While reading, An Unsuitable Job for a Woman, by P.D. James and Indemnity Only, by Sara Paretsky, one is given the opportunity to slip in to the life of a female private detective and experience the aspects of what occurs during the process of a murder investigation as seem through the eyes of two very independent women. P.D. James’s character of Cordelia Gray and Sara Paretsky’s character of V.I. Warshawski are two private investigators that display great passion for their jobs and will stop at nothing in order to close their cases. But, are inexperienced Cordelia Gary and wisecracking Warshawski prime examples of private investigators or are they two naïve women who have entered an occupation where compassion and sympathy are two traits that are better left unused.
Both Cordelia and Warshawski display great ability as women to enter a world of hate, lies and murder and take on roles that traditionally only men dared to enter. But, as they sift though evidence left behind by unknown assailants and pry into the lives of dead and living strangers, are these women really living lives of their own or are they becoming to emotionally entangled in a web of self destruction. Putting their lives in harms way in search of justice, an oath that they as private detectives have never took.
Both women are clearly excellent detectives; they solved their cases and reaped the self-gratification that comes from hard work and determination. In spite of that, are these two women really doing themselves any justice by restraining from the certain pleasures in life they yearn to experience and enjoy but have sustained from due to the career choice they have chosen, as seem in Cordelia’s reflection of what her life may have been like if she had chosen to attend an university and Warshawski’s reflection in the park of the mother and her children. Both women are still at an age where these reflections can still become reality, yet they have chosen to continue pursuing a career that hampers their ability to achieve these personal goals.
Maybe their becoming to emotionally involved in their cases is a result of their search for a way to compensate for the void their career choice has left in their lives. Both Cordelia and Warshawski became a little too preoccupied with their cases. Cordelia became so involved she was sleeping in the same house in which the murder occurred, not to mention the same bed as the deceased and she even began wearing the clothes of the young man whom she was investigating the murder of.
“Their job is not to turn out happy, well-adjusted young women; if they prod an injured girl to forget her pain, if they push her to drop out of school, they are only doing what the parents have paid them to do” (11).
“She still today never told me she loved me…never… never in her life … it’s too hard to explain,” says Anthony Sowell as he mentions his mother while he is being interrogated by Cleveland Homicide Detective (Sberna). The classic neighbor that every family wishes to have, friendly, helpful and caring was holding back numerous secrets. In Anthony Sowell’s actions of the rape, beatings and murder of 11 innocent women, he demonstrates the qualities of a human monster while showing how nurture creates a personality as well as proving that humans are capable of creation more fear than those who are written about in fiction.
...e relationship with men, as nothing but tools she can sharpen and destroy, lives through lust and an uncanny ability to blend into any social class makes her unique. Her character is proven as an unreliable narrator as she exaggerates parts of the story and tries to explain that she is in fact not guilty of being a mistress, but a person caught in a crossfire between two others.
(indigenouspeople.net) The history and culture of the Chippewa Indian Tribe is very important; for the past, present and future, it is their goal to continue their heritage and teach the younger generations. They live in many places around the world, with different groups living together, working together and
In “Hills Like White Elephants” and “The Story of an Hour”, the woman in each story imprisons in the domestic sphere. In “Hills Like White Elephants”, the woman in this story conflicts between keeping the baby or getting abortion although the relationship with her boyfriend would not improve as he said. In “The Story of an Hour”, even though Louise Mallard, an intelligent, independent woman understands that she should grieve for Brently, her husband and worry for her future, she cannot help herself from rejoice at her newfound freedom. The author of this story, Kate Chopin suggests that even with a happy marriage, the loss of freedom and the restraint are the results that cannot be avoid.
... perfect exemplars of how an ideal innocent women, can face undoubtedly tragic fates. Despite much strength in their characters, both Daisy and Desdemona exhibit the vulnerability of their innocence, the ability for others to take advantage of them, and glaring weaknesses. They are unaware of their surroundings, which lead to questionable actions. Their inevitable tragedies occur because of how each character dealt with these situations placed in front of them. All in all, Daisy and Desdemona are responsible for their tragedies because they are women placed in unfamiliar positions and are unable to deal with situations placed in front of them.
Where Are You Going, Where have you been? is a short story written by Joyce Carol Oates. The 75 year old American author and professor at Princeton University, introduce the story of 15 year old Connie who is rebelling against her mother’s whishes. A very arrogant and selfish girl that in her world the only thing that matters is how many heads she can turn when walking into a room. Through the story life gives her a test, to confront Arnold Friend, the antagonist of the story; who possesses a nefarious power beyond her own experience.
