In the early years of America’s foundation, a powerful air of uncapped potential, the desire for expansion and individual identification enamored the American people. Progress was inevitable as was cultural definition. But as time progressed, the feeling of unlimited strength, time and space transformed into something that, for better or worse, was no longer shared by later poets. Those of the “New World” came to realize that their world never really managed to leave behind the faults of the “Old.” Societal tension rose as different poets and authors struggled to pin down the direction of American culture and its ideals. When no solid idea was able to capture American culture adequately, the concept of an ever-evolving American identity was adopted. It became apparent that the American identity could not concisely be defined because its description transformed into something greater than itself. Despite the notion of defining something so incredibly wide and vast, society has become increasingly pre-occupied with explaining exactly what the American identity means. Even when authors such as Walt Whitman, Ralph Waldo Emerson and Emily Dickinson navigate the American identity, their ideas, although similar in many respects, offer various nuances and perspectives on the topic. By investigating the various idiosyncrasies of their language and the focus each emphasizes, the complexities of the American identity can truly be highlighted.
In the case of linear movement, Whitman brings forth a distinct perspective of time as he disregards the traditional idea of external reality. This loss is set off by a heightened presence within the realm of consciousness. Therefore, Whitman’s nonlinear form of movement is accompanied by a destruct...
... middle of paper ...
... lets the world file past him and assigns each object by its name. It is in this way he rediscover the idiosyncrasies of the world around him, which have been too long camouflaged by conventional attitudes. Unlike Adam, however, he is not merely a giver of names, but Whitman feels at one with what he creates. Hence, Whitman’s attempt to establish a new relationship with reality and contribute to the fundamental ideals of the American identity rests on two premises. On one hand, he wants to experience and appreciate each individual in its particularity, just as Emerson’s “centrality of things” (Emerson, Circles) and in celebration of the “sacredness” (Whitman, Leaves of Grass) held within the individual; on the other, his urge to identify himself with the objects makes him demand that everything has reference to the foundation of the world, and particularly America.
Here Whitman’s persona is taking a great interest and pleasure in the mere routine and wit of this young man, who is most likely unaware of the fact he is being observed. Whitman is e...
Throughout the span of this semester, much of the literature discussed revolved around the so-called renaissance of American literature and its impact upon both the nation and its people. Of all the authors studied in this time period, Walt Whitman may well be known as the quintessential American author. Famous for breaking every rule known to poetry in the inimitable compilation, Song of Myself, Whitman provided a fresh and insightful commentary upon the dualistic nature of society, love, and life itself. Through defining these essential aspects of humanity, Whitman indeed composed one of the most accurate and enduring definitions of the individual self that literature, American or otherwise, has ever seen. Specifically, this was done through
American poetry, unlike other nations’ poetry, is still in the nascent stage because of the absence of a history in comparison to other nations’ poetry humming with matured voices. Nevertheless, in the past century, American poetry has received the recognition it deserves from the creative poetic compositions of Walt Whitman, who has been called “the father of American poetry.” His dynamic style and uncommon content is well exhibited in his famous poem “Song of Myself,” giving a direction to the American writers of posterity. In addition, his distinct use of the line and breath has had a huge impression on the compositions of a number of poets, especially on the works of the present-day poet Allen Ginsberg, whose debatable poem “Howl” reverberates with the traits of Whitman’s poetry. Nevertheless, while the form and content of “Howl” may have been impressed by “Song of Myself,” Ginsberg’s poem expresses a change from Whitman’s use of the line, his first-person recital, and his vision of America. As Whitman’s seamless lines are open-ended, speaking the voice of a universal speaker presenting a positive outlook of America, Ginsberg’s poem, on the contrary, uses long lines that end inward to present the uneasiness and madness that feature the vision of America that Ginsberg exhibits through the voice of a prophetic speaker.
Very few people will contest that Walt Whitman may be one of the most important and influential writers in American literary history and conceivably the single most influential poet. However many have claimed that Whitman’s writing is so free form as evident in his 1855 Preface to Leaves of Grass and Song of Myself that it has no style. The poetic structures he employs are unconventional but reflect his very democratic ideals towards America. Although Whitman’s writing does not include a structure that can be easily outlined, masterfully his writing conforms itself to no style, other then its own universal and unrestricted technique. Even though Whitman’s work does not lend itself to the conventional form of poetry in the way his contemporaries such as Longfellow and Whittier do, it holds a deliberate structure, despite its sprawling style of free association.
The nature of an ideology is completely personal; one’s interpretation may vary greatly from another’s interpretation. This is demonstrated in the two poems, “America” by Claude McKay and “Let America be America Again” by Langston Hughes. Both of these poems emerge from the Harlem Renaissance of the 1920s, and though these two poems each describe an ideological viewpoint of America as a place and a concept, the two speakers view the subject differently from one another. Both poets employ similar sound devices, yet the tones and themes vary between the two works.
