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Why percussion is important essay
Why percussion is important essay
Why percussion is important essay
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Your score is at the end of the draft. The thesis in the draft is clear, with criteria that define your structure. In order to keep readers engaged in your evaluation, decide what order you intend to discuss these criteria; then follow that order. As you begin revising, you will need to take a look at sentence structure. Since an evaluation is often more predictable in structure, you will need to focus on strong, sophisticated sentences to distinguish yours from the thousands of others that writers present for the consideration of their readers. Topic choice already sets yours apart somewhat because of your developing expertise in percussion; strong sentences will give it even more impact. I will be available for assistance. When most people …show more content…
think about “marching band” they think of a crisp Friday night, halftime at the football game. They get out their cell phones to record their son or daughter performing the music they’ve worked on all year. The band takes the field and goes through the motions they’ve been practicing since mid-summer, everyone claps, and it’s all good. DCI, which stands for Drum Corps International, takes that notion to a whole new level. DCI is an organization consisting of numerous Corps across the US and Canada. Every summer, more than 8000 eighteen to twenty-one year olds audition for one of under 3500 spots in the twenty-three major corps. The competitive season lasts all summer and the groups compete at more than 100 events and are evaluated by judges at each one. At the end of the season the corps with the highest average wins the championship. DCI considers itself “marching music’s major league.” DCI is to marching band as the NFL is to football, to put it in perspective. The first time I saw Carolina Crown, one of the Corps in DCI, was in a movie theater at a live broadcasting of the start of the competitive season. I was very impressed with the complexity of the music and drill, the overall feel of the show, and how engaging it was. This is why I have decided to evaluate Carolina Crown’s 2015 show, “Inferno.” The show certainly lives up to its name; it revolves around being stuck in purgatory between Heaven and Hell.
The show starts out with long chords and dramatic pauses in the music, creating suspense and tension. Right away you are impressed by the musicians’ ability to convey drama and emotion. Eventually the corps comes together and a gigantic black tarp with the words “Abandon All Hope Ye Who Enter Here” printed on it is pulled over them by the colorguard. This is a very effective tool that leaves no question where the show is headed. As the show progresses it transitions between songs with fast and slow tempos, generating variety and contrast that keeps the audience interested. The band utilizes both sharp and flowing forms, furthering the contrast in mood. My interpretation is that the difference in feeling among the movements symbolizes the back and forth between purgatory and Hell. This concept certainly makes for an engaging performance. Throughout the show the overall feeling is one of darkness and despair, filled with dissonance and minor chords, but at the very end, the band breaks out into Beethoven’s melodic “Ode to Joy,” symbolizing the ascent to Heaven. During this portion of the show, the colorguard utilizes gold colored flags and cloths to convey feelings of victory and joyfulness. The ending is a major contrast to the rest of the show, which is a nice change and feels fresh and exciting. It also provides some literal resolution to the overall minor feel of …show more content…
the show. I don’t feel like there is one aspect of the show that necessarily stands out; everything in the show just works. Music is undoubtedly essential to a successful show.
The music in “Inferno” is especially impressive for its complexity and dynamic quality. All the musicians that participate in Carolina Crown are extremely skilled and it shows in their performance. The fact that every year a brand new show is written for the corps only adds to the impressiveness of the show. A unique aspect of the show is the band chanting “abandon all hope, ye who enter hear.” It’s a dramatic effect that also provides a bridge to the amazing drum break early on in the show. There are times when dissonance and cacophony serve to create the feel of the underworld and its chaos. The use of “Ode to Joy” as the closing piece serves as a triumphant finale, with its soaring melodies and beautiful harmonies. It leaves the audience feeling satisfied that good prevailed over evil. The quality of the musicianship alone is enough to please almost any audience. But these are not stationary musicians sitting in a concert hall; they are constantly moving to highly precise choreography. Each musician has a specific place to be at a specific time. One mistake can throw off the entire formation and ultimately cause the corps to lose points. As I mentioned earlier, the corps utilizes a mix of precise and angular forms, contrasting with flowing organic forms. This provides a delight to the eye, as every single formation is executed
flawlessly. I’ve watched countless performances in the internet from many other groups, but I often find myself being drawn back to “Inferno,” performed by Carolina Crown. I love the drama and overall quality of every aspect of the show. The music and drill are top notch, and the unique components of the chanting and giant tarps help establish this performance as a standout for this competitive season. Next time someone tells me to go to Hell, I’ll reply with “gladly!”
The musical score proficiently provides the viewers with a sense of what is happening in the scene which could not be communicated through text. Dramatic music is played for Creon’s entrance; this immediately communicates to us that he is a man of great importance and power. When Antigone enters after being arrested, the music is dynamic and tense. This conveys the seriousness and desperate atmosphere of the scene. The score is also a representation of the varying moods of the characters. An example of this is when Antigone is anxiously trying to appeal her sentence. The music makes the audience drawn is drawn to feel sympathy and pity her when she is preaching her views on death. For instance, a solemn melody is played when Haemon’s dead corpse is brought to King Creon. Creon grieves by himself as he is overcome with devastation caused by his foolish actions; his emotions are intensified by the sorrowful and sombre background music. The music is able to complement the play, while accentuating the more significant events.
... way they are moving from the bad things all around them into the good, that is, the music. In this way they are in a way escaping from the darkness that is around them every day even if only for a short time. It's the only light they have. This is when the author uses the image of darkness for the last time. " For, while the tale of how we suffer, and how we are delighted, and how we may triumph is never new, it always must be heard. There isn't any other tale to tell, it's the only light we've got in all this darkness." This supports that their music is the only thing that is totally good in their lives. With all the violence and despair that is around them all of the time, music is the only way they can free themselves.
In conclusion, we can see that Dante presents the reader with a potentially life-altering chance to participate in his journey through Hell. Not only are we allowed to follow Dante's own soul-searching journey, we ourselves are pressed to examine the state of our own souls in relation to the souls in Inferno. It is not just a story to entertain us; it is a display of human decision and the perpetual impact of those decisions.
There is a term for the anxiety that affects performance. Musical Performance Anxiety (MPA) has been defined by the PhD, Levy JJ. (PhD, MA & BA,2011). MPA is like stage fright. When a drum corps member is performing or they might be nervous, have butterflies in their stomach. These are the effect of anxiety during performance. A study by PhD, MA conducted on drum corps members showed the effects of anxiety and created the term MPA. The highest amount of MPA was found in color guard performers due the effect guard members have on the show appearance. The root cause for this in guard members and drum crop members is how the performers are treated during practice. The comments coaches make during practice effect the state anxiety in performers. These similar thought go through the performer in
The first song played was from a genre that I had previously taken a test on, Sonata. The musicians played the song by the book. There were three movements and polyphonic texture. It was even fast and jerky. Nonetheless, this is the part where my rollercoaster was going down. In my opinion it was boring. Although very well played, the song itself did not interest me. I did not like the roadrunner, coyote essence of the song. The piano accompaniment would sometimes play the melody and let the clarinet follow and then they would switch. This to me seemed force instead of like the Sonatas that I listened to in class. However, apart from the musical aspect of the first piece there was a certain intensity expressed by the performers. I had never seen a
Pathos: The emotions that are really being played on the most are anger. People have so much anger when they can not understand the world or what is going on in it. The audience becomes furious to all the killing and death in the world and they need someone there to sympathize with them. Anti-Flag gets the listener angry by exposing the faults of the world. The listener appreciates this because Anti-Flag will not sell into the wrongs of the world. It uses the emotion of finding comfort in that there is someone else out there that has the same views as the listener does. The band uses punk rock music as a common ground with the listeners and expresses their views through their songs. This relates back to the author because this is a great way to protest through music.
