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What is duality in literature
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An Analytical Essay on the Duality of Man in Hamlet
Day after day on television, in the movies, and even in some modern literature we see characters falling within those same old categories of "good guy" or "bad guy". Life would be much easier to figure out if human beings were so definitely good or bad, but we're not. Four hundred years ago William Shakespeare wrote a play that presented characters how human beings truly are, neither all good nor all bad. Hamlet is a play twisting and turning so much in human emotion that at times it almost seems to come alive and give us an accurate depiction of inner-torment, death, and humanness. In such scenes as the one where we see Claudius praying for forgiveness for the murder he has committed, guilt is seen in who would be the easy-to-hate "villain" in other stories. He is depicted as a human being with the capacity to be sorry for what he has done. The good and bad qualities of characters in Hamlet makes it harder for the audience to know who is right or who they want to see succeed. This duality is seen in many other Hamlet characters and it is most interesting to examine this mix of good and bad in Hamlet, because he is the play's supposed "good guy". Since Claudius wronged Hamlet and his father the audience wants to sympathize with Hamlet and see him triumph over Claudius. When his decency and moral appeal are seen as questionable Hamlet becomes a story immersed in the positive and negative qualities of character and the ambiguity of life.
In the beginning of the play the audience sees Hamlet struggling with his father's death and his sincere mourning appeals to us; it is something that makes us feel for him. After his encounter with the ghost we are given a Hamlet with a horrible mission, to murder. Anyone can imagine how being faced with the truth of his father's death would anger Hamlet, but to murder in cold blood is something that wouldn't come easily to a young man. The audience longs to see Hamlet find a way to make better what has happened, because he is innocent, young, and a man who lost someone he loved. To deal with the murder of his own father and then being asked to murder are things that make us pity him and his confusing situation.
The significance of the players exceeds the sole purpose of entertainment, as each possesses the power to unveil the "occulted guilt" (3.2.75) and conscience of the King. Hamlet assumes the responsibility to advise these players with precise and adequate direction so that a "whirlwind of passion" (6) may not effectively separate Claudius from personally identifying with the play. Hamlet's enthusiastic approach toward direction may be so that he encourages the players to "suit the action to the word, the word to the/ action, with this special observance, that you o'erstep not/ the modesty of nature" (16-18). However, this exercise of caution may justify Hamlet's too often delayed attempt toward the action of avenging his father's murder. His direction confines him to the overflow of words as he experiences imprisonment within the truth of his own identity.
Machiavelli, Nicolo (1532) The Prince. In Peter Bondanella’s and Mark Musa’s (eds) The Portable Machiavelli. (pp. 77-166) New York, New York: Penguin Books.
Machiavelli, Niccolò. The Prince from The Portable Machiavelli. Ed. & Trans. Peter Bondanella & Mark Musa. New York: Penguin, 1979.
Fashion reflects the attitudes of a society more than any other art form. Like art, fashion is a material record of the ideals that swayed the nations at the time of their creation. Through examining the styles, and tastes of a particular era, we can realize where the interests and priorities of a time lie. As Frank Parsons wrote in his 1920 study, The Psychology of Dress, "There is surly no better field in which to trace the devious paths of human thought than in that of clothes, where man has ever given free play to self expression, in a way which, thought not always a credit to his intelligence, is yet quite true to his innermost self, whether he will acknowledge it or not." Through, tracing and analyzing, side by side, art and fashion, and the effects that one had on the other and society, we can understand the ideals, and interests of European culture, here, through the Renaissance.
McAlpine, Lord. The New Machiavelli: The Art of Politics in Business. New York: John Wiley, 1998.
In the beginning of the play, Hamlet's father comes to him as a ghost from the grave. He tells Hamlet of his uncle's betrayal of him and tells Hamlet that he must kill Claudius to set things right. Through this event, Hamlet...
“The Prince”, by Niccolo Machiavelli, is a series of letters written to the current ruler of Italy, Lorenzo de’ Medici. These letters are a “how-to” guide on what to do and what not to do. He uses examples to further express his views on the subject. The main purpose was to inform the reader how to effectively rule and be an acceptable Prince. Any ruler who wishes to keep absolute control of his principality must use not only wisdom and skill, but cunning and cruelness through fear rather than love. Machiavelli writes this book as his summary of all the deeds of great men.
Sometimes, revenge can be utterly nasty and repeated. A Serbian patriot once slayed an Austrian archduke to exact his revenge for Austria’s occupation of his land. Austria retaliated by starting World War I. After the war, the Allied powers took revenge by enforcing massive fines and taking away land from the defeated countries. One of them was Germany. This led to Hitler’s rise to power and took revenge against France by making them sign their surrender in the same train where Germany gave up in World War I. Following World War II, Germany was obligated to repair some of the damage done by paying war reparations to the Allies and Jewish people after the war. When countries recur to revenge, history reiterates, more often than not, it means war. On a smaller scale, in Hamlet, the prince of Denmark begins an inner war that provokes quite significant inner struggles as well as an outer war with Claudius to avenge his father’s death. William Shakespeare masterfully portrays Hamlet, whose experiences and emotions drive him to alternate between the realms of sanity and insanity to achieve his ambition. As the ancient proverb states, “desperate times call for desperate measures.” These “desperate times” include the murder of his father Hamlet Senior, King of the Danes, by his malicious uncle, Claudius, the seeming suicide of his love, Ophelia, his mother's quick remarriage to Claudius after his father's death.
Originally titled The Tragicall Historie of Hamlet, Prince of Denmarke, this tragedy has been reproduced more times than any other play written by William Shakespeare (en.wikipedia.org 1 of 9). Prince Hamlet also has the lengthiest appearance of any character in all of Shakespeare's plays (en.wikpedia.org 6 of 9). In the play, Prince Hamlet is caught between balancing his need to avenge his father's death, dealing with the disgust he felt for Gertrude and Claudius' love affair, and maintaining the relationship he has with Ophelia without exposing his plans to kill his uncle Claudius for the murder of King Hamlet.
As shown through textual evidence, Hamlet attempts to act morally. That he does not take action unless he is assured that it will accomplish what he desires. Additionally, during the delay to gain revenge for his father, he not only deceives himself, but also the people around him. Hamlet is a man of many discoveries. The tragic hero in Shakespeare's Hamlet undergoes many changes throughout the play. His mindset is set deep and far away from the physical world that both helps him and hinders him in his plight for revenge against his uncle, Claudius.
Shakespeare’s Hamlet is a tragic play about murder, betrayal, revenge, madness, and moral corruption. It touches upon philosophical ideas such as existentialism and relativism. Prince Hamlet frequently questions the meaning of life and the degrading of morals as he agonizes over his father’s murder, his mother’s incestuous infidelity, and what he should or shouldn’t do about it. At first, he is just depressed; still mourning the loss of his father as his mother marries his uncle. After he learns about the treachery of his uncle and the adultery of his mother, his already negative countenance declines further. He struggles with the task of killing Claudius, feeling burdened about having been asked to find a solution to a situation that was forced upon him.Death is something he struggles with as an abstract idea and as relative to himself. He is able to reconcile with the idea of death and reality eventually.
Claudius is seen in Hamlets eyes as a horrible person because he convicted murder and incest. Claudius had killed the king of Denmark, Old Hamlet, to obtain the position of the throne. He had been jealous of Old Hamlet’s wife Gertrude and wanted to marry her for her power. Although, such an act would be called incest and considered unnatural he did not care, all he had cared about was the power that he would be stealing from Hamlet and Old Hamlet, Gertrude’s son and husband (R). When Hamlet had talked to his f...
By the 1820’s and 1830’s, politeness had so definitely given the ground over to fashion that those seeking a social reputation started to talk about entering fashionable rather than polite society (Li 34). The fashionable society offered a better barrier between social classes than the polite society had. The rise of fashion was closely related to the popularization of the idea of fashion via mass printing. Once fashion was able to be a part of the mass printing it became the hallmark of a transformed and expanded pop culture (Li 38). So even in history fashion was a major part of society. The fashionable quality of the upper class, the exclusiveness of social events, and the behavior of the macaroni’s all suggests that modern fashion was shaping the polite world in very significant
Hamlet’s mourning about the death of his father and the remarriage of his mother drives him to madness. This is the main characters inner tragedy that Shakespeare expresses in the play. First he considers suicide but the ghost of King Hamlet sends him on a different path, directing him to revenge his death. Shakespeare uses Hamlet to articulate his thoughts about life, death and revenge. Being a moral character he must decide if revenge is the right thing to do. Shakespeare relays many scenarios of reasoning to the audience about mankind His hero sets the wrongs on mankind right again.
After arguments like Goethe’s and Snider’s were published came a wave in the early 1900s where psychological theories began to take firm root and have scientific backing behind their former assumptions. After publications of psychoanalysis were released, literary critics began to apply psychoanalysis to almost everything they could find, and what better a muse than Hamlet, which, as shown above, had already been widely debated on Hamlet’s psyche alone? An earlier one of these authors, Samuel Tannenbaum, wrote a 1917 article in which he applies Freudian theory to Hamlet’s sense of consciousness. He states that Hamlet has made a conscious decision to not kill his uncle; his moral human state could not bring him to be so villainous (Tannenbaum