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Critical analysis on Dr Faustus
Analysis of doctor faustus
Critical analysis on Dr Faustus
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Mankind in his natural state serves as the topic for continuous debate among countless philosophers. Many theories follow that of Genesis in which humanity is naturally virtuous and only upon the return to the savage state will they escape the corruption and immorality of civilization. Conversely, mankind is also deemed by many as inherently wicked and sinful and only through the acquisition of self-knowledge do they become moral. These theories are explored in Joseph Conrad’s Heart of Darkness and Christopher Marlowe’s Doctor Faustus as the characters of each story are placed into a state of overwhelmingly unrestricted freedom resembling that of the pre-civilized age. This vast sense of liberty proves to be a poisoned gift while supporting the latter of theories as Heart of Darkness’s Mr. Kurtz and Dr. Faustus each succumb to the immoral inclinations of human instinct. Mr. Kurtz parallels Dr. Faustus as they each travel into the unknown for the purpose of self-improvement and tragically, in the midst of a final revelation, fall victim to the wickedness of natural human instincts.
During his opening speech, Faustus contemplates the various types of scholarships, such as logic, medicine, law and religion with the purpose of identifying the most rewarding (Faustus 5-6). However, having already mastered logic and medicine and seeing law and religion as unsatisfying, Faustus rejects each discipline as inadequate. He thus arrives to the subject of magic. This unexplored discipline appears “heavenly” to Faustus with its ability to grant “a world of profit and delight, of power, of honour, and omnipotence” (Faustus 6). With his self-proclaimed barren life, Faustus craves advancement and is therefore charmed by the seemingly harmless an...
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.... Kurtz each venture into the darkness for the purpose of greatness, but are fatefully led off track by their innate wickedness and only at death’s door do they finally become enlightened. Mr. Kurtz, a man with pure intentions, becomes infatuated with his god-like status among the natives. Thus, Africa becomes the Mephastophilis in Heart of Darkness as it brings out the inherent evils in Kurtz and leads him directly into the inescapable grasp of hell. Similarly, Faustus, with seemingly harmless desires, becomes charmed by the prospect of supreme power. Greed and an insatiable craving for power trap him in an irreversible darkness. Finally, as witnesses to the final revelations of these tragic characters, we are left to question whether true morality is possible among mankind if we become enlightened only in the face of death.
Works Cited
Faustus
Heart of Darkness
Mankind has struggled throughout eternity, battling the demons that come from the very depths of the soul. Elie Wiesel’s novel, Night, and William Golding’s novel, Lord of the Flies show how quickly humans can descend into chaos and savagery. When dehumanization presents itself in unruly civilizations, humans turn into more primitive beings. The process of dehumanization begins through a loss of morals, knowledge, and innocence. The main characters in both novels find themselves in the eternal battle of good versus evil.
In Joseph Conrad’s Heart of Darkness, Kurtz and the Council demonstrates natural human needs in order to survive and achieve personal desires. His dissolution and corruption take place as he travels deep within the Congo. His behaviour that lacks moral ethics is accepted by everyone in the Congo due to the severity of the area. Kurtz’ imperialistic actions of obsession with power and wealth, and his view of colonialism lead to his ultimate dissolution. He believes that his way of darkness is good, although it is the sole reason to his corruption.
"Heart of Darkness , which follows closely the actual events of Conrad's Congo journey, tells of the narrator's fascination by a mysterious white man, Kurtz, who, by his eloquence and hypnotic personality, dominates the brutal tribesmen around him. Full of contempt for the greedy traders who exploit the natives, the narrator cannot deny the power of this figure of evil who calls forth from him something approaching reluctant loyalty."[1]
The Intended asks Marlow to repeat Kurtz’s last words because she wants “something to live with” (71). Marlow hesitates, realizing that Mr. Kurtz’s actual last words would crush his fiancée. Then, Marlow finally understands that, while he can despise evil and ungodliness, he can also understand why men are evil and ungodly; he understands Mr. Kurtz’s intentions and chooses to respond to the Intended by lying, “The last word he pronounced was—your name” (71). Conrad reveals the goodness in men that society would not expect to be good. Even today, people are racist and prejudice, seeing evil in people that are not necessarily evil. However, it is important to see the goodness in the people that society deems evil, like the Africans in Heart of Darkness, in order to achieve a greater understanding of the world and oneself.
In Joseph Conrad’s short story, “Heart of Darkness,” the narrator has mixed emotions about the man Kurtz. The narrator spends a large portion of the story trying to find Kurtz. During this time the narrator builds a sense of respect and admiration for Kurtz; however when he finally finds Kurtz, he discovers that he is somewhat disgusted by Kurtz’s behavior. The narrators somewhat obsessive behavior regarding Kurtz is quickly changed into disappointment. The narrator sees that the man who Kurtz is, and the man he created Kurtz to be in his mind are two very different people. He finds that Kurtz is not a reasonable man of justice and reason, but an unstable man whose cruelty and deception is awful. In Joseph Conrad’s short story, “Heart of Darkness,”
This excerpt reveals that Faustus, although he has had much success and is widely recognized for it, yearns for further discovery, a limitless experience, a power that physically is beyond him. Later in the same scene, he clearly states his solution to this quandary, “A Sound magician is a mighty god. Here Faustus, try thy brains to gain a deity” (63 – 64). In order to achieve this for even a limited time however, he must exceed natural human boundaries. In his search for a means to do so, he forms a new boundary, namely the loss of control over his soul, in scene 5 through a contract with Lucifer.
Nietzsche cringes before the civilization of Europe and seeks a man unencumbered by moral principles, principles that he believes form from the stifling existence of being surrounded by weaker beings. Nietzsche’s cry for a superhero is realized in the quest of Marlow in Joseph Conrad’s novella, Heart of Darkness. Marlow travels up the Congo River in Central Africa, driven by curiosity that morphs into raving monomania to find the premier Belgian ivory trader, Kurtz, a man seemingly distinguished from the hollow men of the Company, a man to make Nietzsche proud. But the average reader is not proud, as through Heart of Darkness Conrad displays for him the horror that lurks within his own soul through the flow of the story ever inward from the mouth of the Congo, to the Belgian ivory stations, to the innermost darkness, Kurtz himself. Conrad’s narration is as smooth as a stream with a barely perceptible current bearing readers along with his story in blissful contentment, only to be jostled suddenly by waves of uncomfortable fact, then let down into lethargy and sweet beautiful language again.
Jean-Jacques Rousseau presents the fascinating notion that human beings are born into the world with an inherently good nature. Nonetheless, this morality turns cold and dark within the steel bars of society. The heavy rules of civilization produce the long, iron chains that corrupt the goodness inside the souls and bodies of mankind. According to SparkNotes, “Rousseau believed modern man’s enslavement to his own needs was responsible for all sorts of societal ills, from exploitation and domination of others to poor self-esteem and depression” (“The Necessity of Freedom”). The philosopher’s intuitive thoughts can be summarized in his quote, “Civilization is a hopeless race to discover remedies for the evils it produces” (“Jean-Jacques Rousseau Quotes.”)
This essay will compare and contrast the presentation of Kurtz in an extract from Conrad's "Heart of Darkness" with that of Faustus in Marlowe's play. From the first scene of the play Faustus is a condemned man, signing away his soul to the Devil in return for temporal power, "This night I conjure though I die therefore" Kurtz is also presented to us as a man in the final stages of his life, rapidly approaching death, "Kurtz's life was running swiftly, too, ebbing, ebbing out of his heart into the sea of inexorable time". Faustus is presented as a flawed character whose intellect and ambition seal his own fate. His ambition to achieve God-like omnipotence whilst living on Earth is made possible by his intellectual perception of the world. In the first scene Faustus lists the discoveries and ideas of all the great authors he has studied: theology, philosophy, logic, medicine then law.
Johann Wolfgang von Goethe, the brilliant mind behind the 17th century’s epic poem “Faust”, illustrates a combining structure of desire and self-indulgence. His idea was to capture the ideal image of good vs. evil and how easily it can be misconstrued. “Of all the great dualities of hum an experience 'good and evil' have been the most instrumental in shaping the beliefs, rituals, and laws, of Homo Sapiens.”(Argano)
Although Christopher Marlowe's Doctor Faustus has outclassed every one at Wittenberg with his academic studies, he is "still but Faustus, a man." Proud of his accomplishments, he desires to become a superman. His judgment clouded by the sin of his pride, he misunderstands his knowledge and dismisses the disciplines of medicine, philosophy, law, and divinity. He lusts for God's capability to "make men live eternally or being dead raise them to life again," believing the devil's arts of magic and necromancy can provide the power, honour, omnipotence and, most importantly, the wealth he craves. His deluded pursuit of the immediate pleasures such wealth can yield brings upon himself the risk of eternal damnation. By conjuring the devil, Faustus removes himself from the influence of the Holy Ghost and God's love, instigating attacks of despair, and internal conflicts as personified by the Good and Bad Angels.
III. Faustus is portrayed as a very individual character. He changes and is shaped by the events that happen all around him. Everything he does affects his future outcome. For example his decision to give up his studies of medicine were very un-stereotypical of a character that is studying to be a doctor to do. Even more so is his decision to take upon the necromantics of the devil. He says, “Then read no more; thou hast attain'd that end: A greater subject fitteth Faustus' wit.” (1.11) He believes that he has learned enough information about all the great things of the world and there is nothing left to study that will intrigue him as much as magic will. His curious personality affects the play because his decisions determine the plot. For example the Seven Deadly Sins entice him so he becomes convinced not to repent his sin. This characterizes him as gullible, curious and adventurous. He becomes obsessed with his magic and he absolutely loves having the powers to do anything he pleases. An example of this is when he conjures up Helen. He knows he can do whatever he wants without reservation so he chooses to conjure the woman who launched a thousand ships. This shows that not only is he gullible, curious and obsessed but also Faustus only wishes for the best in whatever he does; the best that will please him.
In the tale Heart of Darkness, Kurtz, a European "White Knight", sets out on a crusade to win the hearts and minds of the lesser African people. Kurtz was ignorant of the degree to which Africa is dangerous, wild, timeless, feminine, unfettered by letters, religious, and vibrant. His love turns to rape when he discovers how unfitted he is to master the magnificent vitality of a natural world. The difference between Europe and Africa is the difference between two secondary symbols: the European woman who has helped to puff up Kurtz's pride and the African woman who has helped to deflate him.
Faustus was an exceedingly ambitious man, even in relation to what is considered to be ambitious by people in today’s society. In the prologue, The Chorus sums up Faustus’ background and early life, emphasizing his ordinary background and academic success. It seems that Faustus’ intellect made him become proud and this fired up his ambition. When Marlowe presents Faustus in scene 1, Faustus methodically shuns great authors and classically intellectual subjects, such as medicine and law because they hold little attraction to him, (line 11)
Frank Manley. “The Nature of Faustus.” Modern Philosophy 66.3 (Feb, 1969): 218-231. The University of Chicago Press. Web. 15 Nov. 2013