To be an American has a big picture that can be described in many ways. Personally, to be an American is to achieve everything; however, the person next to may have a different opinion about it. History, America has been attracting immigrants from different parts of the world to live the full freedom and opportunity. To be an American means much more than living in the United States is to be able to expand the beliefs ones have. That is why people view the American Dream. The American Dream is an idea on were a perfect freedom is given to all people no matter social group or race. Many people have a definition of their mind on what is an American Dream. American are viewed as a person who can do the unlimited things. People freedoms and discoveries
American identity has been created by many events throughout the course of history. This country was founded on the clashing and mixing of many different cultures and lifestyles. One of the most important periods of time for this country was during the period of conflict between Americans and Native Americans over land rights. Americans had an idea of manifest destiny and that this land was theirs for the taking. The Americans were going to walk through anyone who opposed them in this quest for land. The treatment of the Indians during this time period was harsh, cruel, and violent to say the least. It is in this treatment that Americans came to view the Indians as a ?racialized other? and where race began to matter. This early thinking is what created our American identity which is based on race.
The Romantic era’s new “American identity” was realized by the 18th-century’s literary, social, and artistic push for the creation of a culture that was unique to American society and the expansionist urge to expand America’s political realm of power. This was achieved with the influence of manifest destiny and expansionism, the emergence of transcendentalism and transcendentalist literature, and the identity of the American man being characterized by the traits of the “common man”, and the exploration of nature and the frontier through art.
Stedman, Edmund Clarence. "An Important American Critic Views Whitman." Critical Essays on Walt Whitman. Ed. James Woodress. Boston: G.K. Hall, 1983. 116-127.
Having such a distinctive view on the world is not one that comes without emotional turmoil. "I suffer all the time: I have no relief, no escape: it is monotony—monotony—monotony—in pain." Walt Whitman has had a troubled life since birth and looks back at his childhood as unhappy and tense. His father was extremely strict, had a bad business sense and often drank. His father’s bad investment decisions eventually forced Whitman
In a significant event in section six of the poem, a child asks, “What is grass?” (91). The speaker does not know how to answer, but in this case, grass becomes a visual metaphor for American democracy, a group of equivalent individuals (Casale 64). Whitman struggles to answer the question, but he knows for certain that it –both grass and democracy—is for everyone: “.old people.
While the poem can be termed to be democratic, both in subject matter and its language, Whitman is viewed to be cataloging the ‘new’ America that he is seeing around him. The poem includes subject matter such as relationships, patriotism, heroes, family and ancestors, and a view on social commentaries too.
In “On the Beach at Night Alone,” Walt Whitman develops the idea that everyone has a connection with everything else, including nature. Whitman uses a variety of writing techniques to get his point across. First, the repetition and parallel structure that his poems contain reinforce the connection between everything in nature. The usage of “All” 11 times emphasizes the inclusion of everything in the universe. The sentence structure remains the same throughout the poem, without any drastic change; however, the length of the lines in the poem vary. In addition, Whitman’s’ extravagance with his words further illustrates his idea of the Over-Soul. For example, “A vast similitude interlocks all” (4) shows his verbose nature. Whitman does not do directly to the point, but gives every little detail. Most importantly, Whitman’s’ use of catalogues stands as the most recognizable Whitman characteristic that illustrates his beliefs. These long lists that he uses set the mood of the poem. “All spheres, grown, ungrown, small, large, suns, moons, planets,” (5) shows the idea that everything is connected in nature. Similarly, “All nations, colors, barbarisms, civilizations languages.” (10) furthermore emphasize Whitman’s belief in the Over-Soul.
As Whitman, the specific individual, melts away into the abstract, “Song of Myself” explores the possibilities for communion between individuals. Whitman addresses the reader in a particularly direct manner. He integrates his reader into the poem, and is freed of the constraints of poetic principle and social etiquette. The poem presents entire body lounging on the ground, leaning and idling. Whitman deliberately conflates natural world and poetical world. “Song of Myself” goes beyond the boundaries of Transcendentalism in the relationship of the physical and spiritual, individual and universal. The self that Whitman cheerily sings and celebrates substantiates a ‘uniform hieroglyphic’: suggestive, multiform, and awash with inconsistency. “It is as much a physical presence as a projected spiritual possibility” (Jason 2). Even as it blatantly and fervently expresses Whitman’s faith in evolution (and therefore in the necessary indivisibility of self-reliance), “Song of Myself” also conveys a separation with the “self,” the poet himself, and the co...
The glamorization of American opportunity created a great sense of nationalism which encouraged many to embrace ideas like manifest destiny. Walt Whitman was a poet living in the nineteenth century who wrote many poems which figuratively painted a picture portraying enrichment and opportunity in America, and the greater opportunity which could be achieved through traveling west. One compilation of poems entitled Leaves of Grass, was quite influential to those living in America and abroad, catching the eye of many opportunists seeking a better future for themselves. While the stories may be different, a common theme of American nationality exists within the poetry of Walter Whitman’s Leaves of