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"The Sun Rising," by John Donne, is a lyric poem about two lovers. The poem is divided into three stanzas, each ten lines long. The rhyme scheme in each stanza is ABBACDCDEE. This is a dramatic poem where the speaker and his lover are in bed together. The speaker personifies the sun, and is speaking to it throughout the poem. As the sunlight comes through the windows, the speaker tells the sun to leave them alone. He seems to feel that their life together is complete, and that the sun is being a nuisance. He then tells the sun that his lover is worth more than anything the sun can ever find outside their bedroom.
The sunrise has provoked the speaker to speak. The sun is symbolic of an intruder. Although the speaker acts extremely conceded in parts of the poem, perhaps he is actually insecure and fears that another man will steal the heart of his lover. Maybe the sun is symbolic of another man, which may be the reason that the speaker is really upset. It is also a possibility that the speaker realizes that he is getting old and is worried that his "time" is soon going to run out. He seems to worry a lot about "time." In the first stanza, he is saying how love is eternal and should not be measured by apprentices, seasons, hours, days, or months. On a more realistic level, I think that the speaker is trying to make the point that love is a reality, and that you cannot put a time constraint on love.
"The Sun Rising" is a love poem, but can also be categorized as an aubade poem, where "one of the lovers is waked by the sun and speaks." The speaker is commanding the sun to leave him and his lover alone.
The tone and emotion of the poem changes as the speaker goes on. The first stanza of the poem convey...
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...pectful as well. The speaker wants the sun to go out and bother someone else, such as schoolboys who are late for school. Donne uses a lot of sun-related imagery, such as eclipse and cloud. Because Donne uses such descriptive language, it makes it easy for his readers to envision what he is describing.
I can imagine the poem being directed towards another person, rather than the sun. Because Donne personifies the sun, many of the things the speaker says could also be directed towards a human being, particularly someone that has tried to get in the lovers' way. I enjoyed this poem and wouldn't change anything else. I think that Donne used this particular structure in order to express his creativity. He wanted to write a love poem where the speaker wasn't speaking to his lover, like in the typical love poem. He wrote a poem that stands out from all the rest!
The first stanza describes the depth of despair that the speaker is feeling, without further explanation on its causes. The short length of the lines add a sense of incompleteness and hesitance the speaker feels towards his/ her emotions. This is successful in sparking the interest of the readers, as it makes the readers wonder about the events that lead to these emotions. The second and third stanza describe the agony the speaker is in, and the long lines work to add a sense of longing and the outpouring emotion the speaker is struggling with. The last stanza, again structured with short lines, finally reveals the speaker 's innermost desire to "make love" to the person the speaker is in love
Time is equated with constant decay throughout the entire poem, which is primarily shown in the speaker’s comparison of the concept of eternity to a desert. Love, and other concepts felt in life, are subject to this negative force of deconstruction over time, and are vanquished in death; this idea can be seen in the witty commentary at the end of the second stanza, “the grave’s a fine and private place, but none I think do there embrace”
In order to better understand Philip's critique of Donne within the lines of her poetry, a reading
I think all in all when love is concerned in poetry nowadays it is a
I would not say this is a love poem, as the narrator never once says
“How Do I Love Thee?” by Elizabeth Barrett Browning, “Meeting at Night” by Robert Browning, and “Parting at Morning” by Robert Browning all share the same theme, love. Biographical information, symbols, setting, and the supported theme in all three of these poems will be discussed.
The metaphysical era in poetry started in the 17th century when a number of poets extended the content of their poems to a more elaborate one which investigated the principles of nature and thought. John Donne was part of this literary movement and he explored the themes of love, death, and religion to such an extent, that he instilled his own beliefs and theories into his poems. His earlier works, such as The Flea and The Sunne Rising, exhibit his sexist views of women as he wrote more about the physical pleasures of being in a relationship with women. However, John Donne displays maturity and adulthood in his later works, The Canonization and A Valediction: Forbidding Mourning, in which his attitude transcends to a more grown up one. The content of his earlier works focused on pursuing women for his sexual desires, which contrasts heavily with his latter work. John Donne’s desire for physical pleasure subsides and he seeks to gain an emotional bond with women, as expressed in his later poetry.
