intellect was far superior to most, but who’s own faults brought him back down to humanity, revealing that he is far more similar to most humans, a thought that, almost certainly, would have terrified him to no end.
Through the characters' dialogue, Hemingway explores the emptiness generated by pleasure-seeking actions. Throughout the beginning of the story, Hemingway describes the trivial topics that the two characters discuss. The debate about the life-changing issue of the woman's ...
Hemingway’s characters exemplify the effects of combat because World War I had a negative impact on them; the veterans lead meaningless lives filled with masculine uncertainty. Jake and his friends (all veterans) wander aimlessly throughout the entire novel. Their only goal seems to be finding an exciting restaurant or club where they will spend their time. Every night consists of drinking and dancing, which serves as a distraction from their very empty lives. The alcohol helps the characters escape from their memories from the war, but in the end, it just causes more commotion and even evokes anger in the characters. Their years at war not only made their lives unfulfilling but also caused the men to have anxiety about their masculinity, especially the narrator Jake, who “gave more than his life” in the war (Hemingway). Jake feels that the war took away his manhood because he is unable to sleep with Brett as a result of an injury. Although he wants to have a relationship with Brett, and spends most of his time trying to pursue her, she rejects him because he cannot have a physical relationship with her. At several points in the novel, Brett and Jake imagine what their lives could have been like together, had he not been injured during the war. Thus, his physical injury gives him emotional distress because he cannot have a relationship with the woman he always wanted. The traditional American perception of...
As Gillespie (2010) suggests biographical and historical backgrounds largely influence on literary works, which should not be omitted when considering their philosophical outlook. Therefore, the personal life and specific historical period that the two authors experienced might provide hints for their individual perspective on life and existence meaning. In spite of the enthusiasm on war during almost his life, Hemingway suffered from his physical ailments and mental deterioration and solitude (depression and paranoia) in his late years, which was a hangover from his engaged experience in World War I and World War II (Burwell, 1996). Hemingway was one member of the “Lost Generation”, who were victims of the World War I and struggled with moral and psychological aimlessness when searching for the meaning of life, while A Clean, Well-lighted Place was created at that time. In 1961, Hemingway committed a suicide to end his life. On the other hand, the majority of Carver’s life was in a relatively peaceful post-war period. Though Carver was addicted to alcohol and experienced his unhappy first marriage, in 1983 when Cathedral was published, he has started new li...
When Hemingway was growing up, he would perfect his fishing during his family’s summer vacations to Horton’s Bay. Right up until he decided to enlist in the army, his passion was fishing. The fishing trip in the book demonstrates that Jake can find happiness in the sun, without Brett. Spending time with two men that know the woman he loves makes him realize he is better off without Brett.
In his novel A Farewell to Arms, Ernest Hemingway transfers his own emotional burdens of World War I to his characters. Although considered to be fiction, the plot and characters of Hemingway’s novel directly resembled his own life and experience, creating a parallel between the characters in the novel and his experiences. Hemingway used his characters to not only to express the dangers of war, but to cope and release tension from his traumatic experiences and express the contradictions within the human mind. Hemingway’s use of personal experiences in his novel represents Freud’s Psychoanalytic theory regarding Hemingway’s anxieties and the strength and dependency that his consciousness has over his unconsciousness.
In a symbolic reading, the opening paragraph describes the crisis that exists in the marriage of the couple. In other words, the description of the bad weather, of the "empty square"[1](l.10) and of their isolation, reflects this conflict and also sets the negative mood. In fact, since the beginning, Ernest Hemingway insists on the isolation of the couple that "does not know any of the people they passed" (ll.1-2) and are "only two Americans"(l.1). Here it is interesting to notice that they are isolated from the outside world but also from each other. There is no communication and they have no contact, they are distant from each other.