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Hamlet loyalty and betrayal
With examples drawn from Sophocles's Antigone, discuss two themes
With examples drawn from Sophocles's Antigone, discuss two themes
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Recommended: Hamlet loyalty and betrayal
An Analysis of Loyalty in Greek Dramas
Murder, corruption in government, religious zealotry, and revenge of scorned lovers are
themes that run rampant through many Greek dramas. However, in the plays Medea, written by
Euripides, and Antigone, written by Sophocles, such themes reach an almost unprecedented
levels. The plays follow women driven to extremes by what she feels is great injustice. The two
women, after whom the plays are named after, fight against the offense and demand respect from
the men they deal with. Antigone stands with her sister, Ismene, against Creon in defense of
giving a proper burial to her slain brother. Medea extracts a horrible revenge against her
husband, Jason, whom has left her for another woman. With all the similarities between the
dramas, there is still one overwhelming theme which surpasses all others; loyalty. The loyalty
depicted is most apparent with the characters' ties to his/her family and gender.
For the plays, loyalty to one's family is more than simply familial pride. When Antigone
first faces Creon, she is questioned as to why she disobeyed a creed set forth by the government;
Antigone responds by saying, "It is no shame to pay respect to own flesh and blood" (Sophocles
20). Her response clearly demonstrates the allegiance she feels toward her brother. She further
demonstrates this when she states, "It was no bondman perished, but a brother" (Sophocles 20).
Even in the face of a great authority and with the threat of being exiled or death held over her,
Antigone never questions what she has done to honor her brother. The family fidelity goes
beyond just the brother/sister relationship when Ismene decides to stand beside her sister in
punishment. Though Antigone protests, Ismene attempts to share blame for the burial. To her
there is no life without her sister which she clearly expresses in "How could I live on alone,
without my sister?" (Sophocles 22). Ultimately, it is realized that Ismene did not take part in the
act, the brave support she shows for her sister is truly admirable. Within Medea, Jason attempts
to do what he feels is right for his family.
In Sophocles' Greek tragedy, Antigone, two characters undergo character changes. During the play the audience sees these two characters' attitudes change from close-minded to open-minded. It is their close-minded, stubborn attitudes, which lead to their decline in the play, and ultimately to a series of deaths. In the beginning Antigone is a close minded character who later becomes open minded. After the death of her brothers, Eteocles and Polyneices, Creon becomes the ruler of Thebes. He decides that Eteocles will receive a funeral with military honors because he fought for his country. However, Polyneices, who broke his exile to " spill the blood of his father and sell his own people into slavery", will have no burial. Antigone disagrees with Creon's unjust actions and says, " Creon is not strong enough to stand in my way." She vows to bury her brother so that his soul may gain the peace of the underworld. Antigone is torn between the law placed against burying her brother and her own thoughts of doing what she feels should be done for her family. Her intent is simply to give her brother, Polyneices, a proper burial so that she will follow "the laws of the gods." Antigone knows that she is in danger of being killed for her actions and she says, "I say that this crime is holy: I shall lie down with him in death, and I shall be as dear to him as he to me." Her own laws, or morals, drive her to break Creon's law placed against Polyneices burial. Even after she realizes that she will have to bury Polyneices without the help of her sister, Ismene, she says: Go away, Ismene: I shall be hating you soon, and the dead will too, For your words are hateful. Leave me my foolish plan: I am not afraid of the danger; if it means death, It will not be the worst of deaths-death without honor. Here Ismene is trying to reason with Antigone by saying that she cannot disobey the law because of the consequences. Antigone is close-minded when she immediately tells her to go away and refuses to listen to her. Later in the play, Antigone is sorrowful for her actions and the consequences yet she is not regretful for her crime. She says her crime is just, yet she does regret being forced to commit it.
“Being sister and brother means being there for each other” (thefreshquotes.com). Siblings are one’s most important relative because they’re basically an irreplaceable friend that will love and care for one another forever. People’s relationship with their siblings is emotionally powerful and critically important for their everyday life. Antigone believes that her siblings are her most significant relatives because they can’t be replaced, unlike a husband or children, because her parents are deceased; she will do anything for them, even go against the rules and put her own life in danger. In the play Antigone by Sophocles, the character Antigone can be seen as immoral because of her defying Creon’s laws, however, she receives sympathy for the injustices that were done to her brother, Polyneices, of him not being provided with a proper burial.