The power of women is different than that of men. Women display a subtle and indirect kind of power, but can be resilient enough to impact the outside world. In Trifles, Susan Glaspell delivers the idea that gender and authority are chauvinistic issues that confirm male characters as the power holders, while the female characters are less significant and often weak. This insignificance and weakness indicated in the play by the fact that the women had the evidence to solve a murder, but the men just ignored the women as if they had no value to the case at all. This weakness and inability of the female to contest the man’s view are apparent. According to Ben-Zvi, “Women who kill evoke fear because they challenge societal constructs of femininity-passivity, restraint, and nurture; thus the rush to isolate and label the female offender, to cauterize the act” (141). This play presents women against men, Ms. Wright against her husband, the two women against their spouses and the other men. The male characters are logical, arrogant, and stupid while the women are sympathetic, loyal, and drawn to empathize with Mrs. Wright and forgive her crime. The play questions the extent to which one should maintain loyalty to others. Mrs. Peters and Mrs. Hale try to withhold incriminating evidence against Mrs. Wright, and by challenging the reader to question whether
Everyone experiences transitions in ones lives. Some changes are small, like going from one class to the next. Other times these changes are major, like the transition between youth and adulthood. The author Joyce Carol Oates is trying to make one understand the powerful effect that the opposite sex can have on an adolescent girl, and displays the potential dangerous consequences that may result if one succumbs to their desires without even thinking about it. Oates dramatizes a real life wrong doing story to test and examine the decisive moment people face when at the crossroads between the illusions and innocence of youth and the uncertain future ahead of them. Joyce Carol Oates's "Where Are You Going, Where Have You Been?” tells a story of a teenage girl named Connie who is having a hard time transitioning from being a teenager to becoming an adult. She is a superficial and selfish teenager who ends up in a horrifying situation she must accept unless she wants her family to be in the same horrifying situation. Like most teenagers, Connie explores her surroundings and numerous temptations confront her along the way. Connie's mother and her own intuition attempt to protect her from the wickedness in society, but sometimes the allure of these enticements "cry 'to one' like a fire in the sun"(Dylan 613). The main characters name Connie is a fifth teen year old girl that is rebelling against her mother’s wishes. First off, Connie was not happy at home her father was away at work most of the time and didn't bother talking much to them according to the story so Connie didn't have a relationship with him. Connie found her happiness in fleeing with her friends by going to the plaza and daydreaming about boys. Connie usually goes wit...
In the 1920s, women struggled to develop a work identity that would give them professional status and preserve their femininity (Walkowitz, 1051). They wanted to be eligible for an executive position, but at the same time they also wanted to be Women finally began working outside the home, but not yet at the level, status, and rank they deserved. They deserved
The spectrum of therapeutic techniques available within the health care continuum is very complex and varied. From traditional medicine, to holistic remedies, and anything in between, nurses have a rather large arsenal at their disposal when it comes to treating the patients that are under their care. Humor as an alternative therapy has long been understood as a proven means to aid in the recovery process. “With so much power to heal and renew, the ability to laugh easily and frequently is a tremendous resource for surmounting problems, enhancing your relationships, and supporting both physical and emotional health” (Smith & Segal, 2015). The purpose of this paper is to discuss situations in which humor would be a viable alternative therapy
In the 14th century Geoffrey Chaucer wrote The Canterbury Tales, which included a progressive view of women's concerns in "The Wife of Bath." During a time when women were still considered chattel existing almost exclusively to produce heirs, Chaucer takes a stand on issues affecting women that were not commonly given consideration. Writing in the first person, Chaucer is able to describe life from the viewpoint of a woman. Through this style, Chaucer addresses subject matter that would have been too candid for a female writer during his time period. By writing "The Wife of Bath" in a satirical way, Chaucer points out issues facing women regarding double standards, the validity of female desire, and the economic necessity of women to marry well while keeping the text humorous with some common female stereotypes regarding deception that have persisted into present day culture.
"'A Morbid Longing for the Picturesque': The Novels of Donna Tartt," is significant because it suggests that in The Secret History, the clique is so self-absorbed that they induce a false sense of superiority that allows them to justify committing murder. However, justifying the act was not enough and paranoia takes over.
In Chaucer’s Canterbury Tales, Chaucer opens describing twenty-nine people who are going on a pilgrimage. Each person has a dissimilar personality that we can recognize from the way people behave today. He creates The Wife of Bath to stand out more compared to the other characters that are involved in these stories. In Chaucer’s “General Prologue,” the Wife of Bath was described as a woman who was intentionally described in an obvious way to provoke a shocking response. The Wife carries a lot of experience with things; she is a worldly person and has experience in the ways of the world in a sense of love and sex. Her clothes, physical features and references to her past are intentionally discussed by Chaucer causing the reader to wonder how well she is such a flamboyant and extravagant character. She shows off her clothes with evident pride, her face is wreathed in heavy cloth, her stockings are a fine scarlet color, and the leather in her shoed is soft and fresh. Her clothing symbolizes to the reader that she is not fearful or shy, and also shows off her expertise as a weaver.
Part Two of Kartina Karkazis’ novel Fixing Sex focuses on the reality parents face when their child receives an intersex diagnosis. Karkazis illustrates what a couple experiences when they discovered their baby girl was not in fact a girl, in accordance to the socially constructed understanding of a female. She also covers the importance of choosing a sex with an intersexual baby when society is involved. A great example from the text is, “Bodies with atypical or conflicting biological markers of gender are troublesome because they disturb the social body; they also disrupt the process if determining an infant’s place in the world” (96). It ties in perfectly to the purpose of paragraphs four, five and six: The Ramifications of Corrective Surgery (Good and Bad). The quote highlights one of the “bad” ramifications of intersexual corrective surgery. It has progressed to the point where society has such a large impact on what is classified as a “proper girl” or “proper boy” that if a baby does not classify into one of those categories, then the child is no longer accepted.