The Divine Comedy (The Inferno and Purgatorio, in this matter) without Virgil would be like coffee without cream. Without Virgil, Dante would never have completed his journey. Without reason, Dante would never have the courage to go through his redemption.
During the Divine Comedy, Dante is placed back on the path to salvation after help from supernatural aids. Dante was turned on to the wrong path and Beatrice, Dante’s past lover, needed to show him what would happen if he continued on the wrong path. Dante is being taken through the three different parts of the afterlife: The Inferno, Purgatory, and Paradise. Dante changes in his faith, and ideas of faith in these places, by the lessons from the guides and the tough situations.
Inferno is the first and most famous of a three part series by Dante Alighieri known as the Divine Comedy that describes his journey to God through the levels of Hell, Purgatory, and Paradise written in the early fourteenth century. Scholars spanning over nearly seven centuries have praised its beauty and complexity, unmatched by any other medieval poem. Patrick Hunt’s review, “On the Inferno,” states, “Dante’s extensive use of symbolism and prolific use of allegory— even in incredible anatomical detail—have been often plumbed as scholars have explored the gamut of his work’s classical, biblical, historical, and contemporary political significance” (9). In the story, each of the three main characters, Dante, Virgil, and Beatrice, represent
...r from white to black to represent the ashes. Trains throughout the film are a motif for death and life. Earlier in the film Mila Pfefferberg told the women the story of Auschwitz and no one believed her they shaved their hair and with stars of David on the doors. This foreshadowed the gruesome events that happened while the women were at Auschwitz and what actually happened to many Jewish people. This created tension by keeping the audience guessing what goes on behind the walls of Auschwitz.
In his first article of The Inferno, Dante Alighieri starts to present a vivid view of Hell by taking a journey through many levels of it with his master Virgil. This voyage constitutes the main plot of the poem. The opening Canto mainly shows that, on halfway through his life, the poet Dante finds himself lost in a dark forest by wandering into a tangled valley. Being totally scared and disoriented, Dante sees the sunshine coming down from a hilltop, so he attempts to climb toward the light. However, he encounters three wild beasts on the way up to the mountain—a leopard, a lion, and a she-wolf—which force him to turn back. Then Dante sees a human figure, which is soon revealed to be the great Roman poet Virgil. He shows a different path to reach the hill and volunteers to be Dante’s guide, leading Dante to the journey towards Hell but also the journey seeking for light and virtue.
“Honor the Prince of Poets; the soul and glory that went from us returns (Inferno, Canto IV)
The Ideas of Hell and Purgatory "Hell has probably caused more personal anxiety and distress than any other Christian belief. Hell has also motivated many Christians to follow the Great Commission and attempt to convert the world to Christianity" ("Various Views of Hell: As seen by Conservative Christians"). The word "hell" derives from the Pagan Norse Queen of the Underworld, Hel. When Christianity first evolved, the church taught that nearly everyone descended to this similar place to earth after dying.
The cover mashup begins with the negative principles presented in “Clarity,” including suffering, pain, and disappointment. The piece transitions into a state of wonder and curiosity. “Is the glass half empty or half full?” is a philosophical question that inspired me to focus on positive principles rather than negative ones. This question argues whether an individual is a pessimist or an optimist. I am an optimist, and I believe that regardless of faults or troubles, something positive always debuts. During the artist’s concession, I added piano music to demonstrate the transition from admitting faults to pursuing the future. These sounds encourage semantic listening which “refers to a code or a language to interpret a message,” according to composer Michel Chion (Chion, 50). In this case, music is the language encoding the message. The music is bound by repeated sounds in the background, supporting and accentuating the lyrics. Media historian and professor, David Hendy claims repetition “[infuses] a speech with a feeling of soaring poetry” (Hendy 65). Repetition, specific word choice, and pathos rhetorical strategies mold the poetry created within the piece. Fusing the lyrics of “Dreaming Alone” and “Clarity” with an array of sounds carefully chosen amplifies the overall message of the