Antigone is loyal to her family readers can see that when she says “ Their it is, and now you can prove what you are: A true sister , or a traitor to your family” ( PR. 26-27). This quote shows that Antigone is loyal to her family because she wants her sister to be a true sister like her because she is going the break the law for her brother. Antigone is also seen as loyal to the gods when she says “ That final justice, that rules the world below makes no such laws” ( 2. 57-58). Antigone is seen as loyal because she says the final justice of her being killed doesn’t matter because she did something good for the gods, so they will be loyal back to her. In the greek tragedy Antigone, Antigone has the tragic flaw of loyalty to her family and to the gods, which leads to her
Like her parents, Antigone defies a powerful authority. Unlike her parents though, that authority is not of the gods, but rather of a person who thinks he is a god: Creon, Antigone's uncle, great-uncle, and king. He proclaims that the body of Polyneices, Antigone's brother who fought against Thebes in war, would be left to rot unburied on the field, “He must be left unwept, unsepulchered, a vulture's prize....” (ANTIGONE, Antigone, 192). Antigone, enraged by the injustice done to her family, defies Creon's direct order and buries her brother.
Antigone, as a character, is extremely strong-willed and loyal to her faith. Creon is similarly loyal, but rather to his homeland, the city of Thebes, instead of the gods. Both characters are dedicated to a fault, a certain stubbornness that effectively blinds them from the repercussions of their actions. Preceding the story, Antigone has been left to deal with the burden of her parents’ and both her brothers’ deaths. Merely a young child, intense grief is to be expected; however, Antigone’s emotional state is portrayed as frivolous when it leads her to directly disobey Creon’s orders. She buries her brother Polynices because of her obedience to family and to the gods, claiming to follow “the gods’ unfailing, unwritten laws” (Sophocles 456-457). CONTINUE
The notion of honor and justice is prevalent throughout all types of literature. In Greek culture, honor is essential for creating a solid foundation within a society and family. Honor will follow you until the day you perish, and beyond. The honor for men in Greece is spiritual in that loved ones show respect to the deceased by giving them a proper burial. Nevertheless, when a man acts upon betrayal of the city, that man looses the privilege to die in such honor. This is evident in the life of Antigone when her two brothers, Polyneices and Eteocles, both die at each other’s hands at war when deciding the ruler of Thebes. Polyneices cannot have a proper burial, because the new king, Antigone’s uncle, Creon created a law that decrees that anyone who tries to give Polyneices a proper burial will have a dire consequence: death. In Sophocles’ Antigone, the quest that Antigone endures to stay true to her pure intentions of honoring Polyneices by giving him a proper burial is in juxtaposition with the fact that her defiance towards Creon is not only to do with Polyneices, but also to show appeasement to the gods.
Sophocles' Antigone, in its later phases is no longer about the conflict of law; It is about stubbornness and self will, about the sin of refusing to listen; about a man who has never been told.
crying. “There is no shame in honoring my brother (Antigone line 430),” it is true that
The play Antigone is usually thought of as either the tragedy of Creon or the tragedy of Antigone, but it is just as much the tragedy of Antigone's sister Ismene. In the play, Antigone and Creon hold on to two different ideals, Antigone to the ideal of sororal duty and holy rights, while Creon holds on to the rules of his kingdom, dominated by the laws of men and of reason. Ismene is obsessed by her role as a woman, choosing to ignore her feelings of obligation towards her family, and remaining completely indecisive and inactive, as she believes a woman should. By the end of the play she is left in the same position as Creon, without any family in the world and feeling partially responsible for the outcome. If Ismene had stood up and done something either to stop Creon from sentencing Antigone to death, or to help Antigone in burying Polyneices, she would in the end be with her family in life or in death, and be better of than being left alone on earth alive. Also the actions of the characters in the play are very comparable to the ideas and strategies of the Greeks and Spartans in Thucydides, written shortly afterwards.
As a woman in Ancient Greece, Antigone is limited to cooking, cleaning, and caring for children. Along with her responsibilities at home, Antigone, among other women, is crucial to the burial process of ancient Greece. The women helped plan all tasks before one is buried. After Antigone's brothers, Polynices and Eteocles, were killed it was immediately time to bury them. As Antigone tries to bury her brother, Creon declares “in this city he shall be neither buried nor mourned by anyone.”(Ant. 206-8). The King’s law leaves Antigone and Ismene with a decision, to break Creon’s laws and face death, or to let their brother remain stuck wandering outside the underworld. Antigone quickly makes the bold decision to bury her brother and face the fury of only a king versus the gods. Sophocles changes Greek theatre by making a woman stronger than a man. Antigone was able to stand up for herself and the rights of her family. She goes behind the King’s back, knowing her punishment, just to make sure her brother is taken care of. She exemplifies confidence in declaring “I assert that I did it; I do not deny it” (Ant. 453) She is fearless towards Creon, a man who could have her killed in an instant. Sophocles is thus proven as trailblazing because of how he writes a woman as strong a
Antigone knew that no law was more important than being respectful to her dead brother. To Antigone this meant that not even death will stop her from burying Polyneices. In spite of Creon’s edict, Antigone buries her brother Polyneices. Antigone believes the actions she took are right because it is what the Gods want; she disobeys the laws of the state and follows the laws that make life possible that Antigone proclaims “Isn’t a man’s right to burial decreed by divine justice?” (Antigone, Sophocles). Antigone’s actions are driven by her moral values, her respect for the Gods laws over mans, and her Hubris. Antigone’s Morals were very important to her that she was willing to give up her life in order to uphold
You shall leave him without burial...” (222). Opposing the king, she neglects the decree and is now to die at the orders of the law for being disobedient; yet Antigone proudly states her crime. There is no sign of remorse shown by Creon as he states: “No; though she were my sister’s child or closer in blood than all that my hearth god acknowledges as mine, neither she nor her sister should escape the utmost sentence-death” (530-33). Bobrick, explains that Creon values the love for his land more than he values family and this becomes a struggle for Antigone as it becomes a fight between obeying the laws of man and the laws of the god’s. The second struggle Antigone faces comes when she realizes she is alone. Antigone confides in her sister Ismene with her plans to disobey Creon; but Ismene, a clear example of how a lady was obliged to be in this time, urges Antigone not to commit the act. Antigone rejects her advice and declares that Ismene is an enemy to her now (41): “If you talk like this I will loathe you, and you will be adjudged an enemy…” (109-10). Antigone must fight on her own. Thirdly, per Bobrick, Antigone
Antigone’s own excessive pride drives her to her defeat. Her arrogance and strive for self-importance blinds her to the consequences of her actions. Ismene, Antigone’s sister, rejects to take part in the crime leaving Antigone all on her own. Ismeme declares “why rush to extremes? Its madness, madness” (Sophocles 80). Ismene fails to comprehend the logic behind her siste...
Even in today’s society, gender roles play a part in how people view the world. Although more important than the gender roles are the emotions that antagonize the psyche of the human. Medea shows how jealousy can lead to revenge and influence bad decisions and ruin or even end lives. Ironically, the decisions she makes to kill her children, leaves Jason helpless much like a Greek wife during this time. She removes the opportunity for him to voice his opinions, needs, and desires. This flip of traditional gender roles shows how gender roles are not a reliable way to view a society.
Antigone respects her blood relations, and she is driven by this to oppose the laws created by Kreon. Even though she recognizes the sin in which Oidipous bequeaths upon his kin, she refuses to abandon her brother is determined to "not be caught betraying him" (Sophocles, 58). Kreon's man made laws cannot "keep [her] from [her] own," and in this she accepts the blood line of her doomed oikos. Furthermore, Antigone justifies herself by honoring her brother above other relationships that she is capable of producing. Antigone states that she "would never have assumed this burden...if it had been [her] children or [her] husband who had died...no more brothers could ever be born- This was the law by which [she] honored [Polyneikes] above all others" (966-77). Using this reasoning, the death of Antigone’s brother means extinction of the blood line and proper burial is still needed, even if it the traitor was Eteokles. Antigone's breach of nomos is a necessary one, for the dead cannot be revived and must be honored, especially those that en...