Andrew Marvell successfully writes about a delicate subject without coming off as dirty or disrespectful to the subject of sexuality. Each stanza carries a different way of looking at the same subject. The way Marvell speaks in the first stanza shows that he is not being impetuous, that he does love his mistress. He creates a sense of timelessness and then in the second stanza he sweeps that away and introduces death as frightening but unavoidable. He realizes how precious time is and is very effective in convincing his mistress of this fact as well. The last lines leave the reader with the image of this couple conquering and taking advantage of time by making the sun run. This poem would not be what it is without the detailed imagery, symbolism, and metaphors that Marvell applied to each stanza.
The first stanza shows a wide range of fantastical language with the intention of drawing the reader slowly and steadily into the hazy, dreamlike setting. Along with the words like ?fantasy?, ?fables? and ?dreams? come affectionate phrases that effectively show us that the poem is meant to be addressed to a lover, ?Dear love? being the most obvious example. Later on in the poem, the language shifts from drowsy and steady to more intense and complicated, yet less passionate and more doubtful. Donne?s choice in the last stanza to utilize fiery words like ?torches? and phrases ?light and put out? and ?thou cam?st to kindle? depict a sense of overwhelming passion, as uncontrollable as fire. Donne doubts that he can control his lover to continue loving him as fervently as in his dream, which is why his dream lover is ?an angel? while his lover in reality is compared to fire.
In ‘The Sun Rising’ the tone and the language Donne uses when interacting with the sun at the beginning of the poem is demeaning and powerful starting immediately with ‘Busy old fool, unruly Sun’, which shows Donne addressing the sun directly and perhaps scalding the sun for disturbing the sleeping lovers. Donne shows what the experience of love means to him by expressing his dislike for the sunrise of ultimately a new day, which represents the separation of the couple after spending the night together. In the first stanza Donne asks direct rhetorical questions which enquire about the sun’s existence ‘Must to thy motions lovers’ seasons run? This proves that Donne disagrees with the fact that the sun controls what the lovers do. It is also important to note that Donne uses a capital when addressing the ‘Sun’ as if it is personified and highlighting its importance in the poem. He continues to address the sun’s actions and is most reprimanding when he states ‘Go tell court-huntsmen that the king will ride’, suggesting that the sun should not disturb the couple as it is per...
For those who disagree, it also appears to be about a lover who perceives the world through love which he finds in sunlight.
In contrast, in the next two lines Donne describes the love he shares with his wife comparing it to moving planets “But trepidation of the spheres”. Using this metaphor he managed to grasp the true meaning of the kind of love they share, a love that is not of the earth like in those lovers who seek physical contact, but a love that is spiritual, heavenly, somewhat “out of this world”, a love close to God. As planets rotate around the Sun they cause great effects on people. We may not notice, hear or see them but they do happen, far away from the eyes of the beholder. And the love that Donne and his wife share is like the movement of the spheres, it is of great importance, silent and not visible to the naked eye, but it is there, in a spiritual form, a connection of souls. We can connect the movement of the spheres to the natural science of mathematics as we did with the previous text. The planets create circles as they rotate around the sun. Circles present perfection and infinity so the space that is created between the Sun and the spheres represents the love that the husband and ...
The first stanza of the poem makes the reader think that it is a love
John Donne and William Shakespeare shared similar ideas to depict the theme of love in “Sonnet 18” and “The Good-Morrow”. Both Donne and Shakespeare used the concept of eternal love in their poems, but with slightly different perspectives. John Donne establishes the idea of eternal love by saying that his lover’s bodily fluids mixed with his create the perfect match. In other words, through coitus they become a whole perfect person free from death. “Love so alike that none do slacken, none can die.” (Donne 1374). On the other hand, Shakespeare establishes the idea of eternal love through his own poetry. “So long as men can breathe or eyes can see, So long lives this, and this gives life to thee.” (Shakespeare 1173). Shakespeare, conceitedly, is determined that his poetry will last for centuries. As long as mankind can read, people will always know of their love. Shakespeare also establishes the concept of eternal love through summer. “But thy eternal summer shall not fade,” (Shakespeare 1173). Summers are eternal just like his love. Each of the poems also share the idea of temporary ownership. In “The Good-Morrow” John Donne makes a reference to the “Seven Sleepe...
Donne's narrator begins the metaphor in the first stanza, addressing the sun as its morning rays awaken him, through the curtain. He scolds it as if it were an unruly butler, calling the sun a "busy old fool" (Line1). It is suggested that the sun should be attending to more important concerns at that hour, rather than waking to lovers: